In this Newsweek Article written by David Ansen, the article analyze the special alchemy of the work and composition of the film. Ansen talk about how Mendes uses cinematographer and images to grasp those fantasies vs reality within the film.” He and cinematographer Conrad hall create bold, spare images suspended somewhere between Caravaggio and comic strip”. I will uses this article in my essay to show how the director of the film uses cinematography in the film.
This article by Mark Griffin focuses on one of the themes of the film. Griffin analyzed sexuality, homophobic and the homosexual scenes of the film. Griffin is concerned of the gay portrayals and how the images are presented as a mixed metaphor. Suggesting that the movie sends a
I argue that the novel's sexual wrongdoing and the creation of lesbian and gay subtext work in
This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well
I was very bothered by the comments Anita Bryant made during a televised speech that was shown in the film. She was an orange juice sales woman who was working to repeal laws that protect homosexual human rights; specifically in employment and housing. She described homosexuality as “tearing down the foundation of the family unit” and compared gays to prostitutes and thieves. She tried to convince the public that the traditional family was being threatened and that practicing or accepting homosexuality was blasphemy.
Throughout the 1950’s, the United States belonged to the Leave It To Beaver era. Families were structured around a strong, hard working father and a wonderful homemaker mother. Children were brought up with solid ideologies on what society expects from them and were warned about living a different and dangerous life. Only one-year separates Tennessee William’s Cat on a Hot Tin Roof and James Baldwin’s Giovanni’s Room from there publishing dates during this decade of unwavering beliefs. These texts were seen as extremely controversial during their time due to their themes of homosexuality. Sexual orientation was an awkward topic during such a “to the book” time period and these texts pushed the limits, making them remarkable and memorable works. Both Tennessee Williams and James Baldwin explore the panic men experience while trying to comprehend what sexual orientation they belong to and highlight the masculine gay man. These texts also examine the woman’s role in the mist of it all.
From my perspective it’s the judgement of homosexuality that is portrayed in the movie. Riddled throughout the movie is drugs, other deities and violence. Even the main character Che is an alcoholic bully who’s been to prison. How they wrap their heads around these
This film highlights the flaws of humanity in a western world. The films ability to touch on topics of classism, prostitution, and alcoholism makes the content mature and unlike typical western films. This revolutionary and innovative western created a foundation for many future films. The sophistication of the content, and lack of adherence to the production code makes this film an “adult”
By doing this, he is succesful in showing that gay men are the same as anyone else. The only difference is who they choose to share a sexual life with. Once again modeling reality, several characters are confident in their sexuality but are hesitant to admit to it.
The film consists of not only homosocial desire but of homosocial desire for a racial other; white male desire for black male bodies
Within modern society when a character strays away from what society depicts as morally right, the individual is frowned upon as if he or she doesn't belong. In “Angels in America” a gay fantasia on National themes, characters struggle to be themselves upon fear of whether or not society will accept them as an individual. The characters not only struggles with whether or not society will accept them, but they also struggle with their inner demons, and ultimately the question of what is truly good or evil. In this paper several characters will be analyzed and discussed from several different viewpoints.
While it would be very easy to focus on the constant assault of the sexuality of both the men and women that are represented in this story, I feel that sexuality is only a minor theme. The provocativeness that the story contains is used more to draw people to either listen or view the story itself than present a major theme in sexuality. The major issue that he is trying to bring forward is that of conflict and how it occurs in more than just war. Let's look at the three major conflicts within this story.
The raison d’etre of the Western is arguably to celebrate masculinity, but Brokeback Mountain is a revisionary Western that challenges definitions of masculinity. Discuss this statement with reference to Jane Marie Gaines’s and Charlotte Cornelia Herzog’s comments on the homoeroticism of the Western.
1. What is the true subject or the theme of the film, and What kind of statement, if any, does the film make about the subject? Which elements and which themes contributed most to addressing the theme of the film?
In his novel The Hours, Michael Cunningham creates a dazzling fabric of queer references managing to intertwine the lives of three different women into one smooth narrative. In this essay, I will discuss what makes The Hours queer literature, how the novel has contributed to the queer genre, the cultural significance of the novel, and I will discuss several points made in Jeanette McVicker’s critical article “Gaps and Absences in The Hours.” My aim, however, is not to say that Michael Cunningham’s The Hours is strictly a queer novel, but to highlight what makes the novel queer and to discuss Cunningham’s idea of sexual orientation as a fluid entity.
images as constructions that we created around ourselves as a means of hiding our true selves. Mendes is able to implicate us in the construction and make us active viewers by exploiting our voyeuristic nature. In American Beauty Mendes uses the voyeuristic tendencies of the spectator to acknowledge the permeating constructed images. Mendes, through the use of narration, the mise en scene and cinematic techniques implicates the spectator in to using their voyeuristic tendencies to deconstruct
One of the most iconic movies from the 80’s is Top Gun. From the thrilling flight scenes to Tom Cruise 's winning smile, the movie was, and remains, a hit. Maverick, played by Tom Cruise, is sent to an elite naval flight school with his best friend Goose. Both men must undergo training in an extremely competitive environment. to become the best pilots in the academy. They face many challenges and loss along the way. Throughout the movie Top Gun, the hyper-masculine environment of flight school allows for there to be a much more fluid relationship between homosexuality and homosociality. Unlike in everyday occurrences, where romantic exchanges between men are considered gay, the exchanges between the characters in the movie are often considered completely normal. Though not every scene in the movie portrays this accepting, modern perception of homosocial relations. The movie often contradicts itself by also displaying hypermasculine scenes. This contradiction illustrates how there 's not only multiple perceptions of masculine behavior but also a conflict in society about the proper way for men to act while together.