Death in Life in Alfred Lord Tennyson's Poetry Essay

Raised fists and a fading smile usually follow the confrontation of death as we experience the first stages of denial in the grieving process. We not only grieve at the loss of a loved one, but at the loss of our own life as well. When death rears its ugly head, it demands this response. Whether through art or science, humor or ritual, mankind marks and confronts this passage with both defiance and trepidation that eventually turns into acceptance and submission.

In any piece of lyrical poetry, authors must masterfully use the language of the poem to covey the intended meaning. In order to ensure the meaning is not lost, it is imperative that the author incorporates various aspects of the narrative to escalate the poem past its face value. Alfred Tennyson’s poem “The Lady of Shallot” is no exception to the rule. From lines like “blue unclouded weather” and “the gemmy bridle glitter’d free”, one can draw that descriptive language is Tennyson’s tool to revealing the underlying meaning (Griffith 334). In each of the four parts of “The Lady of Shallot”, Tennyson uses descriptive language to convey his intended meaning to the audience.

During one’s life, one must step out into the real world and experience all of what the world has to offer. In order to attain a well-balanced life both mentally and socially, one may seek any way possible to live life to the fullest. We were put on this earth to live- not just simply by breathing in and out everyday, and making life the best it can possibly be. It has been said that you have not really died if you have lived. This theory has been applied to several pieces of literature. In the book The Picture of Dorian Gray by Oscar Wilde and “The Lady of Shallot” by Alfred Lord Tennyson, two characters have not lived their life to the fullest extent. In the aforementioned literature, the characters of Sibyl Vane and the Lady of Shallot

This transfer of the power of voice to Penelope’s perspective plays out similarly in Waddington’s diction choices as pitched against those of Tennyson. While “Ulysses” refers in detail to its hero’s “drunk delight” and “roaming with a hungry heart,” the same marvels are offered less glory or attention in the words of Waddington (Tennyson 16, 12). These events are mentioned, but in passing, not in Ulysses’ terms of conquest and action. While Ulysses takes the place of a passive character and only performs deeds in coming home and “climbing the stairs,” Penelope fills the seat of active rescuer and change-maker as she weaves his story (Waddington 25). Thus it is within Waddington’s diction choices for the actions of Penelope, not Ulysses, that her stanzas best reflect the gallant rhetoric akin to Tennyson’s work. From when “her stitches / embroidered the / painful colors / of her breath,” to her creation of Ulysses as “a medallion / emblazoned in / tapestry,” Penelope’s labors in the retelling of her husband constitute the most dynamic language in the work (Waddington 37-40, 30-32). Here, the facade of incapable “blind hands” falls away to reveal Penelope’s potency to create a new myth (Waddington 33).

The themes of loneliness, exile and escape from reality are important aspects that characterize the works of Alfred Lord Tennyson. During the 1800s, these aspects differentiated him from other Victorian poets, distinguishing him as one of the most popular poets of the Victorian era. In Tennyson's poems Mariana, and The Lady of Shalott, the artists express loneliness in their isolation from the rest of the world. The following essay will compare and contrast the displays of temporary and permanent loneliness of these artists through Tennyson's use of imagery, repetition, and word painting.

How does Emily Dickenson give definition to the ultimate experiences of life in “After great pain, a formal feeling comes”, and “Because I could not stop for Death”? “After great pain, a formal feeling comes” and “Because I could not stop for Death” by Emily Dickenson are poems which convey abstract ideas. In “After great pain, a formal feeling comes” (AGP), the speaker describes the long suffering of psychological pain, while the speaker in “Because I could not stop for Death” (BIC) is deceased, and recounts the very moment she passed away. Both of Dickenson’s poems use diction and imagery to convey a similar theme, and thus give definition to profound ultimate experiences of life: pain and death.

Mortality is a moving and compelling subject. This end is a confirmation of one’s humanity and the end of one’s substance. Perhaps that is why so many writers and poets muse about their own death in their writings. Keats and John Donne are two such examples of musing poets who share the human condition experience in When I Have Fears and Holy Sonnet 1.

