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Dog Heart Colonialism

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In Dog-Heart by Diana McCaulay, aspects of colonialism are apparent throughout the book; even though Jamaica is an independent nation and is no longer under British Colonial rule, colonialism has embedded itself deep within the framework of the country, politically and culturally. The most notable act of colonialism in Dog-Heart was the policing of language; the assimilation of the Jamaican people to Standard English and the condemnation of speaking Patois. By writing Dexter’s point of view in Dog-Heart in Jamaican Patois, McCaulay challenges the misconception, created by colonialism, of Jamaican patois being the language of the undesirable.
Although Standard Jamaican English is the official language of Jamaica, majority of people in Jamaica …show more content…

He say wasn’t and didn’t and his and hers – him hardly speak in patois.” Dexter said Marlon speaks “the best” as in he speaks Standard English more, the fact that because Marlon doesn’t speak much Patois makes him better than Dexter and the rest of the family, shows how those who speak in Patois view themselves as lesser than those who speak standard English. Hodge mentions the implications this toxic colonial education has on the mental health of Caribbean’s; “We speak creole, we need creole, we cannot function without creole, for our deepest thought process are bound up in the structure of creole, but we hold creole in utter contempt.” (Hodge 204) Towards the end of the story Dexter starts to think himself worthless, and starts to believe he is all of the things society stereotyped him as, stupid, bad and a “shotta,” and he gives up on himself. Just as Eurocentric beauty standards make people value whiteness as the ideal beauty and often end up making Blackness viewed negatively— as you see throughout Dog-Heart as “Black-Black” people are heavily judged and the lighter you are the better you are treated, as seen in the scene where Ms. Sahara takes Dexter’s family shopping …show more content…

McCaulay shows us through Dexter’s point of view, which is all in Patois, that people’s view him isn’t necessarily reflective of who he is as a person, and the stereotypes held by Jamaicans about certain aspects of Jamaican society, like patois equating to incompetency, are just a product of colonialism; this understanding wouldn’t be available to us if we only had Sahara’s point of view. Caribbean literature can help, and I believe is helping, strengthen cultural competency, while also improving how Caribbean’s view themselves and their history, and serves as a force of resistance to the colonial standards that fixed itself into Caribbean society. Slowly, this newfound self-awareness and cultural pride that comes from knowing and accepting Caribbean roots can lead to building stronger Caribbean identity where languages such as Jamaican Patois can be appreciated and be considered a standard language

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