Death In Hamlet Research Paper

The gravedigger scene in act 5 scene 1 shows the most about how Hamlet feels about death. Hamlet refers to the skulls he finds belonging to other people and their past lives.

At the beginning of the play, Hamlet comes home from college to find out that his father has passed and that his mother has remarried and that it is to his uncle. Hamlet doesn’t know what to think. Hamlet mourned the death of his father, “Oh, that is too, too sullied flesh would melt, Thaw, and resolve itself into a dew, or that the Everlasting had not fixed his canon ‘ gainst self-slaughter! O God, God! How weary stale,flat, and unprofitable seem to me all the uses of this world!” ( act 1, scene 2,, lines 129-133, 26) Hamlet has wished to die after the death of his father. He talked about how he wanted his flesh to melt off his body. Talking about dying and how you want to die show signs of madness. They show that that was the start of Hamlet’s true madness,along with the death of his father, Hamlet also became aware that his

One major theme within the play is the pervasiveness of death; death is everywhere within hamlet’s life and is a driving factor of the plot. This theme can be found in many parts of the play; for example, in Act 5 scene 2 of the play hamlet sends two players to their death in England (Shakespeare 1181). This shows how death is a mundane occurrence in hamlets time, this is shown in how hamlet shows almost no remorse for his actions and the subject is quickly overlooked. Within the soliloquy “To be, or not to be” hamlet comments on this theme and shows the audience his own ideas on the subject. One of his ideas is stated as “to take arms against a sea of troubles, And by opposing end them? To die: to sleep (Shakespeare 1127).” In this line hamlet relates death to a peaceful sleep; by connecting the two terms hamlet conveys a certain familiarity in death as in sleep. Maybe in reducing death to nothing more than a sleep, hamlet is stating that dying is as simple

In William Shakespeare's Hamlet, suicide is an important and continuous theme throughout the play. Hamlet is the main character who contemplates the thought of suicide many different times throughout the play, since the murder of his father. Hamlet weighs the advantages of leaving his miserable life with the living, for possibly a better but unknown life with the dead. Hamlet seriously contemplates suicide, but decides against it, mainly because it is a mortal sin against God. Hamlet continues to say that most of humanity would commit suicide and escape the hardships of life, but do not because they are unsure of what awaits them in the after life. Hamlet throughout the play is continually tormented by his fathers death and his

This shows that he is exploring the possibility that he may also be killed in his search for revenge. It almost sounds as if he is foreshadowing his own death because he says that ending the “heartache” is something he desires. Therefore, Hamlet seriously questions whether he should remain loyal to his father, because he takes

In Hamlet, William Shakespeare presents the main character Hamlet as a man who is fixated on death. Shakespeare uses this obsession to explore both Hamlet's desire for revenge and his need for assurance. In the process, Shakespeare directs Hamlet to reflect on basic principles such as justice and truth by offering many examples of Hamlet's compulsive behavior; as thoughts of death are never far from his mind. It is apparent that Hamlet is haunted by his father's death. When Hamlet encounters the ghost of his father, their conversation raises all kinds of unthinkable questions, for example murder by a brother, unfaithful mother, that triggers Hamlet's obsession. He feels compelled to determine the reliability

If his father, who was a great man, can be forgotten so quickly upon his death, then to Hamlet life seems rather pointless. In Hamlet’s soliloquy in act one scene two where he first contemplates suicide, Shakespeare begins his discourse with death. The notion of suicide is a major philosophical question – perhaps the greatest, as it argues between religious issues; “that the Everlasting had not fix'd his canon ‘gainst self-slaughter”, the boundaries between life and death, expressed through the boundaries between the physical and nonphysical, that he wishes that this “too solid flesh would melt”, but most significantly the point of life and the point of death, where all the “uses of this world” seem “weary, stale, flat and unprofitable”. There is an importance placed on death rites in this soliloquy, that Gertrude “followed my poor father’s body
” evoking imagery of a funerary procession, but Hamlet still feels that this was not enough, he feels especially that it was a deceit- that her tears were

In the play, Hamlet, Shakespeare leaves you wondering about death. Through the characters in the play, he reveals his own thoughts about death. Does Shakespeare portray a deep understanding of death in this play? The never-ending cycle of death and revenge is evident throughout the entire play.

