In Euripides’ Medea, there are moments when a specific character is deserving of sympathy, and instances when they don’t deserve any sympathy at all. In the beginning, Medea deserves sympathy due to her husband leaving her for royalty and another woman. However, neither characters deserve sympathy when Medea’s tells of her plans of killing her children, and Jason’s want for Medea to become an exile. Towards the end, Jason deserves sympathy for trying to do what’s best for his family and the death of his children, but Medea deserves no sympathy for the killing of Glauce, Creon and her children.
In the beginning of the play, Medea is deserving of sympathy due to her husband’s betrayal towards her. Characters, like the Nurse and Chorus feel the sorrow that Medea
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Medea’s hurt and anger turns into rage when she plans to make “corpses of three of [her] enemies,” which shows her ambition of creating catastrophe around her to make Jason suffer the consequences.The plan of Medea wanting to kill Glauce and her children shows the audience that Medea is plotting for revenge and will do anything to make Jason suffer. Jason also doesn’t deserve sympathy as his want for power and his strive for ambition is the main issue in this play. Jason left his wife to marry Glauce, the princess of Corinth, to make his life more powerful. Jason doesn’t want Medea ruining his chances of staying in Corinth and one day becoming king. When he finds out Medea is making plans, he makes sure that Medea knows that “Corinth cannot be a home for [Medea]” anymore, which shows that Medea must become an exile again, in Jason’s eyes, so that he can one day be king. Both Medea and Jason are in no need of sympathy from the audience, but once Medea commits the murders of Glauce and the children, Jason deserves sympathy from the audience while Medea deserves no
The mistreatment that both receive from Jason and Agamemnon despite all that they do for them contributes heavily to their vengeful actions as well. Medea used her magical powers, defied her father, and killed her brother to devote herself to Jason, is still treated coldly and is neglected by Jason, who abandons her and their two sons and leaves her for Creon’s daughter. She realizes that “to annihilate the past is not possible: but its fruit in the present” can be used at her disposal to fulfill vengeance (Medea 1.364-5). She decides to channel the woe she
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.
Right from the start, on the first spoken line of the play, the portrayed victim is already Medea. The play starts off with the Nurse reciting a
In Medea, Medea finds out that Jason is leaving her for someone better than her to gain power. She is an emotional wreck due to Jason’s betrayal because she has sacrificed so much for him. She even went out of her way and killed her own father and brother for the love between her and Jason. Now that Jason is abandoning Medea for another woman when she has abandoned her family, country, and home for him, Medea is fierce. Medea seeked revenge on her husband whom she loved so much by killing his new bride, Glauce and her children she had with Jason. Medea states in lines 1238- 1247, “I must kill the children quickly and be gone. They must die, in any case, and as they must it is I, who gave them life, must kill them. Let there be no weakness now, no tender memories of their birth, of them as babies…”.(pg. 66) Medea’s children were the product of her and Jason’s love which symbolized the marriage they once had, so Medea killing her sons represented their marriage coming to an end. Killing her children will also hurt Jason which was Medea’s ultimate goal and revenge for hurting her. Similarly, in
From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.
<br>Medea dwells in self-pity until contriving a scheme that will avenge her hurt. Wallowing in self contempt is generally a quality attributed to women by society. Medea is so unhappy with herself after her marriage with Jason ended that she wanted to die.
