Symbols In The Masque Of The Red Death

Poe uses the symbols of the Red Death and Prince Prospero to show that death is inevitable. “No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal — the redness and the horror of blood.” This quote tells the reader that the Red Death was a very dangerous disease and was horrifying. While the people of the town were dying, Prince Prospero tried hid in his abbey for month. One day, Prospero noticed a strange figure walking through his party. He chased this figure until it stopped in the last black and red room. “There was a sharp cry — and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero.” After months of hiding, Prince Prospero, who symbolizes humanity’s efforts to prevent death, was finally killed by the Red Death figure, who represents inevitable death. Prince Prospero tried to hide from death by building reinforcements around his abbey. There were walls of iron and the doors were welded shut, but the Red Death figure somehow reached Prince Prospero. This proves the thesis because it show how the Red Death and Prince Prospero represent how a person cannot hide from

Imagine dancing through the colorful stages of life, birth, childhood, adolescence, adulthood, and such. However, as you progress through life, you can never shake a sense of foreboding lurking behind you. Suddenly, deep, dark, death devours you. Death, everyone faces it eventually. In the story, “The Masque of the Red Death”, by Edgar Allan Poe, the theme is, “You cannot avoid death.” Poe develops the theme by using many different symbols throughout the story.

In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect

In the story “The Masque of the Red Death”, Poe expresses the theme that death is inescapable or inevitable. He expresses this theme through rhetorical devices such as symbolism and allegory. For example, Prince Prospero’s chambers were allegorical because of the rooms’ arrangement which was from east to west. The east represents the beginning of life, while the west represents the end of life. The Darkroom, which was at the end of the hall, symbolized death. It was the room that the guests didn’t want to go in and eventually was the place that they were killed by the Black Death. Another example of symbolism is the clock which as a symbol of the time-lapse of life as a human being. It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony...and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour the musicians of the orchestra were constrained to pause, momentarily (Poe 374). This sentence expresses how compelling the clock is and how it attracts the attention of the masqueraders. The author also uses imagery to build suspense upon the reader. An example would be how the author describes the Red Death. His vesture was dabbled in blood-and his broad brow, with all the features of the face, was besprinkled with the scarlet horror (Poe 378). This describes the dreadful

In Poe’s short story, The Masque of the Red Death, he makes it pretty apparent that there is no possible way to escape death, no matter what rank you are. To get across this message he uses the ticking of a clock and the ring every hour to remind you death happens no matter what you do. He also adds in seven different rooms of varying colors blue, purple, green, orange, white, violet, and black/scarlet. These seven rooms may represent a whole unit of time, like the days of the week. Poe also says that the rooms go east to west like the sun’s course. Every color of the room can also represent life itself, blue represents birth, purple is youth, green is adolescence, orange is adulthood, old age is white, imminent death is violet, then finally death itself is black/scarlet.

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

Starting off for the first symbol is “The Red Death” is symbolizing the plague and disease that is taking place in the Kingdom. In the story “ The Red Death” shows up the masquerade ball grabbing everybody’s attention. Poe tells us “ and now was acknowledged the presence of the Red Death. He had come like a thief in the night.”(394). No one would expect the Red Death to come in especially the prince. Who thought that he would be safe in his big castle. The prince sends his guards to run after the stranger, but the stranger gets away. The Prince gets away and the stranger leads him to the seventh room which is the next symbol. The prince follows the stranger into this room and the reason it symbolizes death because this is where he dies. Poe describes this room as “The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet --a deep blood color.” (393). So even though the prince was all-powerful he still couldn’t keep himself safe from the

“The Masque of the Red Death,” a short story by Edgar Allan Poe, tells the story of Prince Prospero and his futile attempts to prevent death. During his masquerade party, the prince notices an unusual figure, dressed as the Red Death, and, enraged at the sight of it, Prospero tries to kill it. Poe uses the seventh room, the ebony clock, and the Red Death itself as symbols of death throughout his story.

“The Masque of Red Death” is considered an allegory because it is made of many different symbols, from the clock to the colors of the seven rooms. All of the forms of symbolism come together to make the short story. The allegorical meaning of “Red Death” is in fact, death. Even though there was a castle and a dagger to protect the Prince from the inevitable, he still died in the end with the rest of the characters. The allegorical meaning behind the colors of the seven rooms, are the stages of life. From blue being birth to black being the end, death, Poe illustrates to his readers that the castle is setup to include death even though that is something that is not necessarily wanted by Prince

In "Masque of the Red Death", there are several differently colored rooms, which at first glance are simply several disparate pigments. After looking at the story as a whole, it is clear that these specific room colors each mean something other than itself. Spoken in "Masque of the Red Death" about two of the seven rooms is, "That at the eastern extremity was hung, for example, in blue...The seventh apartment was closely shrouded in black..." (Masque 5). The author, between discussing these opposing rooms, mentions the other rooms and their colors, also. Each of these rooms symbolizes the seven stages of life. The blue room represents birth and new life, as it is at the east where the sun rises beginning each new day. Meanwhile, the black room is the farthest west where the sun sets, ending the day. This black room embodies death, which is uncoincidentally where everyone dies in "Masque of the Red

In the story " Masque of the Red Death" he uses symbolism of the rooms, clock, and the red death to portray his theme that no one can escape death. The " Masque of the Red Death" represents death and life. The seven rooms symbolizes the progression of life. The blue room represents birth.

The stories The Masque of the Red Death and The Raven, both by Edgar Allen Poe, are alike and different in many ways, and one main similarity is that they both make use of symbolism. In The Masque of the Red Death, Poe uses the seven colored rooms of the prince’s palace to represent the cycle of life, the black room exemplifying death. Also in The Masque of the Red Death, Prince Prospero denotes wealth and prosperity and

“The panes here were scarlet- a deep blood color.” The use of color symbolism can be very effective, and is important to the story as well. It sets the tone, as well as expresses the characters experience. The Edgar Allen Poe’s use of tone words and color symbolism in Masque of the Red Death creates a mood of conflict by establishing mysterious, contradictory tones, and use of vivid imagery.

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.