Different Types Of Graffiti Of Philadelphia

The history of the underground art movement known by many names, most commonly graffiti begins in Philadelphia, Pennsylvania during the mid to late 60's, and started with bombing. The writers who are credited with the first effort are CORNBREAD and COOL EARL. They wrote their names all over the city gaining attention from the community and the local press. Then the movement made way to New York City where the teenagers would write graffiti on the subways. It is unclear whether this concept made way to New York City on purpose or if it was an accident.

Art. Art is “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.” (google). That’s kind of a lot. Basically, art is anything created as a product of human creativity and imagination to portray a message, trigger an emotion, or just, look good. That being said, what isn’t art? Anything, from the mona lisa to the projects sitting around this room were made by human imagination and creativity to portray a message or just be beautiful. What if you were told, that all of the hard work that was put into those projects and paintings, was illegal? Not accepted by some people as art, and frowned upon.

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

Graffiti is a hobby that many people loved to do, but the other half of most people dislike graffiti and want it gone.

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

Despite graffiti having roots in ancient Greek and Roman culture, graffiti writing emerged in the 1960s in Philadelphia and marked a shift from the gang-related, territorial graffiti that flourished in earlier years toward the rising prominence of graffiti (Mettler 2012). Even in the 60s there was a difference in the graffiti world. The negative connotation were about claim what was yours. While others just wanted

The roots of graffiti started about 1971 by a Greek American who tagged “TAKI-183” in all New York subway system, he declared that he “used graffiti to create an identity in which he is certain about” (Fortuna 3), then it emerged all around America and the world. (David 72)

There are many associations with graffiti writing, Hip-hop being the first. Though the emergence of graffiti can be attributed to street gangs; which, they used to mark their territories (Chronopoulos 2011, pg. 79), graffiti began to merge with hip-hop culture in the 70s (Chronopoulos 2011, pg. 82). Ultimately, this combination promoted the public domination over public spaces in New York City through the use

Some are strange looking with crowns and stars. I later learned that they were most likely gang signs or no trespassing warnings that only other gang members can read. Other “walls” were so beautiful that they would make a grown man cry. Those were scenes of children in the park, flowers, and my favorite, people dancing. Those graffiti covered buildings looked bright not old and run down, which they really were in most people’s eyes. That is when I knew that graffiti is art, not because the artist gets paid to do the work, but because the work comes out of his or her imagination.

This aspect of hip hop culture became so engrained within “codes of behavior, secret gathering places, slang, and aesthetic standards,” and thus had the most racially ethnic artists, which is why these people were mostly targeted by police for these actions. Taki 183’s graffiti was an act of political resistance against the “cleaning up” of New York City streets, which was a euphemism for whitening these neighborhoods economically and physically, with the displacement of poor, people of color. Specifically, his work is called tagging because the artist is “making his or her presence known and proclaiming his or her identity through a unique mark” (Orejuela, 2015, pg. 17). The artist of this graffiti artwork, and others like it were also a blatant display by people of color peacefully fighting back the state for its intended demise and who at the time, spent thousands of dollars to rid the streets of these pieces of artwork because of its direct connection to people of color. This work of resistance was so successful because other graffiti artists would try to compete with Taki 183’s work and thus, they too would create their own piece of work. This then made it almost impossible for the city to paint over every piece of work, but this also made it more dangerous for the artists themselves, as the penalties for graffiti became even more severe as people of color became even more policed. This artist specifically, made this artwork most popular as he performed it during such a tense time and received major exposure by the New York media. Phase 2 was infamous for creating bubble writing, also known as softies, but was also a b-boy. He also rapped and graffitied during the 1970s when the state of New York was in a war with the residents of color and the lower class. Phase 2 art is referred to

In the 70s graffiti was just tags or small pictures but it quickly turned into and “art movement” (Eickmier). This means that the young and the old artist had finally found a way to express themselves and were spreading it around cities like wildfire. In other countries the amount of graffiti shock american tourists, it is seen as a good thing. “Instead of walls being used to separate people from each other, graffiti brings people together and keeps conversations going.” (Wark) Graffiti has value as art and it tells a story worth reading. (Wark) Most teens resort to graffiti as their last option, and most people see that as wrong, but it lets them express themselves in a really different

In Source #1, Philadelphia, known for its community murals, is a prime example of how government-funded public artwork can revolutionize places that are bare and motivate its citizens. The Mural Arts Program oversees all the murals in Philadelphia, with a budget that totals to around four and a half million dollars from government and private partnerships. Numerous buildings within Philadelphia have been embellished with beautiful murals, as the number of paintings done totals to a hundred and fifty annually. The murals in Philadelphia also serve as inspiration for many of its people, as the goal of the program is to “bring a sense of pride and the hope of better times” (Murals: Making a, 2011). People within the city look to the murals for

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

“According to Kim Dovey, Simon Wollan, and Ian Woodblock, graffiti is a type of art as well. She claims that there is different type of graffiti. They first talks about the different types of graffiti. Some of the types listed are stencil tags, throw up, and slogans. There are free handed drawings that are called stencil drawings. Stencil graffiti combines elements from spray-paint graffiti and from street art. Stencil artists carefully prepare stencil blueprints on hand-made sheets, which they then place on a surface and cover with spray paint. Stencil graffiti works are the easiest and quickest pieces to replicate” (Lerman 299). “Throw up are just free handed paintings. Slogans are when they