Discuss Charlotte Bronte’s portrayal of childhood in Jane Eyre.
Charlotte Brontë’s ‘Jane Eyre’ was a controversial novel for its time.
It traces the heroine from an orphan child to a contented adult woman.
Through the trials Jane experiences Brontë highlights many hypocritical aspects of Victorian society, mainly focusing on the religious hypocrisy of the era. Subtitled ‘An Autobiography’, the novel in parts closely resembles Brontë’s own childhood and her evocation of Jane’s experiences of Gateshead and Lowood remain as vivid as ever for the modern reader.
Brontë explores childhood feelings of hurt and loss, focusing on a solitary, suffering child. In these first nine chapters we see Jane at
'Gateshead', where she is the
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Bronte has purposefully rejected the idea of a conventionally beautiful heroine; she told siblings ‘I will show you a heroine as plain and small as myself’. As a reader we have more respect for Jane because of these virtues, she has more emotion and does not appear placid. She questions everything, which is unfortunate at Gateshead as Mrs Reed doesn’t ‘like cavillers or questioners…there is something truly forbidding in a child taking up her elders in that manner.’
Jane is shown to possess a strong and rich inner life, but we notice also how much she internalises and, when attacked, retreats and finds solace in solitude, in the world of art, and in contact with nature.
Something which recurs throughout the opening chapters is the emphasis on 'imprisonment' and confinement: locked in by Nature (the opening sentence of the novel), by the Reed family, locked in the 'Red Room', and effectively incarcerated at Lowood school. In a sense this provides a key to her character within the novel - unable or not expected to express herself outwardly she has to internalise, to take her responses within, and to reflect on and analyse them.
The windows keep her protected, although that is not what she wants.
Isolated from the rest of the family until she could ‘acquire a more sociable and childlike disposition’, she loses herself in academic volumes; first
Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the
Charlotte Bronte’s Jane Eyre can be characterized in many ways as a variation of Cinderella. There are several versions of this popular fairy--tale. At the time Bronte’s novel was published, the Grimms’ book of tales, which included Cinderella, was very popular. According to Sally Mitchell, "The serious interest in folklore was spurred by the translation, in 1823, of the stories collected by Jacob and Wilhelm Grimm." A version of Cinderella was also written by Charles Perrault. Both Perrault’s and the Grimms’ tales have a place in Bronte’s narrative. There is no specific evidence of her reading these yet, "Bronte could easily have known two versions of the Cinderella tale: the
While Jane goes through a rollercoaster of romantic ideals, Charlotte Bronte reveals that her romanticism more fundamentally affect her own life in the future than even her religious ideals. This is to be expected, as Jane has a very depressing childhood while living with the Reeds and attending Lowood Institute. She makes the transition from Gateshead Hall, to Lowood, to Thornfield Hall, to Moor House, which equate to: Jane’s entrance to the real world (in Gateshead), the rock-bottom of Jane’s life (in Lowood), her encounter with young love (in Thornfield), and where Jane finds what she’s been after: a family (at the Moor House). All of these places come together to form the story of Jane Eyre and how she overcame her hardships to grow up to
Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.
Those living in the Victorian period,consider it normal to treat people with cruelty. As a child, Jane constantly faces oppression. Jane faces constant abuse while living with her aunt at Gateshead. Bronte illustrates this point through Mrs. Reed, the Aunt Jane is sent to live with, who says, “Take her away
With the experience of being ignored, betrayed, and deprived, she becomes more afraid of loss and danger, but longs even more to have something to hold dear and belong to. When she gets into the convent school she finds temporary safety, being sheltered from the dangerous and unpredictable "outside", but her stepfather eventually brings her out into the
Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle
The word choice here reflects Jane's situation - she is like the ground, 'petrified' under the influence of her aunt, whose behaviour is mirrored in the term "hard frost" because of the icy discipline she bestows. Mrs Reed's attitude towards Jane highlights one of the main themes of the novel, social class. Jane's aunt sees Jane as inferior as she had humble beginnings: she is "less than a servant". Jane is glad to be leaving her cruel aunt and of having the chance of going to school.
Throughout Jane Eyre Charlotte Brontë uses the character Jane as a tool to comment on the oppression that women were forced to endure at the time. Jane can be seen as representative of the women who suffered from repression during the Victorian period, a time when patriarchy was commonplace. Brontë herself was affected by the time period, because according to Wolfe, she was deprived “experience and intercourse and travel.” (70) Thus Jane offers a unique perspective as a woman who is both keenly aware of her position and yet trapped by it despite repeated attempts to elevate herself and escape the burden placed on by her different suitors. Although superficially it seems that Jane wants to break away from the relationships that further
Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.
The purpose of Bronte's novel is to demonstrate that women could go beyond the oppressive limitations of their environment and find fulfillment. Jane's cries for love are mistaken as evil outburst by those who wish to keep women repressed. Oppression of women was so great that women even in the home were expected to be nonproductive. The ideal or perfect Victorian women were ones who adopted an image of repose or idleness, basically to show the world they could. Nervousness and fainting were expected in women, and certain disagreeable topics or bad news could cause such traits to erupt. By trusting in her passion, by trusting in her own abilities, and by making her own decisions, Jane is able to overcome the agony all around her. Homeless, starving, and misjudged, Jane is
In Charlotte Bronte’s Jane Eyre, Jane is an orphan who is often mistreated by the family and other people who surround her. Faced with constant abuse from her aunt and her cousins, Jane at a young age questions the treatment she receives: "All John Reed’s violent tyrannies, all his sister’s proud indifference, all his mother’s aversion, all the servants’ partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always brow-beaten, always accused, forever condemned?" (27; ch. 2). Despite her early suffering, as the novel progresses Jane is cared for and surrounded by various women who act as a sort of "substitute mother" in the way they guide,
Charlotte Bronte's Jane Eyre is presented in the Victorian Period of England. It is a novel which tells the story of a child's maturation into adulthood. Jane's developing personality has been shaped by her rough childhood. She has been influenced by many people and experiences. As a woman of her time, Jane has had to deal with the strain of physical appearance. This has a great effect on her mental thinking and decision making. Jane Eyre's cognitive and physical attributes have been affected by her environment throughout her life.
Bronte’s feminist ideas radiated throughout her novel Jane Eyre. There were many strong and clear examples of these ideas in Bronte’s protagonist, Jane, her personality, actions, thoughts and beliefs. From the beginning of the book, Jane’s strong personality and her lack of following social expectations were quiet clear. “Women of the Victorian era were not part of a man’s world, as they were considered below them.”(VanTassel-Baska, 4) The class divisions between a man and a woman were very distinctive. Jane however ignored this. When Jane first met Rochester, the whole scene presented a feminist portrait of Jane. A women walking alone in that era should never address a man, but Jane went out of her way to help Rochester stating that “if you are hurt, I can help” (Bronte, 98), Jane even let him place a hand on her shoulder. Jane believed that “women were supposed to be very calm generally, but women felt just as men felt” (Bronte, 116), which showed her perseverance and persistence in being independent and proving that men should be equal to that of women. This was of
Compare the presentation of childhood in Great Expectations and Jane Eyre Both "Jane Eyre" and "Great Expectation" adopt a typically Victorian outlook on childhood, which can seem quite alien set against modern values. However in both books, and particularly in "Jane Eyre", there is an effort to create a convincing expression of childhood through strong emphasis of the child's point of view above all others. In both books there is a interesting use of hindsight within the first person narration; not only does the narrator describe their childhood with perfect clarity of detail "before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold.