Edna as a Metaphorical Lesbian in Chopin’s The Awakening
Elizabeth LeBlanc places The Awakening in an interesting context in her essay “The Metaphorical Lesbian,” as gender criticism must, for Chopin wrote the novel at the end of the 19th century, when homosexuality as an identity emerged culturally, at least in terms of the gay male identity, as proffered by Oscar Wilde across the Atlantic. Lesbianism, too, started to make its debut on the cultural stage, particularly in literature. However, although lesbianism started to emerge during Chopin’s lifetime, it seems doubtful that it played any formative role for Edna’s characterization. Yet gender criticism often requires a reading of a text in light of gender and sexuality regardless
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In contrast to a more feminist perspective, LeBlanc views Grand Isle not as a female colony but as distinctly patriarchal. The fact that mother-women seem to rule enhances this reading according to their own submission into the phallogocentric demands of the island and culture beyond. The island visitors’ rejection of Mademoiselle Reisz, a woman who fails to conform to the expectations of a heterosexually normative society (and a woman who is, according to LeBlanc, culturally coded to be read as nonheterosexual), underscores the supremely heterosexual patriarchy that dominates Grand Isle.
LeBlanc wisely steers clear of placing Edna in a lesbian space, choosing instead to place Edna as “something other, a fascinating creature who stands apart and resists definition” (242). For LeBlanc, Robert is the traditionally feminine man on the island who mirrors Edna herself; thus Edna appears to select a person who represents the masculinized encapsulation of herself, which represents woman-woman identification. However, here I disagree with LeBlanc, for although Robert is admittedly feminine or unmasculine, I believe masculinity to be a gendered niche that patriarchy must create for itself out of the markedly, fixedly feminine sphere (an idea or hypothesis I am seeming to create in my own work). Thus Robert decides instead not to appropriate those qualities that femininity possesses for a greater masculinity, but instead enters
The theme of The Awakening is centered on Edna’s journey of individual identification and independence. Chopin condemns gender roles and pleads to the public to look at women as equals and not just commodities to be married off. Women should have all the
Over the course of time the male species has always been the gender to attain the more favorable conditions. Numerous cultures heed to the belief that the man is the provider and head of his family. This machismo nature can condition the mind to believe that a man should feel superior to a woman. The continuous cycle of male superiority flows down from father to son subconsciously. Do to this unceasing sequence of behavior women fall subject to repression and control at the hands of mentally undeveloped men. Kate Chopin’s The Awakening, illustrated this particular topic in a way that not only appealed to the readers’ sense of pathos but, the readers’ likeliness to be able to relate to the aforementioned as well. Chopin stylistically renders the struggle of the protagonist Edna Pontellier, a strong willed woman who finds herself imprisoned to the concept of trans-temporal existence, as she seeks refuge to her true being, Edna experiments relationships with multiple men that unintentionally repress her existence. Between Leonce Pontellier, Robert Lebrun, Alcee Arobin and The Colonel effect of Edna’s life they catalyze her awakening and ultimately lead her suicide.
In modern times, feminism and the yearning to become more than a traditional “housewife” have been topics of fierce discussion; however, often neglected is the fact that men, too, are expected to fulfill a role in society. In Michel Marc Bouchard’s Lilies, the characters are heavily influenced by the Catholic, Quebecois society of Roberval, which promotes heteronormativity and a certain masculine mold, resulting in tense relationships with oneself and with others. This can be seen as Simon struggles internally with who he is while Bilodeau and Timothee express discontent in the increasing visibility of homosexuality and the breakdown of the masculine “norms.” Although this play takes place in the early 20th century, the advocacy of what a man should be according to Catholicism, which often leads to homophobia, still prevails heavily today, as seen in Katherine Dugan’s “Gendering Prayer: Millennial-generation Catholics and the Embodiment of Feminine Genius and Authentic Masculinity” and in Wayne Martino’s “Policing Masculinities: Investigating the Role of Homophobia and Heteronormativity in the Lives of Adolescent School Boys.” These articles show the extent to which the toxic outlook on masculinity is seen in Lilies while providing insight into how the public is expected to adhere to heteronormativity. These struggles perceived in Lilies can also further be analyzed through the works of Roy Brooks-Delphin, Lowell Gallagher et al., and Wolfgang Palaver.
