Django Unchained

The use of weapons is just another connotation of the stereotypical violent African American male which is represented in this film.

Quentin Tarantino’s films are always controversial, and Pulp Fiction is no exception. The film depicts graphic violence and overt drug usage, while shying away from politically correct language. The film’s controversial topics such as racial stereotypes, has led some critics to hail the movie as racist; however, the movie denies many of these stereotypes, portraying character and character relationships as not exclusive to their stereotype. Furthermore, the movie mocks many of societies stereotypes, and it is not afraid to address, or not to address, uncomfortable racial topics. Thus, Pulp Fiction challenges racial barriers.

The black stereotypes in Spike Lee’s film “Bamboozled” are very evident in the main characters in the minstrel show, Mantan and Sleep n’ Eat. For the show, Mantan and Sleep n’ Eat are depicted as lazy, unintelligent, and foolish. Their stereotyping is intentionally obvious to shock and shame the viewers of the show using satire. In addition to the obvious stereotypes in the television show, Lee uses the other character in the film to showcase other stereotypes. Lee uses the characters: Pierre Delacroix, Thomas Dunwitty, Sloan Hopkins, and Big Black Africa and his group as additional, slightly less obvious views of black stereotypes.

Lee Daniels’ ‘The Butler’ is a biographical drama depicting the story of Cecil Gaines, a man who escaped a life of slavery and oppression to serve for eight presidents as a butler in the White House.

The reason many people in America today, as well as in the movie are racist is because this is how they were brought up, by the labels they were taught to live by. Past generations were exposed to segregation between ethnic groups, which has greatly carried on to how people look at others today. Up until 1967 it was prohibited for blacks to marry white people in 38 states

Labeling theory. The labels that people are given affect their own and others’ perceptions of them, leading to conformity or deviance (labels can be good or bad)Most people resist the negative labels others try to give us, however, if we hear that we a thug long enough, we may finally accept that label and start living as a thug. Black race is the most stereotyped out of many races. Due to being consistently stereotyped they really become who they are being stereotyped as. In the starting of this movie

     First off, the biggest difference is the time periods of each movie. The older movie was set in Early Renaissance times. The newer movie is set in the early ninety’s. Another difference is the use of special effects. In the

His idea for the film stemmed from the election of President Obama in 2009. During this time, Peele stated “...people were living in an illusion of a post-racial world.” and “We’ve got Obama so racism is over, let’s not talk about it. That’s what the movie was meant to address.” The main purpose of the film was to share his belief that racism was still very much of an issue. He had hoped that this would open the eyes of society to the issues of racism starting from the Obama administration. He also wanted to shed a light on racism that was not previously thought of, such as white culture desiring to be more “black” because “black is in fashion” (Staff).

When comparing the two films you can delve deep below the surface and begin to question how much of what we perceive as racism is actually racist or just general bigotry and self-importance. And how much of what we perceive as innocent is in fact insidious by nature. Tarantino switches things around and makes Django, a black male; the main protagonist of the film. By the end of the film he is the sole male survivor and therefore superior to the white characters. While Aladdin, a film about Arabs, has white American voices cast for all of the characters. The villain is the only Arab looking main character, while the hero and heroine are drawn with more Western features or skin colour, “Aladdin looks and sounds like a fresh-faced American boy.” (Brunette et. al. 2006, p. 2).

The degree of connection between all of the characters in the movie is so coincidental and interrelated to emphasize the point that we do not always know what is going on with everyone else we may encounter. It also accentuates the fact that racism is not one particular race against another. It also shows that we never know someone’s situation and what is happening in their life to make them act the way that they do if

Pulp Fiction is an iconic early 1990s film directed by the unparalleled Quentin Tarantino. The title of the film pays homage to mid-20th century crime novels. In this way and others, the title is revealing of the content of the film. The film follows a very postmodern style that often distracts the plot to focus instead on developing the characters. The cinematography of Tarantino further highlights the characters, at times not allowing the viewer to focus on the context due to the intensity of the moment. Two elements that play key roles in the tone of the film are real violence and race. Real violence is used throughout the film both to create and release tension. The element of race is used through stereotypes that allow the characters and the way they interact to provide social commentary about racial perceptions in America at the time of its release in 1994. The elements of violence and race are used to entice the audience to remain invested in an incredibly complicated and interwoven story with no particular plot. It is these elements that allow the movie to have no single central plot and yet still captivate its audience as the artful masterpiece it is.

Django Unchained is a movie by Quentin Tarantino that goes into the life of a frees slave named Django. Django with the help of a bounty hunter Dr. Schultz, set out to rescue Django’s wife from a brutal plantation owner she has been sold to. Django Unchained includes plenty of Karl Marx’s concepts of sociological theory including capital, labor exploitation, class struggle, materialistic ideology, accumulation and Emile Durkheim’s concept of crime.

The film Django Unchained (2012) by Quentin Tarantino defines the historical issue of institutional racism that existed in the antebellum era of Southern slavery. This unique perspective on history defines the struggle of Django (Jamie Foxx) and Dr. King Schultz (Christopher Waltz) to save Django’s wife, Broomhilda Von Shaft (Kerry Washington) from the evil southern plantation owner, Calvin Candie (Leonardo Di Caprio). Candie’s presence as the primary patriarchal figure in the story not only defines the dominance of white racism in the south, but the class-based elitism of the “southern plantation owner” as the apex of the institution of slavery in the antebellum era: “The transition from two 18th and early 19th-century models—the genteel

There is also portrayal of unfairness in the black society in getting into careers as well as a degree. It is shown that the black society in this film is usually involved in low income jobs or ends up engaged in crime such as drugs. According to Michael Banton (1997) theory of racisms; race determines culture, the use of racial beliefs and attitudes to subordinate and control a category of people defined in racial terms. This was among the main problems faced by subjects in the films. Even though, Jason Lyle (Channing Tatum) is from a white family. Growing up in a ghetto neighbourhood has brought him to live a life of the lower end as well. He has a dad in prison and an uncle who does not care about his education. They seem to pay more attention to his actions on the basketball court in comparison to the classroom. The students of the school also refer to themselves as “nigga” which is a derogatory term used by the White society to insult the Black people. Coach Carter puts an end to this and says that they themselves should start respecting themselves and their race before anyone else outside would. He also added on that term “sir” is a term of respect and they should use it to address themselves and also him

The film set in the deep South in 1858, about a slave who gains his freedom with the help of Dr. King Schultz (Christoph Waltz), a German bounty hunter, and sets out to rescue his wife from a brutal Mississippi plantation owner is an intriguing story with very graphic action scenes. The plot of the story begins as Dr. Shultz buys Django (Jamie Foxx), a black slave, from some traveling slave owners. He buys Django because he is chasing a pair of outlaws known as the Brittle Brothers and Django is the only person who knows what they look like. As the plot develops, Dr. Schultz and Django become allies and work together to achieve each other’s personal goals; Dr. Schultz wants to track down and