The Struggles Faced In The Color Purple And The Joy Luck Club

Shug Avery is Mr. Albert’s long lost love and she comes in to move in with Mr. Albert’s family since she had gotten very sick and needed the support. The minute Celie saw a picture of Shug she had fallen for her, finding her very beautiful. Shug has supported Celie in every possible way after she realized that when Celie puts her full effort in helping her even though she was rude to her when they had first met. Shug helps Celie with self-identity, which help builds her confidence. “She say my name again. She say this song I’m bout to sing is call Miss Celie’s song. Cause she scratched it out of my head when I was sick.” (Walker, 73). In this quote Celie recognizes that someone has done something for her, they have valued her enough to do something sweet as this. Celie realizes that she has one more person who cares and loves for her. This leads Celie to believe in herself be able to take control, since she is aware that she has someone next to her. Shug also has the effect on Celie to take control when Celie confronts Mr. Albert telling him that she is leaving him, “You bitch, he say. What will people say, you running off to Memphis like you don’t have a house to look after?” said by Mr. Albert who was referring to Celie. This is a big step for Celie because she is going to be living the life she wants with the person she loves, Shug Avery. Celie has wanted for so long to get out of the

The Color Purple by Alice Walker is a very controversial novel, which many people found to be very offensive. It is basically the struggle for one woman’s independence. The main character in The Color Purple is Celie a coloured woman with little or no education at all. She is one who has been used and abused by all the men in her life, and because of these men, she has very little courage or ambition in her life. She has so little courage, that all she wants to do is just survive. Through the various women she meets throughout here life like: Shug, her sister, and Harpo’s wife, she learns how to enjoy herself, gain courage and happiness. She finally learns enough and with the final straw she could no longer bare, she leaves her husband

However, the pair forms a nurturing relationship in which they take care of one another.  These days Shug is all about love, and touch and feeling.  As Shug says of her love of cuddling, "I love to hug, period, she say.  Don't need nothing else right now" (Walker 152).  Celie learns from Shug how to care about people once more, including caring for herself.  Celie begins this journey to independence and love of self and others through her relationship with Shug.  At one point she and Shug have physical relations, but it is Walker's purpose to show this as a means of providing each other comfort, nurturing, and humanity - not as a display of homosexuality.  The entire episode is treated in the novel as a nurturing act, akin to a mother compassionate mother nursing her needy child, "Then I feels something real soft and wet on my breast, feel like one of my little lost babies mouth.  Way after a while, I act like a little lost baby too" (Walker 118).  We can see in

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

Although it caused her much grief while it lasted, her forced marriage to Mr.___ turned out to be a blessing in disguise, because it was through him that Celie met Shug Avery. While becoming a close friend and a lover to Celie, Shug shared with her that “God is inside you and inside everybody else. You come into the world with God. God ain’t a he or a she but an it.”(Walker 204) By saying this she offers an alternative to the image of a male god that Celie has always held on to. As Hankinson put it; “Celie’s movement from monotheism to pantheism parallels her movement from feeling of isolation and inferiority under male authority figures”(327) She is now able to see that she is just as much a godlike being as any human in the world, regardless of gender, race or social

Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

The novels, “Beloved” written by Toni Morrison and “The Color Purple” written by Alice Walker both represent two women, the protagonist of both books, are able to accept their past and be able to find fulfillment and move on with their lives to be something better than were they were left off. Comparing acts of love and the moral support from the community to be the strong independent women they originally are. Toni Morrison and Alice Walker represent these two women, Celie and Sethe, in ways that they have the potential to help others but, when it comes to themselves they back down, which is what is not realized by these women.

     Shug is a woman who does whatever she wants whenever she wants. She is a free spirit but she does have values and is a major contributor in the transformation of Celie. Shug enjoys her life and tries to spread the happiness to those around her. She is aware of her own physical beauty and uses it to control men. For women like Celie, it isn't that easy. Celie's father tells Albert, 'She ugly. She ain't smart either.'; (9). This is where Celie develops her low self esteem. Shug tries to make Celie realize that she is a beautiful person by getting to know her and loving her.

Sometimes life brings experiences of abandonment through difficult times. Celie shows an expression of abandonment from God with her intimate friend Shug Avery, who challenges Celie where she thinks God is. “What God do for me?...He gave me a lynched daddy, crazy mama, a lowdown dog of a step pa and a sister I probably won’t see again...The God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown...Miss Celie, You better hush. God might hear you. Let’im hear me, I say. If he ever listened to poor colored women the world would be a different place” Celie said in anger (192). It is times like this that society tells the world to push life’s disasters under the rug. When instead it requires the attention of others to become endured. To be human is to go through the struggles of life and face them. Without them, life can become meaningless. Celie experiences this through oppression and her loss of faith in God. Throughout

Celie, the narrator of The Color Purple, is an uneducated, submissive, 14-year old black girl who lives in Georgia. Celie is constantly being abused and raped by her father, Alphonso. He has already impregnated Celie twice. The first one was a girl while the second one was a boy. All her children were taken away by her father after they were born. Her father told her that she better not tell anybody about their relationship but God, which explains why every letter she write begins with “Dear God”. Celie’s mother is happy because Alphonso doesn’t bother her anymore, but the truth is that Alphonso has been raping Celie as a substitute for her mother to gratify his sexual needs. Celie’s mother becomes seriously sick and eventually dies. Alphonso brings home another woman but continues to sexually

Shug wants Celie to sleep with her because Grady is not present alongside Shug. They start having conversations about various subjects. Shug talks to Celie about love and sex. The two proceed to have a normal conversation that any two close friends would have. Celie finally has someone close that she can share her story to and who she can listen to willingly. Her life suddenly does not seem as horrific as it used to be, and it can all be contributed to

Thrown into young adulthood at the early age of 14, at 21 years old Celie now begins the true process of developing intimacy with an unlikely character for the time. A long lasting friendship and mutual love affair between Celie and Shug has begun, and will later prove to be her saving grace as her confidence, identity, purpose, and will increase. Shug plans to leave

<br>Shug, who was a dominant factor in her personal development, helped Celie's desperate situation. This personal development gave Celie the courage Walker refers to in her preface, to bring alive her dormant spirituality and abandon the prescribed form of church based Christianity. Shug builds Celie's confidence and in turn helps her to break away from her oppressive lifestyle including Mr., her household duties and the repressive church community. She provides her with a home and the money to start her own business making pants. Shug replaces Nettie as Celie's immediate source of strength and hope, although Nettie's presence returns later when Celie discovers the letters. Again this may not have happened without Shug's help, as she was the one who gave Celie access to her sister's letters. <br>

Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving