Dashiell Hammett: The Maltese Falcon

Brigid O’Shaughnessy plays the role of femme fatale, meaning “deadly woman” in French, and she uses her femininity to manipulate Sam Spade. For example, Brigid lies to persuade Spade to keep helping her, “And the lie was in the way I said it, and not at all in what I said.” She turned away, no longer holding herself erect. “It is my own fault that you can’t believe me now.” Spade’s face reddened and he looked down at the floor, muttering: “Now you are dangerous” (Hammett 36). Spade acknowledges that she draws him in with her good looks, and that she makes him feel sympathy towards her, which is giving Brigid the upper hand towards Spade. Brigid is described as a very attractive woman in the book, and this is the other way she controls Spade like a puppet. For example, she has control over Spade by sleeping with him, “She puts her hands up to Spade’s cheeks, put her open mouth hard against his mouth, her body flat against his body” (Hammett 89). It can be inferred that after that, they end up sleeping with each other and this is a way that Brigid builds up an emotional connection to Spade, so he will be on her side and trust her more than anyone else. Ultimately, Spade ends up betraying Brigid, and tells the cops about the murders she commits. Spade admits he loves Brigid but it will not keep him from telling the cops about Brigid murdering Archer, “You

The Kite Runner is the first novel of Afghan-American author Khaled Hosseini. It tells the story of Amir, a boy from Kabul, Afghanistan, whose closest friend is Hassan, a young Hazara servant. Novel turns around these two characters and Baba, Amir’s father, by telling their tragic stories, guilt and redemption that are woven throughout the novel. Even in the difficult moments, characters build up to their guilt and later on to their redemption. Their sins and faults alter the lives of innocent people. First, Amir and Baba fail to take action on the path to justice for Ali and Hassan. Moreover, Amir and Baba continue to build up their guilt due to their decisions and actions. Although Amir builds up more guilt than Baba throughout the novel, he eventually succeeds in the road to redemption unlike his father. After all, Amir and Baba have many chances to fix their atonements but Baba chooses not to and Amir does. Baba uses his wealth to cover up his sins but never atone himself while Amir decides to stand up and save Sohrab and finally finds peace. Amir and Baba’s reaction to sins essentially indicate their peace of mind and how they react to guilt and injustice.

One major theme that is evident in The Kite Runner is that scars are reminders of life’s pain and regret, and, though you can ease the regret and the scars will fade, neither will completely go away. We all have regrets and always will, but though it will be a long hard process we can lessen them through redemption. The majority of The Kite Runner is about the narrator and protagonist, Amir. Almost all of the characters in The Kite Runner have scars, whether they are physical or emotional. Baba has scars all down his back from fighting a bear, but he also has emotional scars from not being able to admit that Hassan was also his son. Hassan is born with a cleft lip, but for his birthday Baba pays for it to be fixed, which left a small scar above his mouth. Hassan also has emotional scars from being raped. The reader is probably shown the emotional scars of Amir the most. Amir has emotional scars because he feels that he killed his mother, and also because his father emotionally neglects him. In the end of the novel, Amir receives many physical scars from getting beaten up by Assef, when rescuing Sohrab. Though scars will never go away and are a reminder of the past, not all scars are bad.

Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches.

“ For you, a thousand times over”. This one sentence sums up the immense love, loyalty and friendship Hassan had for Amir.

The desire to feel loved and wanted by your parents can drive a person to go to extreme limits to get that love. One boy that goes to these extreme limits is Amir. All Amir wants is to have a good, strong relationship with his father. He feels the death of his mother was his fault, and he needed to make it up to his father. In doing so, Amir let’s horrible things happen to his friend Hassan. Many many years later, after fleeing to America, Amir returns to Afghanistan in search of redemption of his actions all those years ago. The theme of The Kite Runner written by Khaled Hosseini is redemption. Through Amir’s life, that’s what he’s been doing to himself, trying to redeem himself from his acts that have brought pain

In the novels Frankenstein by Mary Shelley and The Kite Runner by Khaled Hosseini, both protagonists; Victor Frankenstein and Amir, share similar characteristics and how their characteristics effect their lives and the lives around them. Both V. Frankenstein and Amir act as cowards in many dilemmas which affect their lives and the people they know tremendously. As well both characters are very ambitious, they use their ambition to try and reach their goals; some of which seem outrageous. Both males are also very selfish which reasons for their decisions they make in their lives. V. Frankenstein and Amir exhibit very similar characteristics which impact their lives and the lives around them severely.