Jason tries to reason with Medea by showing that his betrayal was for the sake of the children “so [that] [they’ll] be well off” (326) and be brought up “in a way that’s worthy/ Of [his] family” (325). Medea consumed in her grief is still unable to mediate with Jason’s betrayal and is determined to kill Jason’s new bride by sending her a poisoned dress and tiara. Understanding that displaying fury towards Jason will not accomplish her plans, she chooses to show that she “agrees with him about his marriage” (332). Confessing to her own stubbornness and “bad temper” (334), she is able deceitfully continue on to say she “realizes how wrong [she] [has] been” (335). Furthermore, she uses the children to cumulate sympathy, similar to how she initially gained Creon’s mercy. By “[admitting] [she] was wrong” (335) and telling Jason she “supports [his] [plans]” of their children “having royal brothers” (326), he becomes persuaded by Medea’s thoughtfulness. After Medea allows the children to “come out” (336) and embrace him, she asks whether his “new wife” (336) could ask Creon to “let [the] [children] stay” (336). Medea takes advantage of knowing it would be difficult for Creon to refuse a request from his own child to resume her agenda. After spotlighting how concerned she is about the children, she recognizes that Jason
In order to stop Jason from marrying Creon’s daughter, she kills her and Creon. Medea furthermore kills her children as a way to give Jason even more pain (and on some accounts, save her own children from the royal family’s vengeance). Through her murderous actions, Jason’s power is even greatly more diminished. At the end of
Medea’s version of justice is taking matters into her owns hands. She wants to take revenge on Jason by murdering his fiancee and his children. Medea killed her children to make Jason pay for his wrongdoing. Though she did feel regret, she still carried on and committed sacrilege against her children. Her actions was not justified in the court of law and in the eyes of men and women. She also not only killed her children, she killed Jason’s fiancee. The Corinthian princess, Glauce, died a brutal death by the gifts that Medea had given her. “She changed colour, staggered back and sideways, trembling, then fell into her chair again, almost collapsing on the floor” (Euripides 43). The messenger who went to Medea gave in full detail, a vivid description of the what happened to the princess of Corinth. Medea held no remorse for Glauce or the
Medea plans to kill her children instead of Jason. The main reason being that, by killing the children, it will cause Jason eternal pain. Medea’s position of citizenship also affects her emotional state and actions. Medea is an immigrant. She speaks on how she tried to blend in to this “strange Greek society” (7) and failed. I feel it is because of this failed effort that Medea finally understands that she is a foreigner—and also unwelcomed—and has no home to return to. It is for this reason I believe Medea continued with her plan. She had nothing to lose and had to leave Corinth anyways. Medea appears to be a very outspoken woman. On page 7, Medea expresses her opinions of the women of her time. Medea embodies the voice of women. She makes it sound
Commonly considered one of Euripides greatest pieces, Medea is an insightful depiction of how a woman’s love for her husband, churns into a gruesome revenge scheme against him. This tragedy illustrates a tale of a woman who challenges Greek societal norms. In the era that the story takes place; women are often seen in submissive roles. However, the play’s main character, Medea, challenges their customs through her actions against the Kingdom of Corinth and Jason.
Ever since she found out she had been betrayed by Jason, she has had “no pleasure left” in living. The only purpose left in her “cruel” and “accursed” life is to “strike dead” Jason, Creon and Glauce. Medea ends up killing Creon and his daughter but doesn’t make any attempt to kill Jason. To “perish his whole house” and “work revenge on Jason for his wrongs to [Medea]”, Medea plans to kill her two son as “it is the supreme way to hurt [her] husband”. Although Medea feels sad as shown by her “dewy eyes” and “these tears”, the audience are positioned to feel less sympathetic towards Medea due to her murderous actions towards her “own little
Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on
Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she
In the tragedy Medea, Jason is faced with realization of the death of his twin sons who were killed by their, mother, Medea; he falls into agony as he laments, inspiring a katharsis in the reader. Jason cheated on Medea, assuming that it was okay with her, saying, “…I/ Grew tired of your bed and felt the need for a new bride” (18). Jason desired a bride of title so that his current children and future children could be brought up “worthily” (26). He betrayed his family and Medea’s love for another woman, causing Medea began to seek revenge. She decides to do two acts: kill her husband’s fiancée and kill her own sons. “…I shall kill my own children. /My children, there is none who can give them safety,” Medea expresses, as she plots her plan (26). Jason is unaware of this act that his wife is ready to commit. No longer does he have a fiancée, but now he has lost his heirs to the kingdom. The tragic act occurring among family members, happens in Medea, which was highlighted in Poetics. The death of Medea and Jason’s sons leads to Jason’s