Is it morally right to boil a lobster alive for culinary enjoyment? David Foster Wallace displays his confusion on this subject in his informative essay titled “Consider the Lobster.”. He informs you about the famed Maine Lobster Festival, where more than 25,000 pounds of fresh-caught lobster is prepared and consumed. He then goes into detail about the debate on the morality of such an event. There are a lot of questions raised in this essay, and the lobster is the focus of all of them. Wallace asks people to investigate their own feelings when he asks them to consider how comfortable it is for people to boil lobsters alive, how much pain the lobster is in when it is being prepared, and what it is like to be in the shoes of this crustacean. The purpose of this essay was to inform the people and get them to consider the integrity of our most common cooking method when it comes to the lobster. First of all, the experience of boiling a creature alive tends to feel quite uncomfortable for a lot of people, and there’s no avoiding that. Wallace says that “it’s not just that lobsters get boiled alive, it’s that you do it yourself -- or at least it’s done specifically for you, on-site” (703). This tends to feel almost selfish due to the fact that the animal is suffering for your enjoyment. To make matters worse, the intimacy of this process is at a maximum when performed in your own home. Here, you get to watch as the lobster attempts to cling to the sides of the container as you
In his essay Consider the Lobster, it’s apparent what David Foster Wallace is trying to tell his audience: we should really think about the lobster’s point of view before cooking and eating it. Wallace uses multiple rhetorical strategies to get his point across, including pathos and ethos. His essay is very good in how it gets its point across, and how it forces even the largest lobster consumers to truly contemplate how the lobster might react being boiled alive. It brings up many controversial topics of animal rights that many people tend to avoid, especially people who are major carnivores. Wallace’s use of rhetorical strategies really gets the reader thinking, and thoroughly captures the argument of many vegetarians against the consumption of animals. Wallace captures the use of pathos in his essay and uses it in a way that is incredibly convincing to the reader. For example, he compares the Maine Lobster Festival to how a Nebraska Beef Festival could be, stating, “at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there…” (Wallace 700). Playing off of people’s natural tendency to feel bad for the cattle, he shows that the killing of lobster is, in reality, no different than the killing of cattle, but we treat it much differently. We tend to think that lobsters are different because they are less human than cows are, and, maybe to make us feel better about our senseless killing of an animal,
Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.
In Consider The Lobster, David Foster Wallace raises an ethical question: “Is it right to boil a sentient creature alive just for our gustatory pleasure?” However, this essay is not to provide a definite answer to this question but lets the readers come up with their own answers. Wallace uses rhetorical strategies such as comparison, imagery, and questions to make the audiences think deep about the moral lens of consuming lobsters.
In his article “Consider the Lobster”, David Foster Wallace uses the Maine Lobster Festival as a medium for his argument regarding the ethics of eating lobster. Wallace frames his article as a conversation just to get people thinking, but a deeper look at his rhetoric shows that he is arguing against the inhumanities of eating lobster, while doing everything he can to avoid sounding like he is taking a stance.
Everyone has an opinion when it comes to animals being killed and eaten. If a person agrees or not is completely their own opinion and will not be the focus of the essay. David Wallace’s essay “ Consider the Lobster,” is used to address perspectives of varying opinions while trying to persuade the reader. The author accomplishes this throughout the essay through the excellent use of multiple rhetorical techniques. Rhetorical devices such as ethos, lothos and pathos are all used in the essay to convey the author's opinion and try to convince the reader to choose a side.
As much as humans don’t want to admit it, the world wasn’t solely created for us. The novel, Ishmael, written by Daniel Quinn has given us an insight on how the world has been treated by man and how it could end. In a time where the world is being destroyed we need to step up and protect the earth from total destruction.
A Perfect Day For Bananafish was written in 1948 by the American writer Jerome David Salinger. This was just three years after the ending of World War II, where Salinger was stationed in Berlin, Germany. From further analysis of the short-story I have come to the conclusion that Seymour is Salinger’s role model. Seymour has just returned from World War II, as well as Salinger had when he wrote the story. Seymour returns to his native country very confused, dysfunctional and with some psychic issues.
Save the Whales, Screw the Shrimp is an essay written by Joy Williams, about the overwhelming complacency that todays culture shows towards nature.Williams argues in a very satirical way, that todays culture has all but completely lost touch with what nature really is, and that unless we as a nation change our morals regarding the role that nature plays in human existence, we may very well be witnessing the dawn of our own destruction.