Dashiell Hammett who worked for a detective agency, wrote the novel The Maltese Falcon in 1929. In this novel the protagonist is a fictional character that Hammett created and named Sam Spade. Sam is a private detective hired by another character in the novel named Brigid O' Shaughnessy. Being a detective comes with many job responsibilities and being a private detective becomes even more complicated. In Hammett's novel there are many conflicts throughout his writing. Most conflicts have to do with Spade in some form considering he is the detective and also the protagonist. Are the conflicts in the story relating to Spade within himself; man versus self, or caused by another character; man versus man?

Hard-boiled detective fiction sets the scene for a cold and harsh reality. Dashiell Hammett’s, “The Girl with The Silver Eyes” is no exception to this rule. In this short story Hammett paints a picture of a brutally realistic urban center filled with characters that not many people would want to call friends. The realistic qualities of Hammett’s story are drawn from his own life’s experience working as a Pinkerton detective. The detective in “The Girl With The Silver Eyes” works for the Continental Detective Agency and is, therefore, known simply as the Continental Op. In the beginning of the story the Op professes, “a detective, if he is wise, takes pains to make and keep as many friends as possible among transfer company, express

Readers who have never picked up on the Dashiell Hammett detective novel The Maltese Falcon 1930 or seen the classic 1941 film adaptation, which follows the novel almost verbatim, can feel a strong sense of familiarity, faced for the first time in history. In this book, Hammett invented the hard-boiled private eye genre, introducing many of the elements that readers have come to expect from detective stories: mysterious, attractive woman whose love can be a trap , search for exotic icon that people are willing to kill the detective, who plays both sides of the law, to find the truth , but it is ultimately driven by a strong moral code , and shootings and beatings enough for readers to share the feeling of danger Detective . For decades , countless writers have copied the themes and motifs Hammett may rarely come anywhere near him almost perfect blend of cynicism and excitement.

Dashiell Hammett’s “The MAltese Falcon” is a story led by a man but incomplete without the women around him. The reader interacts with three women throughout the book, Effie Perrine, Miles Archer’s widow and Brigid O’Shaughnessy. Each woman has their own individual relationship with the protagonist, Sam Spade, however, each character is depicted with similarities. The broad setting of the book is America in the 1930s, this is important because of the attitude towards women during the time as well as the heavy patriarchal attitude that loomed over the era. The setting allows the reader to get a grasp of why the similarities of these women are what they are and why the women were portrayed the way they were.

In traditional hard-boiled American detective fiction there are many themes that seem to transcend all novels. One of those themes is the concept of power and the role in which it plays in the interaction and development of characters. More specifically, the role of women within the novels can be scrutinized to better understand the power they hold over the other characters, their own lives and the direction of the story. Dashiell Hammett’s The Maltese Falcon exemplifies the varying ways in which female characters attempt to obtain and utilize power in hopes of influencing, manipulating and succeeding.

Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre. In the Maltese Falcon, Hammett uses language, symbolism, and characterization to bring the story closer to

Characters have a way of becoming real people with ideals, feelings, raw emotions and personality traits that anyone can connect with in their own unique way.  An adventure such as deep sea exploring is a chance few in the world get; being able to live it through Jules Verne’s book Twenty Thousand Leagues Under the Sea, readers are able to escape from the world around them and dive deep into an underwater world of great proportions. Due to detailed accounts of mesmerizing and dangerous creatures that are thousands of leagues under the sea, as well as events that conflict with human morals, the reader is able to see what Pierre Arronax saw, be consumed by fascination like Conseil was, and feel imprisonment like Ned Land felt. Throughout the

While American and British authors developed the two distinct schools of detective fiction, known as “hard-boiled and “golden age,” simultaneously, the British works served to continue traditions established by earlier authors while American works formed their own distinct identity. Though a niche category, detective works reflect the morality and culture of the societies their authors lived in. Written in the time period after World War I, Dashiell Hammett’s The Maltese Falcon and “The Gutting of Couffignal”, and Raymond Chandler’s “Trouble Is My Business” adapt their detectives to a new harsh reality of urban life. In “hard-boiled” works, the detective is more realistic than the detective in “golden age” works according to the