It is clear that the death of his father and his mother 's remarriage has taken an enormous mental toll on him and that he desires death to free himself of the burden laid upon him by the ghost. He romanticizes it, saying that suicide is the brave and courageous option akin to “[taking] arms” against troubles. However, he can’t commit to the idea of death, saying “To sleep, perchance to dream: ay, there’s the rub / For in that sleep of death what dreams may come” (III, i, 66-67). He craves death, which would allow him to escape all the “natural shock / that flesh is heir to” (III, i, 63-64) but the more he ponders it, the further he is from reaching a decision. Ironically, the argument within his mind about how he should free himself of the ghostly burden — murder, or death — is impeding him from carrying out any action on it. At the end of his most famous soliloquy, Hamlet hasn’t made any decisive choice and therefore is in limbo regarding death due to his overarching rationale. His inaction proves “[his] endless reasoning and hesitation and the way in which the energy of his resolutions evaporates in self-reproaches” (Morgan 259). Moreover, Hamlet tackles the decision of interpreting what is real and what is false when he questions the ghost’s true nature. At first, Hamlet is certain

Hamlet feels the constant need to reassure himself that his beliefs are correct, especially in his soliloquies about death. It is stated, “O that this too too solid flesh would melt, Thaw, and resolve itself into a dew!...” (Act 1, Sn 2, 129-1559). Hamlet discusses how things were not good and he was just in mourning and despair in this soliloquy. In the noted to be or not be soliloquy he continues the decisions on death, “To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer, The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them?...” (Act 3, Sn 1, 56-89). As Hamlet continues through the play he gives up in a sense because of everything happening to the people he was close to and to him in general. He lost the people he cared about due to his uncle’s careless actions and his mother playing along with it. When he actually got emotion from his uncle things were only proven to be more complicated because his father’s ghost was correct. His soliloquies prove how Hamlet was overly depressed and wanted to die, although depression during this time period is completely different compared to now.

In the play Hamlet, by William Shakespeare, the protagonist, Hamlet is obsessed with the idea of death, and during the course of the play he contemplates death from numerous perspectives. He ponders the physical aspects of death, as seen with Yoricks's skull, his father's ghost, as well as the dead bodies in the cemetery. Hamlet also contemplates the spiritual aspects of the afterlife with his various soliloquies. Emotionally Hamlet is attached to death with the passing of his father and his lover Ophelia. Death surrounds Hamlet, and forces him to consider death from various points of view.

In a following speech Hamlet’s disposition towards the world persists, yet his attitude towards death has undergone a transformation. Previously, Hamlet was quick to proclaim his desire to die, but by the third act he’s become uncertain. This hesitation becomes apparent in Hamlet’s “To be or not to be” speech (3.1.56-90). With those opening words, Hamlet debates whether he should exist or not. The fact that this is still a question for him shows that he continues to be displeased with life. Hamlet asks himself, “Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die to sleep.” This reveals a new concern that Hamlet has, he doesn’t ask what is best for him to do, but rather what is nobler, which makes it apparent that he’s concerned with maintaining his character. Even though he maintains the desire to escape the world and the experience in it, he still cares about the image that he leaves behind. Subsequently, Hamlet uses war-like diction, comparing life to war with “slings and arrows” which makes life intolerable. This just reaffirms the ideas Hamlet has had throughout the play, however, a shift transpires when he mulls over the idea that death is like being asleep. A problem arises when he realizes that even when you sleep you experience, “To sleep; perchance to dream: Ay, there’s the rub.” This could be easily misinterpreted as Hamlet hoping to dream, but perchance

Death is a natural ending of one’s life journey. In Shakespeare's Hamlet, this theme is explored throughout the story, where the main character is a deeply troubled one and where the plot draws the audience into Hamlet’s speculations on death on multiple occasions. The question of mortality and existence is one that humanity has struggled with since the dawn of civilization, possibly even before; and it is this question that Hamlet is attempting to come to terms with following the passing of his father, King Hamlet. Shakespeare, using his unique literary style and theatrical story-telling, is not necessarily providing the readers with any answers but is rather taking everyone on the journey that every human travels when asking the question, “What is Death?”

The death of King Hamlet effected many individuals lives to the point where great changes were made. Especially in regards to his son, Hamlet, who took the death – murder- of his father personally in both mental and emotional ways. By doing so, Hamlet portrays and experiences the death and loss of his father by acting out in manners in which magnify his isolation and alienated actions. These would include excluding and distancing himself, turning on those closest, and taking on measures one would never do so when thinking rationally or clearly.

Death can be defined as; the permanent and irreversible cessation of the vital functions that result in the end of one’s life. Death itself can have many different causes such as disease, old age or even something as gruesome as murder. In the Elizabethan era, it seems as though murder was commonly used to solve problems as in several of William Shakespeare's plays, characters are killed so that more dominant characters can obtain what they truly desire. In William Shakespeare’s tragedy Hamlet death is a prominent theme that is explored in depth throughout the play. Within the play, there are many examples of death; such as the suicide of Ophelia, the unnecessary murder of numerous characters and even Hamlet’s untimely death itself.