Divinity, Sexuality and the Self in Whitman’s Song of Myself

The soul is also mentioned earlier in the poem as beautiful, despite the faces he sees which are at most "despising," (Whitman, `Faces'). Whitman was apparently very much intrigued by the soul, he tried to find a "path," to the soul even though he admits that he was not sure what the soul was. However, he was determined he would find a "path between reality and their souls," (Allen, 192). Like most of the pantheists of his time he wanted to connect many things, reality and the soul; even individualism and the nation. Whitman quoted, "The empowerments of each element of the country individually but at the same time their merger in the collective empowerment of the nation

"Why should I pray? Why should I venerate and be ceremonious?……I find no sweeter fat than sticks to my own bones." (pg 40)Nature and all of her wondrous facets, especially the human body, was Whitman's religion. Walt Whitman was indeed an intensely spiritual man in his own unconventional way. His epic classic "Song of Myself" demonstrates these attitudes of his, and in his view how the proverbial "poet" of his America should believe. Humanity yearns for spiritual fulfillment and Whitman believed that everything around us and even ourselves were walking testaments to what true ethereal life is.

The suggestions of equality between all people are not blatant and are not abundant in “Song of Myself” but they do exist, showing that Whitman was not as neutral as most readers are led to believe. He believed in equality.

Now I intend to turn my attention to concrete examples from Walt Whitman's poetry to provide some evidence of that sexuality played an important role in his poetry, and there are possible readings to find traces for that. Of course, we cannot only rely on selected

Whitman takes the idea of using parts of nature as unique symbols and transfers this idea into humanity. More specifically, Whitman is able to go beyond Emerson's idea of nature as a symbol and make humans symbols. Most obvious is the way that Whitman uses himself as a symbol of all of humanity. He sees the ideas of humanity coming from him and states, "Through me many long dumb voices…Through me forbidden voices,"(Whitman Section 24 Line 12 & 20). He says that he is a "kosmos" - or he is a universe,

Ok. So those are the facts. Now let's examine "Song Of Myself" and Whitman with greater detail. There are several sections in this poem that enhance our knowledge on the stand Whitman is taking toward his body and sexuality. He begins in Section 4 with a reflection on the "Real Person". Or what he views as "Real." He states, "The real or fancied indifference of some man or woman I love." This stanza depicts Whitman's view on sexuality and on equality. He obviously, in this stanza shows no favoritism toward either gender. He is saying that he loves both equally regardless of any differences. He

In the second section of the poem Whitman says, “Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, the distillation would intoxicate me also, but I shall not let it.” This idea of “perfumes” are other people that are within the house and rooms. He likes these other people but he cannot let them change his own self. Whitman is very concerned that he will conform to society and what they want, which is

Also included in the poem is the image of a young child being embraced by their elders. This shows the gap in life and the aging process that we go through. When we are young we are carefree, but as we age we hold on to the ones we love because of the knowledge that we will one day have to make our departure. Out of this idea of death, Whitman shows that this is a natural part of life and

Whitman begins by creating a contradictory image of himself. On one hand he relays an egotistical representation by alluding that he is the center of the universe, "a kosmos, of Manhattan the son," almost a deistic type of character. Whitman also describes himself as not being above any one person, woman or man, an obvious contradiction to his previous representation. His God-like persona is depicted in human terms, physical qualities that all humans possess. Whitman creates this contradiction to show his belief that he is everything, but is only this way because everything is a part of him. He represents himself as part of a whole&emdash;nature, mankind, and the universe are all a part of him. By being everything in nature and nature being a part of him, Whitman has the power to become the voice of nature as a whole. He speaks for nature and mankind when they do not possess the power to do so. Whitman is the voice of all.

The creation of an acceptable persona is essential to Whitman's poetic program. In "Song of Myself" this is

Whitman writes that he, as a poet, represents the body and that he is "the poet of the soul" (Lauter, p.2759). In other words, his poetry represents the body and the soul, but since we are more interested in the soul, we will focus on that. Remember, also, Whitman's poetry is often contradictory. He says in the following lines, "The pleasures of heaven are with me, and the pains of hell are with me" (Lauter, p. 2759). I believe what Whitman is saying here is that his soul includes both pleasure and pain. But, in the very next line he says that he has brought pleasure on himself and the pain he feels he "translates into a new tongue" (Lauter, p. 2759). The tongue refers to here is his poetry. To tie this altogether, his poetry represents the soul, particularly pleasure and pain. He takes the pain from his soul and translates it into poetry. Therefore, his poetry represents his soul.

Whitman uses many different techniques toward intriguing his readers toward his work. A very quaint way is through homosexual aspects. In the tenth line of the poem W. Whitman says that the twig reminds the man of manly love. When someone reads this the words manly love just sticks out at you and you

On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to

As seen above, the majority of homoerotic images is concentrated in a cluster of poems titled Calamus. It is noticeable that Whitman tried to express his sexuality directly, but ended up fabricating “a persona that obscured his true nature” (Bergman 387), thus it is only a bit more particularized than Song of Myself. In The Base of All Metaphysics the lyrical subject speaks of “the attraction of friend to friend” (Whitman 141), the Socratic notion of love, and it is this kind of love that Whitman seems to be most interested in.

In his first anthology of poems entitled “Song of Myself”, Walt Whitman reveals some of his views on democracy through the use of symbolism and free verse poetry. His use of symbolism and free verse poetry creates indeterminacy, giving the reader hints rather than answers about the nature of the poem. In the sixth part of “Song of Myself”, a child asks the narrator of the poem, “What is the grass?” (Whitman). Instead of simply giving an answer, the narrator cannot make up his mind, and stumbles on how to explain the grass to the child. Through the use of specific symbolisms, Whitman, as the narrator, explicates his views while remaining under the façade of explaining grass to the child. The views Whitman conveys remain indeterminate and