Dehumanization And Isolation Of Louie Zamperini

Well-known nonfiction author Laura Hillenbrand, in her best-selling biography, Unbroken: A World War II Story of Survival, Resilience, and Redemption, describes the chilling reality faced by those living in Japanese prisoner-of-war camps. As the title suggests, this is not the typical World War II tale of hardship that ends in liberation; rather, it follows the main character, Louis “Louie” Zamperini, through his childhood, Olympic performances, and military career leading up to his captivity, as well as his later marriage and many years of healing. Hillenbrand's purpose is to impress upon her readers the scale of this tragedy as well as remind them of the horror that so many nameless soldiers endured. She adopts an emotional yet straightforward tone in order to get readers to sympathize with the characters and truly understand what they went through. To do so, she manages to make the unique story of one man represent the thousands of others going through the same tragedy.

Roger Daniels’ book Prisoners without Trial is another book that describes the internment of Japanese-Americans during World War II. This piece discusses about the background that led up to the internment, the internment itself, and what happened afterwards. The internment and relocation of Japanese-Americans during World War II was an injustice prompted by political and racial motivations. The author’s purpose of this volume is to discuss the story in light of the redress and reparation legislation enacted in 1988. Even though Daniels gives first hand accounts of the internment of Japanese Americans in his book, the author is lacking adequate citations and provocative quotations. It’s

Mine Okubo was an American citizen of Japanese descent, artist, and writer who was one of over a hundred thousand Japanese people that were forced into internment camps for “protective purposes” during World War II. In her graphic novel Citizen 13660, which was named after the number designated to her family unit, Okubo documents her journey from her initial relocation to Tanforan Assembly Center after the Pearl Harbor attack, up until she is finally granted release from the Central Utah Relocation Project in Topaz. She tells her story through sketches and storytelling due to recording devices being confiscated as contraband. Okubo’s original motive behind this novel was to inform her friends living outside the camps of her living situation, however, it has now transformed into a historical reference to the often glossed over history of Japanese internment camps in the United States. Okubo’s use of visuals gives the novel more clarity in delivering her story by giving the reader an additional source of information to digest. She also explicitly states in the preface that she believes some form of reparations and an apology are due to those who were evacuated and interned and that things could be learned from this tragic episode for it may happen again.

The issues of Japanese-American internment camps is one of the most controversial, yet important time periods of American history. Many have asked: Why should we learn about this event? The event of Japanese-American internment camps has changed the way America and its citizens are looked upon. As Americans, this event is important to learn so that an injustice like this will never happen again in our history. This event has helped many people gain more rights and civil liberties. This event has also helped other groups fight for their rights and freedoms. Although this event had caused fear and pain, it had changed America and its treatment toward citizens of different descents and ethic backgrounds.

From 1937 to the end of world war 2 (WWII), Japan killed over 3,000,000 Prisoners of war(POWs). Some POWs including Louie Zamperini had escaped death from these camps. Back in America, Japanese-Americans, like Jeanne Wakatsuki had to face racial discrimination in the Japanese internment camps. This all happened because on December 7, 1941 Japan attacked Pearl Harbor in Hawaii. Louie Zamperini from Unbroken by Laura Hillenbrand, is an Olympic running who joined the Air Force after WWII broke out. Jeanne Wakatsuki from Farewell to Manzanar by Jeanne Wakatsuki Houston, is a Japanese-American that lives in America during WWII. Louie Zamperini and Jeanne Wakatsuki’s experiences from being a POW are very similar yet different in their involvement throughout the war, their resilience during the war, and their struggles after the war.

Among this group of “Nisei” was the Uchida family from Berkeley, California. Yoshiko Uchida, the youngest daughter in the Uchida family was a senior at the University of California at Berkeley at the time of the attacks. Years later, Yoshiko became a prolific writer of children’s books (Sato 66). In her book, “Desert Exile”, published in 1982, Uchida gave a personal account of the evacuation and incarceration of her family during World War II (Sato 66). Uchida’s book raises awareness to the specter of racial prejudice and the hope that no other group of Americans would have to endure this type of injustice and violation of their human rights (Sato 66).

