Dramatic Irony In The Cask Of Amontillado By Edgar Allan Poe

This is dramatic irony because the reader knows something that a character, in this case, Fortunato, doesn’t know. Young Goodman Brown and A Cask of Amontillado both use dramatic irony but in very different ways. Young Goodman Brown uses dramatic irony to add some comedic relief to the otherwise serious story, while A Cask of Amontillado uses this type of irony to add to the tension in the text. Young Goodman Brown by Nathaniel Hawthorne and A Cask of Amontillado by Edgar Allen Poe, although they use it for different purposes.

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

time to think about why he is chained and closed into a wall to die.

An example of dramatic irony is when Fortunato tells Montresor not to worry about his health and that “the cough is a mere nothing; it will not kill me. I will not die of a cough” (POE 238) Montresor then replies, “True–true.” When the reader reads this, they see that Fortunato is clueless of Montresor’s true plan is and while he tells Fortunato he will be all right. That he will not die, he is planning to kill him. This is dramatic because we as the reader feel a sense of sorrow because we know the truth about what will

In “The Cask of Amontillado,” Edgar Allen Poe uses several examples of verbal irony. Verbal irony is when one character says something but actually means something different. One example is on page 288 when Montresor says “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day.” This is verbal irony because he does not really mean that he is looking well, and this sentence starts the ensuing parts of Montresor luring the intoxicated Fortunato into the catacombs, which begins the start of the suspenseful reader waiting to see if Montresor will fulfill his mission.. Another example in the story of verbal irony is on page 289 when Fortunato has the cough, and Montresor insists on going back, saying that his health is precious, when he really means that he wants his health to decline and for him to die. “We will go back; your health is

Montresor’s actions lend to his vengeful and manipulative nature. He lures Fortunato into the catacombs of his home to carry out his plans to kill Fortunato. In the first step of his plan, he boosts Fortunato’s ego by saying that Luchesi was almost as worthy a judge of wine as he. Then Montresor tricks Fortunato into believing that there is an

Edgar Allan Poe uses irony to create suspense in "The Cask of Amontillado," to create a dark, dangerous short story. The protagonist, Montresor, plans to seek revenge on Fortunato, who insulted him, by killing him. Poe uses dramatic irony in the first paragraph by writing that Montresor is planning to kill Fortunato and get away with murdering him. The example of dramatic irony creates suspense, due to only the reader and Montresor knowing that Montresor is premeditating Fortunado's murder. Verbal irony is utilized to create suspense when Poe writes of Montresor and Fortunado making toasts, and Montresor saying, "And I to your long life" to Fortunado (Poe 347). Completely aware that he is going to murder Fortunado, yet Montresor toasts to Fortunado's

In the Cask of Amontillado, Edgar Allen Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe does this all throughout the story like when Montroso and Fortunato first meet. Montroso says, “‘My dear Fortunato, you are luckily met’” even though it is not lucky they met at the carnival because Montroso plans to kill Fortunato. Another way Poe uses verbal irony is, ‘"And the motto?" "Nemo me impune lacessit." "Good!" he said.”’ The motto Montroso uses means no one attacks me with impunity and in the beginning Montroso says that Fortunato insulted him so Fortunato just clapped to the saying that will be implemented on him by

In the short stories “The Cask of Amontillado” by Edgar Allen Poe and “The Most Dangerous Game” by Richard Connell, irony is the main element used. Like many authors, these authors both use irony to their advantage. One story is about a hunter being hunted, an ironic twist, for a reason yet not stated. And the other is about a murder being committed using reverse psychology which takes place in a family catacomb with a fondness for wine ironically enabling the crime.