In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,
Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene
Have you ever wondered what the lifestyles of Nineteenth Century women were like? Were they independent, career women or were they typical housewives that cooked, clean, watched the children, and catered to their husbands. Did the women of this era express themselves freely or did they just do what society expected of them? Kate Chopin was a female author who wrote several stories and two novels about women. One of her renowned works of art is The Awakening. This novel created great controversy and received negative criticism from literary critics due to Chopin's portrayal of women by Edna throughout the book.
In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.
To what extent does Edna Pontellier, in Kate Chopin's The Awakening, mark a departure from the female characters of earlier nineteenth-century American novels
A different option would have been that Edna decides to live the life of an artist. She could
Kate Chopin’s controversial novel, The Awakening, ignited turmoil because of her blatant disregard of the established 19th century perspective of women upholding strictly maternal and matrimonial responsibilities. Edna’s candid exploration of the restrictions on women through her liberal behavior in a conservative Victorian society makes her a literary symbol for feminist ideals. Despite denunciation from other people, Edna chooses individuality over conformity through her veering from traditional obligations. Edna indulges in her love of art, which is considered to conflict with her expected singular devotion to her household. Exploring her sexuality rather than repressing any sexual awareness constructs her feministic mentality.
Since the beginning of time social constrictions have always retained a firm grasp on the ideas and actions of humanity. While it remains a formidable foe, still some choose to fight back against the norm. This never-ending war is responsible for major advancements in the social order, but not every story is so successful. In Kate Chopin’s “The Awakening”, Edna Pontellier finds herself fighting this very battle that, although begins with a positive outlook, ultimately ends in her demise.
In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions
In her attempt to uncover the “grain running against the grain” in Chopin’s novel, Patricia Yaeger dismantles conventional approaches to The Awakening that regard the work as an emancipatory text by virtue of its rebellious, adulterous heroine alone. Using Tony Tanner’s analysis of Edna’s infidelity as “belonging to the tradition of transgressive narratives,” highlighted in his work, Adultery in the Novel, Yaeger conversely emphasizes how Chopin’s development of the romance plot between Edna and Robert supports rather than subverts patriarchy. Although Edna credits Robert with “[awakening] me last summer out of a life-long, stupid dream,” her love for him interrupts rather than inspires her awakening, for Edna has simply jumped from the shelter of Leonce’s money and the social stability he affords to the school-girl fantasy of romantic love Robert represents. In each relationship, whether financially or emotionally, Edna remains dependent upon a man, but more significantly, men exist as the mirror through which Edna perceives herself. Without Robert, Edna forfeits the life she began to construct for herself, as well as the burgeoning female subjectivity awakened the summer before.
(Harris). Men were superior; many saw women as no more than property. “No, I only think of you as cruel, as I said the other day. Maybe not intentionally cruel; but you seem to be forcing me into disclosures which can result in nothing; as if you would have me bare a wound for the pleasure of looking at it, without the intention of healing it” (Chopin). The protagonist of her novel The Awakening, Edna, acted quite the opposite of the way a ‘real woman’ of Chopin’s time should act. Critics/ scholars of Chopin’s day responded to her work by labeling her novel, The Awakening, as “vulgar, morbid, and disagreeable. Willa Cather, who would become a well known twentieth-century American author, labeled it trite and sordid” (Koloski). Readers and reviewers condemned Chopin’s subjects such as, adultery, female sexuality, and miscegenation. The reason behind all of this criticism is because the critics “expected to read a novel in descriptive language, colorful characters, and the sights and sounds of Louisiana Creole life. Instead of local color however, critics were shocked and dismayed at Edna’s behavior and considered Chopin’s novel morbid and lacking literary value. In most cases, critics were at loss to explain the reasons why an artist with Chopin’s undisputed literary talent would contribute to what one reviewer called “the overworked field of sex fiction” (Seyersted 219)”. (Sprinkle). Chopin was awfully hurt by all of the
Spargo goes on to address some of the criticisms of Foucault and how these failing have been addressed as queer theory has developed. The most significant of these criticism as addressed by Spargo was Foucault’s focus on masculine sexualities . Spargo explores the relationship of the production of sexuality to gender through a discussion of Judith Butler. Butler argues that gender is produced and understood via cultural discourse in the same way as sexuality . Gender according to Butler is