The three authors, Edgar Allan Poe, Anne Bradstreet, and Emily Dickinson, had poems in which they explored the common theme of death. Their unique views on death, as reflected in their poems, tells us of the different ways people looked at death during their respective times. In this essay, I will explore and explain three poems of Edgar Allan Poe, and one from Anne Bradstreet and Emily Dickinson respectively, and then compare the differences between the three authors.

In the Poem, “The lady of Shallot”, the main character, Lady of Shallot spends the entirety of her life perceiving the outside world through the reflection of her window through a mirror. As the Lady of Shallot observes the obscured reality, she weaves all that she sees in the mirror to create a quilt. However, what the lady sees in the mirror is not an accurate representation of the real world outside of her castle. Thus, by this action, the Lady of Shallot is an accurate representation of how all artists create their artwork. In other words, the layers behind reality that is not palpable to human eyes are what artists visualize and then illustrate on their canvas. To illustrate the emblem of Lady of Shallot, famous artist, Vincent van Gogh,

While the past was riddled with misogyny, the present is beginning to look a lot brighter. However, it is the future that Tennyson is encouraging the reader to look towards. Even though the Lady of Shalott died, her plight was not in vain. This sends a message to the readers of today very similar to that of the people of England in the nineteenth century. By having the woman escape her castle only to be destroyed by the curse, it suggests that even if there are sacrifices, the desire for Camelot is becoming a tangible option. When Tennyson sulkily writes, “Lying robed in snowy white....As the boathead wound along the willowy hills and fields among, they heard her singing her last song, The Lady of Shalott, (Page 967, lines 136, 141-144)” he suggests her song of freedom will not die with her. The ringing sounds of liberty and equality stay with the women fighting to break the

The Lady of Shallot can be interpreted as a symbol of artists and their commitment to their work, in this poem represented by weaving, but also paralleling Tennyson and his poetry. She sacrificed herself to her passion and ironically Sir Lancelot made her into nothing more than a piece of art, he said, “She has a lovely face; / God in his mercy lend her grace” (line 169) she can no longer weave “A magic web with colors gay,” (line 38) rather, just be objectified into a dead-pale beauty not able to offer anymore creativity.

When we look at Tennyson as content with his seclusion, we see also see a man who also desired his poetry to be heard. . Perhaps it was the voice of disapproval foe materialism to be heard from by the public, torn by the materialism brought with fame. He had been said to have a desire to be famous, and was called "the most instinctive rebel against the society in which he was the most perfect conformist" (p.1911). The need for fame could be the temptation for materialism, or perhaps the recluse giving into materialism gave leverage for his poems to be heard. The conflict can be thought of as Tennyson's curse, causing opposing feelings. The curse is reflected in "The lady of Shallot." At first, the lady is content in seclusion. She becomes mesmerizes by materialism of glittering gold of the Red Crosse Knight. His

Alfred, Lord Tennyson was a favorite poet of generations. Made Poet Laureate of Great Britain by Queen Victoria, he dominated the literary scene during his time. He also came--for better and for worse--to represent that generation 's taste, both during his life and after it. Tennyson 's rich __Victorian language__ can seem daunting to modern readers. In reading ‘’Maud’’, it 's a good idea to just embrace the exaggerated concepts. Experimental in style, laden with intense symbolism, and full of __social criticism__, ‘’Maud’’ was not a popular poem at first, despite its author 's status. Tennyson himself was proud of the work, and retaliated against criticism by reading it aloud whenever he could. Reportedly, this won over many critics due to the beauty of the poem 's language.

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately

Robert Browning and Alfred Lord Tennyson are celebrated authors and poets in the field of field of literature. A deeper analysis of some of their works displays particular similarities and distinct differences that make each one of them unique. For instance, Browning’s My Last Duchess and Tennyson’s Ulysses show similarities in the overall theme, death, but each brings it out in different styles. This essay explains the comparison of the two poems in detail and the respective significance of use of stylistic devices.