Emasculation Essay

Generals Die in Bed certainly demonstrates that war is futile and the soldiers suffer both emotionally and physically. Charles Yale Harrison presents a distressing account of the soldiers fighting in the Western front, constantly suffering and eventually abandoning hope for an end to the horrors that they experience daily. The ‘boys’ who went to war became ‘sunk in misery’. We view the war from the perspective of a young soldier who remains nameless. The narrator’s experience displays the futility and horror of war and the despair the soldiers suffered. There is no glory in

The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.

It is a well known fact that experiencing war changes people; there is an innocence that is forever lost. In Tim O’Brian’s, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is an unusual example of the innocence that is lost in war because unlike the rest of the soldiers, she is a woman. Mary Anne’s transformation from innocent “sweetheart” to fierce warrior left readers with mixed emotions because although Mary Anne felt at peace with her transformation, she was also disconnected from reality.

Possessing a personal dignity is a contemporary value to all people, a title in which the society places upon the worthy, the respected, the valued. However, the process of removing this title is a humiliating one and a situation that we instinctively despise as we are left feeling degraded and shunned from civilisation. P.D.James address the fear of loss of dignity by humiliating the characters in the dystopian society, by threatening them with the reality of infertility. In the novel the human race is no longer able to reproduce and continue their existence. As an outcome society is desperate and ashamed as they cannot reproduce like the animals who multiple subconsciously without complication. As quoted, “For all our knowledge, our intelligence,

"At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage." (Ch.9, Pg. 61) Jim Conklin, Wilson, and the tattered man are not only alike in some ways, but also have differences. The purpose of this essay is to tell you the similarities between the tall soldier, the loud soldier, and the tattered man, how they are like or unlike Henry Fleming, and what roles these major characters seem to play in the novel.

Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Even though the soldiers join the war as naive youths, the war rapidly changes them and they develop into young men. Surrounded by death, the boys are bound to foresee the fragility of their own lives and are stripped of the carelessness and brazenness of youth. The dreadful horrors around the boys bound them to consider a world that does not accommodate to their childish and simplistic view. They want to only see a separation between what is right and what is wrong, they instead find moral doubt. Where they had wanted to see order and meaning, they only found senselessness and disorder. Where they wanted to find heroism, they only found the selfish instinct of self-preservation. These realizations destroyed the innocence of the boys, maturing and thrusting them into their manhood.

Mary Anne is first presented as a “seventeen-year-old doll in her goddamn culottes, perky and fresh-faced”, which brings about an image of the innocence and an American Dream-esque teenage girl (92). By presenting her as such, O’Brien illustrates the naiveté of someone who is being introduced to war, yet has no experience. She shows up on the first day with no understanding and therefore no knowledge of the severity of war. However, within a page and a half, Mary Anne changes into a girl who could “clip an artery and pump up a plastic sprint…[and who] cut her hair short” (93-94). Like a soldier, Mary Anne did not complain nor shy away from the trauma; she embraced it and fully immersed herself in it. Though she was trying to prove that she was tough and could handle Vietnam, she slowly became more and more invested in the gore and horror of war. After disappearing for days at a time, abandoning her boyfriend, and associating herself with the mysterious “Greenies”, Mary Anne was finally seen “wearing her culottes, her pink sweater, and a necklace of human tongues” (110). Although she retained her classic all-American outer appearance, her personality became polar opposite. This is a reality that many soldiers experience, where they turn into shells of their former selves, left with the abyss that war created. While the character of

The Emergency Medical Treatment and Active Labor Act (EMTALA) was enacted in 1986 as a part of the Consolidated Omnibus Budget Reconciliation Act (COBRA) of 1985. EMTALA was enacted to prevent hospitals with Emergency Departments from refusing to treat or transferring patients with emergency medical conditions (EMC) due to an inability to pay for their services. This act also applies to satellite locations whom advertise titles such as “Immediate Care” or “Urgent Care,” and all other facilities where one-third of their patient intake are walk-ins. Several rules and regulations to this act have been established and it has become a very serious piece of legislation and health

Leaving soldiers as a shell of a human being, the torment of war is everlasting. Despite being off the battlefield, soldiers suffer from mental and physical distress long after the war is over. Soldiers have to relearn how to participate in society, and for some the impact of war destroys the concept of normal life altogether. The pain and sorrow of soldiers can be put into words through rhetorical devices. These devices, through the use of specific language, describe in detail the ways in which war physically and mentally changed soldiers. Further stressing this change, rhetorical devices reveal that once a soldier is deployed the concept of normalcy is destroyed. The Things They Carried, written by Tim O’Brien perfectly demonstrates through

The story “The Things They Carried” by Tim O’Brien is an enormously detailed fictional account of a wartime scenario in which jimmy Cross (the story’s main character) grows as a person, and the emotional and physical baggage of wartime are brought to light. The most obvious and prominent feature of O’Brien’s writing is a repetition of detail. O’brien also passively analyzes the effects of wartime on the underdeveloped psyche by giving the reader close up insight into common tribulations of war, but not in a necessarily expositorial sense.. He takes us into the minds of mere kids as they cope with the unbelievable and under-talked-about effects or rationalizing

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

‘He’s spat at us with bullets and he’s coughed’ as a result an image is created, the responder sees that Owen’s mental condition has him viewing everything as death. This was caused by his PTSD and Shellshock, which was what prompted his treatment at Craig Lockhart, but it really reveals to the responder that these implications last a lifetime.

“For the concept of the monstrous feminine, as constructed within/by a patriarchal and phallocentric ideology, is related intimately to the problem of sexual differences and castration.” (Creed, 1993, p.2) Creed takes an interesting approach to Kristeva theory of abjection and Freud’s theory of castration and applies it to horror film. Taking Kristeva’s theory of the abject and the archaic mother, she constructs monstrous representations of the abject woman. The monstrous womb which is the representation of mans fear of woman’s maternal functions. “Fear of the archaic mother turns out to be essentially fear of her generative power. It is this power, a dreaded one, that patrilineal filiation has the burden of subduing.” (Kristeva, 1982, p.77) Freud argued that woman terrifies because she is castrated. “Castration fear plays on a collapse of gender boundaries” (Creed, 1993, p.54) She suggests, that Freud misread Han’s fear in the Little Hans and that Han’s viewed his mothers as the castrator not his father, that his mother’s lack of phallus is seen not as a castrated organ but that of a castrating organ. The mother-child border is entangled in the complex and multi-faceted image of the castrating mother. According to Freud, man fears that of the mother as castrated and as that of the cannibalistic all devouring mother. “Construction of a patriarchal ideology unable to deal with the threat of sexual differences as it is embodied in the images of the feminine as archaic mother and is seen as the castrated mother.” (Creed, 1993, p.22) Kristeva suggests that the notion of the castrated women is to ease mans fear of woman, who has the power to psychologically and physically castrate him. The archaic mother as the monstrous womb and the castrating mother can be used as a way of understanding the work of Mona Hatoum and AIne Phillips, both