In the United States World War II has been one of the most remembered wars of all time. Acclaimed historian Ronald Takaki asserts that for many Americans, World War II was fought for a “double victory”: on the battlefront as well as on the home front. Takaki’s book Double Victory: A Multicultural History of America in World War II reminds the audience that there was much, much more happening at home and on the frontlines during World War II than in the battlefield. Takaki presents a strong central argument; it illuminates the incongruity of America's own oppressive behavior toward minorities at home, even while proclaiming the role in World War II as a fight against oppression abroad. It also pays tribute to the determination and perseverance of ethnically diverse Americans in their two-front war against prejudice and fascism. In addition Takaki tells the story through the lives of ethnically diverse Americans: Japanese Americans who felt betrayed by their own country when families were sent to internment camps; For African Americans, the war for freedom had to be fought in their country’s own backyard; a Navajo code talker who uses his complex native language to transmit secret battle messages and confound the Japanese, while his people are living in desperate poverty on a government reservation. Their dual struggle to defeat the enemy abroad and overcome racism at home gives the Double Victory its title and its texture.

officials eventually began to recruit these internees into the American army. Not only was WWII a war about political alliances and geographical sovereignty, but it was also a war about race and racial superiority throughout the world. Propagating this idea, Dower (1986) argues, “World War Two contributed immeasurably not only to a sharpened awareness of racism within the United States, but also to more radical demands and militant tactics on the part of the victims of discrimination” (War Without Mercy: p.5). In elucidating the racial motivations and fallout from WWII, Dower helps one realize the critical role that race and racial politics played during the war and are still at play in our contemporary world. An analysis of this internment process reveals how the ultimate goal of the U.S. internment of Japanese Americans and the United States’ subsequent occupation of Japan was to essentially “brainwash” the Japanese race into demonstrating allegiance to America.

The internment of Japanese Americans is often a part of history rarely mention in our society. One of these internment camps was Manzanar—a hastily built community in the high desert mountains of California. The sole purpose of Manzanar was to house thousands of Japanese Americans who were held captive by their own country. Jeanne Wakatsuki Houston was interned at Manzanar when she was seven years old with her family. Their only crime was being of Japanese descent. In her memoir, “Farewell to Manzanar,” Mrs. Wakatsuki Houston transcribes a powerful, heart breaking account of her childhood memories and her personal meaning of Manzanar.

While World War II had been ongoing since 1939, Japan had been fighting for the Axis powers, against the United States. In 1941, when Japan had attacked Pearl Harbor, the United States government had assumed the viewpoint that the Japanese were not to be trusted, and that the Japanese-American citizens of the United States were much the same. As such, they had resorted to establishing internment camps, or preventive labor prisons, so as to keep them in check and ostensibly to prevent further Japanese sabotage. However, the government’s actions were not fully justified, as several factors had interplayed into the circumstances that directly contradicted the intentions and visible results of the internment of the Japanese-Americans, in the social, political, economical, and cultural aspects. On the whole, the internment camps served as drastic measures which were not wholly without reasoning; contrarily, those factors in support of the internment camps did not override those which had gone against it, since the United States’ own legislation, in the form of the Constitution and other laws, had explicitly prevented the depriving of human rights, privileges, and pursuits, which had doubtless applied in light of the Japanese-Americans’ universal citizenship along the Pacific Coast in the early 1940s. As such, while the internment camps were not completely unjustified and without purpose from the viewpoint of the government, they did not align with standards of law and

The move to the internment camps was a difficult journey for many Japanese-Americans. Many of them were taken from their homes and were allowed only to bring a few belongings. Okubo colorfully illustrates the dramatic adjustment of lifestyle that Japanese-Americans had to make during the war. Authentic sketches accompany each description of the conditions that were faced and hardships that were overcome. The illustrations were drawn at the time each event described throughout the story took place. Each hand drawn picture seems to freeze time, capturing the feelings and intense anxiety many felt during the war. The pictures assist the author's first person narration and assist the reader in creating an accurate

The Japanese-American author, Julie Otsuka, wrote the book When the Emperor was Divine. She shares her relative and all Japanese Americans life story while suffering during World War II, in internment camps. She shares with us how her family lived before, during, and after the war. She also shares how the government took away six years of Japanese-American lives, falsely accusing them of helping the enemy. She explains in great detail their lives during the internment camp, the barbed wired fences, the armed guards, and the harsh temperatures. When they returned home from the war they did not know what to believe anymore. Either the Americans, which imprisoned them falsely, or the emperor who they have been told constantly not to believe, for the past six years imprisoned. Japanese-Americans endured a great setback, because of what they experienced being locked away by their own government.

Mary Matsuda Gruenewald, Looking Like the Enemy: My Story of Imprisonment in Japanese American Internment Camps

was not the truth. This book showed the harsh reality of war that most people

The United States of America a nation known for allowing freedom, equality, justice, and most of all a chance for immigrants to attain the American dream. However, that “America” was hardly recognizable during the 1940’s when President Franklin Roosevelt issued Executive Order 9066, ordering 120,000 Japanese Americans to be relocated to internment camps. As for the aftermath, little is known beyond the historical documents and stories from those affected. Through John Okada’s novel, No-No Boy, a closer picture of the aftermath of the internment is shown through the events of the protagonist, Ichiro. It provides a more human perspective that is filled with emotions and connections that are unattainable from an ordinary historical document.