Dichotomy of Colors in Poe's The Masque (Mask) of the Red Death

In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half

In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect

In the story “The Masque of the Red Death”, Poe expresses the theme that death is inescapable or inevitable. He expresses this theme through rhetorical devices such as symbolism and allegory. For example, Prince Prospero’s chambers were allegorical because of the rooms’ arrangement which was from east to west. The east represents the beginning of life, while the west represents the end of life. The Darkroom, which was at the end of the hall, symbolized death. It was the room that the guests didn’t want to go in and eventually was the place that they were killed by the Black Death. Another example of symbolism is the clock which as a symbol of the time-lapse of life as a human being. It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony...and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour the musicians of the orchestra were constrained to pause, momentarily (Poe 374). This sentence expresses how compelling the clock is and how it attracts the attention of the masqueraders. The author also uses imagery to build suspense upon the reader. An example would be how the author describes the Red Death. His vesture was dabbled in blood-and his broad brow, with all the features of the face, was besprinkled with the scarlet horror (Poe 378). This describes the dreadful

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

Uses of light symbolism in stories is typically used to depict signs of pureness and life. Poe utilizes this literary element in his description of the rooms. When Poe describes the first of the seven rooms he says “ at the eastern extremity was hung, for example, in blue and vividly blue were its windows.” Poe uses the color blue to represent the beginning of life, along with the room being on the eastern side, since the sun rises on the east. Another example

The fourth and final gothic element Edgar Allan Poe uses in Masque of the Red Death, is the air of mystery and suspense. Poe does this by creating a gloomy setting and entering a ghost that creates mystery because the readers cannot see his face or know what he is or what he is up to. Poe describes him as, “The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave.” There is many ways Poe shows the mystery and suspense, Poe also uses a lot of death and blood to create a mystery because the reader doesn’t know who is going to die next, neither does the characters in the story.

In ‘’the Masque of the Red Death’’ the feeling the author Edgar Allan Poe is trying to give is he wants the readers to feel scared. In the story there are multiple places that Poe is trying to show that it is scary. For example, ‘’ there were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution.” This shows that Poe is trying to make it scary because hearing that this sickness could make you bleed at the pores just puts this awful scary image in the readers head. The Red Death is portraying tuberculosis so when people read this they know that this is a real disease and people actually get it so it makes them worry about if they can get it or not. Another example would be “there were twelve strokes to

In the article, “Deliberate Chaos: Poe’s Use of Colors in ‘The Masque of the Red Death” by Eric H. du Plessis, he says “In each preceding apartment the panes of the gothic window match the prevailing color of the room, but in the last the color is altered to a deep red, since black windowpanes would not allow the light from the tripods to shine through the glass and illuminate the room” (43). There is no way to the leave the black room, conveying the idea that death cannot be

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Because inevitability of time and death seems to be the recurring theme, the most likely significance behind the number of apartments would be the seven stages of life. The first apartment is said to be placed most eastwardly and is blue in décor, which could signify the rising of the sun, the beginning of life, and the color of day. And the seventh, and most westerly apartment, is black with red accents and represents the end of life, the setting of the sun, and death. Poe did not intend a specific meaning for the number seven, just for the reader to be aware of the passing of time and the idea that the prince was trying to recreate a perfect world complete with "…all the appliances of pleasure…Without was the Red Death." (238). The Prince's recreation of the world is ironic because it is modeled after the one the Prince and his followers are trying to escape. The seven perfect rooms foreshadow the evitable downfall of perfection. The number seven appears six times in the text which may lead to some significance behind that number as well.

the Red Death shows the futile attempts by a prince and his guests of a party,

Throughout the history of literature we see an obvious string of religion connecting most works to the core of their beginnings. From creation stories of tribes, to colonial poems, to the twisted mind of Edgar Allan Poe, there is a connection. Poe’s “The Masque of the Red Death” may not seem to portray the ideas of religion but through close examination, the association will become less cloudy. Poe’s use of symbolism, narrator, word choice, helps readers unmask the idea of religion.

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing

In Edgar Allen Poe‘s work, a majority of the character will reflect or have the a crazy or depressed inner world. In order to highlight and emphasis the “crazy” “messy” and “mad” mental condition, author will use those symbolized images. Meanwhile, the inner world can be visualized. As an additional effect, some of the images will have the function of doubling the emotion or add up the sense of depression.