In the first half of the 20th century, women were often disenfranchised by societal pressures to settle down and have a stable family unit, along with the intense class divisions of that time. This is clearly shown in the works of Alice Walker and Dorothy Allison; two writers that document the experiences of women in southern America during the 1930’s and 1950’s. Particularly in The Color Purple by Alice Walker and The Bastard Out of Carolina by Dorothy Allison, the authors emphasize the cyclical nature of poverty and the disenfranchisement of women. The readers follow the lives of Bone and Celie, although different in race and age, the stories discuss girls coming of age against the adversity of abuse and poverty. Both girls were abused …show more content…
As in The Color Purple, Celie has to find her truth in that she must uncover and unlearn the lies of both Pa and Mr. The first lie that Celie uncovered was the lie that her sister Nettie was not writing. Mr. had been hiding her letters from Celie. This is a classic example of how abusers control the people they abuse by disconnecting them from their families and loved ones in order to make them the only viable option as a source of protection. In the book, this is a serious turning point in Celie’s life because this discovery is enough to motivate her to get out of Mr’s control. She gains a lot more self-confidence as shown when she now “know[s] Nettie alive [she] begin to strut a little bit” (The Color Purple p.148) which leads her to uncover more truths. Celie also unravels the lies of her so called father, who told Celie that he killed her children that she had by him, when in actuality the children were adopted and are in Africa with Nettie. She also finds out that he is not her real father, which in turn gives her more openness to love and accept her children. Similar to Celie, Bone also had to find her truth. One tool of abuse that Bone must unlearn is that the abuse of Glen is her fault. Both Anney and Glen would often blame what Glen did to her on what her behavior was like or the …show more content…
Being saved has a big affect on both of Bone and Celie’s lives as it helped them to start to forgive their family members and gain self confidence. In Celie’s case, being saved allows her to start her own business, and she can finally can escape abuse from both of her abusers. She forgave Mr. because she sees how much he destroyed by her and Shug leaving. Mr. went through a lot of changes by having both his love and Celie leaving because it causes him have some introspection on himself and to take responsibility for his actions. Celie saw these changes which allowed her to realize that he has no power over her anymore. She remarked that she “doesn’t hate him for two reasons. One, he love Shug. And two, Shug use to love him. Plus look like he trying to make something out of himself.” (The Color Purple, p. 260) which shows how she has grown to forgive what he did to her. In contrast, it is unclear as to whether Bone actually does forgive Anney for not leaving Glen, but the reader is left with the knowledge that Bone understands where her mother was coming from. She reflects on her mother being “fourteen and terrified, fifteen and a mother, just past twenty-one when she married Glen.” (Bastard Out of Carolina, p. 309) which in putting herself in her mother’s shoes, she is able to forgive Anney for choices she made because she
Shug Avery is Mr. Albert’s long lost love and she comes in to move in with Mr. Albert’s family since she had gotten very sick and needed the support. The minute Celie saw a picture of Shug she had fallen for her, finding her very beautiful. Shug has supported Celie in every possible way after she realized that when Celie puts her full effort in helping her even though she was rude to her when they had first met. Shug helps Celie with self-identity, which help builds her confidence. “She say my name again. She say this song I’m bout to sing is call Miss Celie’s song. Cause she scratched it out of my head when I was sick.” (Walker, 73). In this quote Celie recognizes that someone has done something for her, they have valued her enough to do something sweet as this. Celie realizes that she has one more person who cares and loves for her. This leads Celie to believe in herself be able to take control, since she is aware that she has someone next to her. Shug also has the effect on Celie to take control when Celie confronts Mr. Albert telling him that she is leaving him, “You bitch, he say. What will people say, you running off to Memphis like you don’t have a house to look after?” said by Mr. Albert who was referring to Celie. This is a big step for Celie because she is going to be living the life she wants with the person she loves, Shug Avery. Celie has wanted for so long to get out of the
Celie practically struggled for happiness her whole existence. Her father sold her to a man who had no intent of loving or caring for her. Celies’ husband whom she refers to as Mr. physically and verbally abused her. Mr. felt that the only way to keep a woman in check was to beat her and he did just that throughout the movie. Like any woman would though the abuse Celie lost herself and respect for herself. Living with Mr. was a life full of darkness and hatred. Life with her husband was no better life than life with her stepfather. It took years for Celie to become brave enough to fight back for what she accept as true and gain understanding of how to convey amusement and have little outlook on life. After years of abuse, Celie no longer was afraid of Mr. She no longer cared for her husband or the
In other environments she must play a role. With Celie, she is able to be herself. Celie, too, benefits from her nurturing relationship with Celie. Shug is used to a living a life that had about as much nurturing and love in it as Celie's. She says of her mother, "Mama never love to do nothing had to do with touching anybody, she say. I try to kiss her, she turn her mouth away. Say, cut that out, Lillie" (Walker 125-26).
Gender inequality was a big issue during the early 1900s, and especially for the African American women because some “Africa American women were used as sex slaves or just slaves in generally” (Karpowitz). These women were treated badly even if it was from their dad or their "husband"/owners, but at the end of the day they knew only one person who these women can trust which is God. In Alice Walker’s novel, she shows and expresses how women will have bad times or bumps on the road, but if they keep going towards their dream they will succeed. Walker also showed how women did not have a voice to stand up for themselves but later in their life they started getting together to fight back for their rights. In The Color Purple, Alice Walker demonstrates gender inequality in the lives of African Americans in the early 1900s.
Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.
When looking at The Color Purple we read about Celie’s tragic life, and you feel her pain and suffering by just reading the words on the page. Her father beats and rapes her and by the looks of things, it seems that she is forever doomed with eternal heartache, abuse and rape. It seems that she will never be happy. She is controlled and manipulated by the men in her life that she should be able to trust.
Alice Walker’s The Color Purple, is narrated by an African American woman named Celie. When the novel first begins, Celie is a vulnerable and abused young girl who writes letters addressed to God. The reader follows Celie through thirty years of her life, witnessing how she struggles to develop her own self-identity and extricate herself from a submissive role society bestowed upon her by a male-dominated and prejudice society. Furthermore, Celie is only able to forge this new identity with the help of females around her, including her sister.
The Color Purple is a piece of literature that shows readers what life was like for an African-American woman facing oppression in the South. The protagonist had to deal with racism and oppression from Caucasian individuals her whole life. However, she also had to deal with horrible abuse from her father throughout childhood, and her husband later in life. Throughout the book, the author included many examples of oppression the main character faced during her life by family members and strangers. Celia, the protagonist of the book, is an African-American women who grew up in the South. Growing up, she was tasked with taking care of her younger siblings, and helping out her mother around the house. At the age of fourteen her mother got sick,
The comfort of knowing that the oppressive man who rapes her isn’t blood related to her in any way and that her children aren't actually her siblings gives her a sense of freedom and relief. This encourages Celie to form her own identity, not as Alphonso’s daughter nor victim, but rather as an individual, now that she knows the accurate story behind her mother and biological father. Although Celie is not able to become completely free from Alphonso nor Albert right away after reading these letters, she is one step closer to obtaining freedom; she feels free spiritually and emotionally learning the truth that has been hidden from her for several
Oh’ to be a woman, it can be magnificent it can be frightening. To be a Black woman it is exhausting, burdensome, and a phenomenal thing. Alice Walker’s groundbreaking epistolary novel The Color Purple exposes what it’s like to live in this world as a woman through the Black female characters. The novel commences with a letter written by the protagonist/narrator named Celie a fourteen-year-old African American girl living in Macon, Georgia. Throughout the novel she writes a series of letters addressed to “God,” she discloses her day-to-day life and the ill-treatment she endures at the hands of her stepfather and husband Mr. ______. The letter spans her transition from a fourteen-year-old girl who is being taken advantage of to a liberated woman.
In Color Purple, Celie lives most of her life without a family, but then her friendships grow enough to be family. At the end of the movie, Celie was finally surrounded by the family that she had been wishing for all along. Celie lives with Shug at the end of the movie in the house her real father left to her. And just like the letter Nettie sent to Celie when she told Celie to watch for her in the sunset, she came to Celie in the end. Nettie found where Celie lived, and went to her, and with her she brought Celie’s children too. Nettie always told Celie she would come back to her, and in her letter she told Cleie that she was looking over her son and daughter, giving Celie hope that one day she would be able to meet her children again. In
Love, however, is the driving force behind the entire narrative. Whether it be familial or romantic, there are many instances of characters helping one another grow and learn, looking out for one another, and supporting each other when times become difficult. For example, Nettie, Celie’s sister, has been gone overseas in Africa for nearly twenty years when they finally see each other again, but the bond they have with one another is so strong it feels as if she never left. Romantically, Shug Avery is the only women Celie ever felt attracted to and she is the one person who is able to convince Celie to leave her abusive husband. Even when faced with racist and sexist discrimination Celie manages to find the good in life because of the loving people she has surrounding her.
In the Color Purple, Celie faces three different kinds of oppression. These are sexual, emotional, and physical. She deals with this oppression by building bonds and finding solace in other women. These bonds that she builds with these other women lead Celie to recognize that women share a natural connection and, despite the power of patriarchy, women have more wisdom than men. Walker’s idea of womanism and why it is important can be seen through this recognition. These bonds and Celie’s newfound recognition, Celie was led to a total transformation in her character making her more independent, strong, and able to leave her past life behind her.
Finally, a change in Celie’s behaviour and overall mental state occurs after she reads Nettie’s letters. “You took my sister Nettie away from me, I say. And she was the only person love me in the world... But Nettie and my children coming home soon, I say. And when she do, all us together gone whup your ass” (Walker 207). After receiving information that Nettie is on her way home, Celie confronts Mr.__, something she wasn’t able to do before Nettie’s influence. Through the spiritual help of her sister Nettie, Celie goes on to further discover herself, which ultimately leads her to living a content life.
Racial and gender profiling is a prominent issue as shown in the two chosen novels to be explored, Americanah and The Color Purple. The protagonists in both novels find themselves searching for their individual identity. They earnestly seek to define who they are as young women while being oppressed by the weight of societal ideals.Ultimately, through the oppression, based on the race, gender and ethnicity of the two protagonists, they are able to grow, learn and find themselves and who they are within their race and gender. Alice Walker uses plot, setting and anecdotes in order to illustrate the oppression and injustice against the protagonist that was commonplace during the time period that the novel was set in. Celie, the protagonist in The Color Purple is a young black girl from a low class family in the 1930’s. In the time in which the novel is set, among her peers or the other low class families a sense of violence and oppression already exists. Being spoken to violently or being abused as a woman, was viewed as something that