According to Scruton, “Eating animals has become a test case for moral theory in Western societies,” and he believes that a moral life is set on three pillars: virtue, duty, value piety. Foer uses fishes and dogs, for example, in Eating Animals: people slam gaffs into fish, but no one in their right mind would do such a thing to a dog. Foer also mentions that fish are out there in the water doing what fish do, and dogs are with us. Dogs are our companions, and with that, we care about the things that are near and dear to us. In, “Consider the Lobster,” Wallace asks, “Is it all right to boil a sentient creature alive just for our gustatory pleasure?” Is it a personal choice to do so? PETA, of course, says no. Dick from the Maine Lobster Festival (MLF) argues that lobsters do not have the part of the brain that receives pain, which is a false statement anyhow. Goodrich (1969) says that a human’s life is worth so much more than an animal’s life. No matter how many animals there are, one human life is worth more.
In the essay “Consider the Lobster”, David Foster Wallace communicates his experience in the Main Lobster Festival as a writer for a food magazine called “Gourmet”. In this essay, he explores the impact the festival had on him as he tries to question the morals of eating lobsters. Wallace initially makes it seem as the festival is a place of fun and celebration as he describes the entertainment: concerts, carnival rides, lobster-themed food, lobster-themed clothes, and lobster-themed toys (50). In spite of that, he changes his attitude as he observes that the festival is actually promoting cruelty to animals and holds a long discussion whether or not lobsters can actually feel pain. Through the use of his language and description, Wallace convinces the audience as he claims to persuade the reader to stop eating lobsters, but he doesn’t explicitly say so at any point in the essay.
Wallace’s use of changing viewpoints adds to what he originally wants to do, which is to give the reader a chance to pick which side of the argument they want to be on. The author not only gives the reader different views, but he also changes his tone throughout the piece. By adding dynamic shifts in his writing, he includes the reader and gives a better feel for what this article is really about. This sentence stands out due to the fact that Wallace talks about the positive aspects of what occurs during the festival throughout the beginning of the article. This includes not only the amount of lobster that is being
The gluttonous lords of the land capture those who are unable to defend themselves, boil the captives alive, and then feast on their flesh. Could this be the plot of some new summer blockbuster? It could be, in fact, but for now we will focus on how this depiction of events compares to David Foster Wallace’s essay, “Consider the Lobster,” which starts as a review of the Maine Lobster Festival, but soon morphs into an indictment of not only the conventions of lobster preparation, but also the entire idea of having an animal killed for one’s own consumption. Wallace shows great skill in establishing ethos. In the essay, he succeeds in snaring a receptive audience by laying out a well-baited trap for an
In Consider the Lobster by David Foster Wallace, the author questions why is it ok "to boil a sentient creature alive just for our gustatory pleasure?"(Wallace, 60). Wallace questions why people, those who eat the lobsters, find it morally and ethically correct to eat a sentient being that has been tortured. Wallace uses the lobster to convey the picture of a sentient creature being tortured before its consumption, through this he explains the preferences of the people who eat these creatures and how their morals and ethics have been redefined to find the process acceptable. This paper will discuss Wallace 's examination of his question and how the solution relates to preference, morals, and ethics. While on the surface the essay is about why those eating lobster find it alright to torture the creature first before consuming it, what the author is really exploring is humans "preferring" not to cross paths with moral problems like torture, causing ethical practices to progress the avoidance and less urgency of these moral problems.
Retelling of movie “The Lobster” (2015) “The Lobster” is a film directed by Yorgos Lanthimos that tells the story of a single man who only has forty-five days to find a suitable romantic partner before he gets turned into an animal and is sent away from civilization. The protagonist, named David (Colin Farrell), is a lonely introvert who lives with his dog-turned brother and seems to be unable to establish a relationship with people. As a last resource and attempt to find someone who he can spend the rest of his life with, the awkward man decides to join The Hotel, a place situated in an isolated island where people like him (meaning both single and desperate) try to find a partner. During his stay there, David realizes that no woman there
The rise of literacy towards the end of the Middle Ages brought with it a torrent of individuals ready to think fro themselves and formulate their own theories and ideas regarding God and the Christian faith. For a long time, the church held a near monopoly on literacy and used this to maintain control over people’s lives and beliefs. While some of these new intellectuals created ideas that would forever change the way people envision themselves and their relation to God and the universe, some simply patched together tidbits of ideas that were not born out of deep philosophical inquiry, but had more of an instinctive type of logical grounding. This was the line of thinking that made up Domenico