Elizabeth Barrett Browning’s The Runaway Slave at Pilgrim’s Point and A Castaway

“The Autobiography of a Runaway Slave” revolves around the life of Esteban Montejo: who once set his life is the Caribbean island of Cuba; in which this story provides readers with another distinctive approach to teaching the lives of slavery. As the narration progresses through this writing, readers consequently have many opportunities to annotate how the abolition of slavery played a great role in his personal life. Evidently, whether it is intentional or unintentional, the narrator frequently mentions the ending of slavery, as he substantially detailed “…till slavery left Cuba,” (Barnet 38); “… I got to know all these people better after slavery was abolished,” (Barnet 58); and “It was after Abolition that the term ‘effeminate’ came into

     When her father passed away she had nobody to tell her what to do and how to act. This was very devastating and she had a hard time dealing with change. So much so that she wouldn't let the police take the body of her father out of the house for three days after his death. The only thing that was constant in her house was the slave

She emphasizes that the life of a slave woman is incomparable to the life of a slave man, in the sense that a woman’s sufferings are not only physical but also extremely mental and emotional. Whether or not a slave woman is beaten, starved to death, or made to work in unbearable circumstances on the fields, she suffers from and endures horrible mental torments. Unlike slave men, these women have to deal with sexual harassment from white men, most often their slave owners, as well as the loss of their children in some cases. Men often dwell on their sufferings of bodily pain and physical endurance as slaves, where as women not only deal with that but also the mental and emotional aspect of it. Men claim that their manhood and masculinity are stripped from them, but women deal with their loss of dignity and morality. Females deal with the emotional agony as mothers who lose their children or have to watch them get beaten, as well as being sexually victimized by white men who may or may not be the father of their children. For these women, their experiences seem unimaginable and are just as difficult as any physical punishment, if not more so.

In a time period when women were considered inferior, as were blacks, it was unimaginable the horrors a black woman in the south had to endure during this period. African women were slaves and subject to the many horrors that come along with being in bondage, but because they were also women, they were subject to the cruelties of men who look down on women as inferior simply because of their sex. The sexual exploitation of these females often lead to the women fathering children of their white masters. Black women were also prohibited from defending themselves against any type of abuse, including sexual, at the hands of white men. If a slave attempted to defend herself she was often subjected to further beatings from the master. The black female was forced into sexual relationships for the slave master’s pleasure and profit. By doing this it was the slave owner ways of helping his slave population grow.

Women were not only used for their labor, but were also exploited sexually. Slave owners felt they had the right to use black women for their own sexual desires, and felt they had the right to use their bodies for slave breeding. This obscenity between the master and slave were not only psychologically damaging for black women, but would also lead to physical abuse. In her narrative, Ms. Jacobs gives us a firsthand description of the abuse that would occur if she were to upset her master, “Some months before, he had pitched me down stairs in a fit of passion; and the injury I received was so serious that I was unable to turn myself in bed for many days”

White explores the master’s sexual exploitation of their female slaves, and proves this method of oppression to be the defining factor of what sets the female slaves apart from their male counterparts. Citing former slaves White writes, “Christopher Nichols, an escaped slave living in Canada, remembered how his master laid a woman on a bench, threw her clothes over her head, and whipped her. The whipping of a thirteen-year-old Georgia slave girl also had sexual overtones. The girl was put on all fours ‘sometimes her head down, and sometimes up’ and beaten until froth ran from her mouth (33).” The girl’s forced bodily position as well as her total helplessness to stop her master’s torture blatantly reveals the forced sexual trauma many African females endured.

In the slave narrative The History of Mary Prince, harsh treatment and brutal beatings from Prince's depraved slave mistresses occur almost regularly to Mary Prince and her slave companions. Prince narrates the whole story from her perspective and gives elaborate detail as to what a slave has to endure. Although all of Prince's owners are men, Prince focuses on the brutal beatings that the women pressed upon her. Mary Prince depicts the slave-master's wives as evil, twisted women who just beat Mary for no particular reason. Prince uses the advantage of showing these women as evil to gain the sympathy and compassion from her audience, an audience who would primarily be white, Christian women. Not only does the audience see the harsh reality

Phillis Wheatley was sold into slavery when she was only 7 years old and sent to North America. She was purchased by a family in Boston—they then taught her how to read and write (Wikipedia, 2016). When she learned how to read, her writing thrived. The Wheatley’s saw that, and continued to encourage to continue on with learning and writing the poems. The people of Boston did not want to support an African-American poet, so Phillis sent her writings to a publisher in London (Poetry Foundation, 2016).

All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

Looking at the female slave as a mother, we find that she fetishizes her relationship with her child. Fueling her state of distortion further, we suggest that the mother believes her infant son’s existence is another mistakes. Boldly, the mother takes on the unprecedented role of God and makes a multitude of distasteful decisions about her infant son. Like deeming his fair skin unbearable, predicting that as an adult he will claim a “master-right” over black slaves, and finally ending his life. By all accounts, the mother is unable to make sensible decisions about anything.

"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.

In examining the various titles used by Browning, it is obvious that her poems were socially engaged and profound in the exploration of the genre. Throughout her poem entitled "The Cry of the Children" even if she must have been politically accused, sincere compassion for young children is clear as condemned to child labor. In the poem entitled "The Cry Of The Human" it also shows how it was socially engaged. In her poems, she was also deeply rooted in gender, for she wrote poetry to expose the challenges that female novel writers faced in patriarchal society. "The points of the fugitive pilgrim slave", on the other hand, emphasized the status of the black girl in

Like many writers in the Victorian Age, Elizabeth Barrett Browning used her poetry as a platform to reach a larger audience to bring awareness to contemporary social issues (Greenblatt, “Elizabeth Barrett Browning” pp. 1,123). Common issues that were written about during the Victorian Age included inequality between men and women, child labor and the American abolitionist movement (1,123). According to the first footnote referenced in her poem “The Cry of the Children”, Barrett Browning composed this literary piece in reaction to a report distributed by “a parliamentary commission” following a “government investigation” that had uncovered the mistreatment of child workers; and to

Veering from the egocentric poems of the Romantic era, Victorian poets began to write poetry not only to express the feelings of an “I,” but also to inspire change in the collective “we.” Being from a historical period with a dramatic class divide, Victorian poets wrote with the intention of crafting beautiful lasting poetry as well as articulating a need for cultural reform in their now. One of the most renowned Victorian poets, Elizabeth Barrett Browning possessed the expert skill of integrating not only imagery and precise rhyme scheme into her poetry, but afflicting her readers with a sense of pity so paramount they had no choice but to make a change.