<br>The way the narrator treats his enemy is one of the clearest examples for ironic elements. When the characters meet, Montresor realises that Fortunato is afflicted with a severe cold, nevertheless he makes a point of him looking "remarkably well". Montresor acts in the most natural and friendly way towards the man object of his revenge, and even praises his "friend's" knowledge in the subject of wines. Also upon their meeting, Montresor begins a psychological manipulation of Fortunato. He claims that he needs his knowledge to ascertain that the wine he has purchased is indeed Amontillado. Furthermore, he acknowledges that Fortunato is engaged in another business (i.e.: the celebration of carnival), so he would go to Luchresi, who, one is made to believe, is a competitor of Fortunato's. To these words, Fortunato is forced by his pride to accompany Montresor to the vaults (where the Amontillado is kept), dissipate his doubts and also to prove his higher status than Luchresi as a connoisseur of wine. In fact, during their way down under in the catacombs, the twisted mind of Montresor, dares to give Fortunato the chance to go back, due to the almost unbearable dampness and foulness rampant in the vaults and Fortunato's state of health. The narrator clearly knows about the stubborn nature of Fortunato, and is

The story “The cask of Amontillado” by Edgar Allan Poe already starts with irony in the first sentence; “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge”. By using irony the author allows readers to have different interpretations of his story; for example Poe’s antagonist characters has the name of Fortunado. He is the one that is murdered in the end, thus demonstrating that he is not as fortunate as his name seems to indicate. Bella Wang and Amelia Tibbett exemplify this by saying, in her analysis of Poe’s story; “Poe gives the victim the name of Fortunato, which may mean "fortunate" in Italian, but adds an extra element of cynical humor to Fortunato 's jovial and unsuspecting character.” (Wang) and also “the word "luckily" also recalls the meaning of Fortunato 's name and is thus entirely unfitting for Fortunato 's fate.” (Wang). Moreover, in her analysis of the text, Amelia Tibbett confirms the fact that the reader has a kind of freedom in interoperating the story; Poe cleverly weaves this story so that he has perfect control over the narrative, all the while allowing the reader some freedom in their own interpretations. (Tibbett).

Montresor does this by flattering and acting concerned about the health of Fortunato when really his only concern is killing Fortunato. While in the wine cellar, Montresor says to Fortunato, “Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi-.” Montresor does an excellent job of being Fortunatos’ friend and at the same time convinces him to continue drinking and telling him, “A draught of this Medoc will defend us from the damps.” Montresor was not trying to defend either one of them, his only purpose was to place Fortunato into a higher state of drunkenness. Montresor causes Fortunato to become so drunk that while he was being chained to the wall by Montresor, “He was too much astounded to resist.” “The Cask of Amontillado” is filled with many ironies and also life lessons; such as know who your real friends are. Fortunato thought his real friend was Montresor when, in reality, Montresor was anything but his friend. Not only did Montresor fake his sincerity towards Fortunato, he was also vengeful and very intelligent in his actions to kill Fortunato.

He refers to Fortunato as his friend, a clue that Montresor is not acting in his right mind. If Montresor had a good motive like Fortunato killing someone close to him, he would refer to Fortunato as his enemy. The reader also feels the pain Montresor when he is erecting the wall over Fortunato; Montresor does not feel right in what he is doing. He even tries to call Fortunato’s name before he lays the final stone to see if he was still alive, wondering if he could turn back and change his mind before he finally dies before it was too late. Most importantly, he is talking to an auditor, often believed to be a religious priest. Montresor at the time is on his deathbed and is confessing a terrible sin he has done, for he states that for Fortunato’s remains, “no mortal has disturbed them” (Poe 80). He would say this to a priest or someone else who was high in religion.

The story “ The Cask of Amontillado” provides various amounts of moods as they walk through the catacomb. In Edgar Allan Poe’s story, the main character known as Montresor, goes through creepy situations and events with the intoxicated, Fortunato. As this story goes on talking about them walking through the catacomb, there’s at most four moods created throughout the story. Those consists of eerie, suspenseful, scary, and dramatic. These moods are to be spoken about when Montresor does something awful to his acquaintant, Fortunato.

Dramatic irony can be seen in Poe’s work in many ways. First, the name “Fortunato” (deriving from fortune in English) is a clear example of irony, since the character appears to have everything except fortune. He is heading to his death from the beginning of the story. Professor Nevi, from the Department of English in Oregon, referred to Fortunato’s name when he says, “Although it would help, a student don’t need be versed in a foreign languages to notice that Fortunato’s name is ironic. He is definitively not the fortune one ”(Nevi 462). In this statement, Professor Nevi is clearly affirming how easily it is to determine that Fortunato’s name represent an irony. Furthermore, the way that Poe describes Fortunate as dressed like a court jester