End Of Gothic Literature In 'The Woman In Black'

‘The Women in Black’, directed by James Watkins, is a classic gothic horror story set in the northern country side of England. Gothic horror is a sub-genre of classic horror that combines themes such as fiction, horror and romance. The film ‘The Woman in Black’ contains many elements considered to be traditional to gothic horror genre. Every gothic horror film features an evil ghost, an old haunted house and an innocent character(s). A traditional gothic horror film includes a variety of film techniques, including lighting, sound and camera angles.

To begin, “The term Gothic fiction refers to a style of writing that is characterized by elements of fear, horror, death and gloom, as well as romantic elements, such as nature, individuality, and very high emotion. These emotions can include fear and suspense.”. (Greaver, 1). This specific style of writing began in the late seventeen hundreds. Gothic fiction was created in order to keep a narrower set of viewers or readers more intrigued and interested. “The term Gothic actually originated as a term belittling the architecture and art of the period, which was dark, decaying, and dismal. The settings were often old, dilapidated buildings or houses in gloomy, lifeless, fear inducing landscapes.” (Greaver, 1). Gothic literature is often explained as an illusion that is unexplainable. “Gothic fiction hovers between the uncanny and the marvelous, offering little

Gothic literature usually brings to mind Edgar Allen Poe and dark foggy London streets but that's not all gothic literature is. Gothic literature usually has themes of mystery and eerie settings or characters. Themes such as physical and mental decay and isolation, abandonment, and entrapment are very prominent in Prey by Richard Matheson, The Feather Pillow by Horacio Quiroga and The Black Cat by Edgar Allen Poe.

Gothic can be defined as “literature dealing with the strange, mysterious, and supernatural designed to invoke suspense and terror in the reader.” (Pickering, 2004, p. 1425) Gothic literature generally presents the same themes and motifs: love lost, hidden secrets, love and death hand in hand, beauty, youth, grotesque characters, macabre eroticism, etc. Gothic literature also explores taboo subjects such as murder, suicide and incest. “A Rose for Emily”, by William Faulkner, is representative of the Southern Gothic stories since the themes of love lost, death, and murder are present in it. There are many elements that hint at the Gothic nature of the story: Emily’s description, her house, the poison she bought, and finally the ending.

Gothic literature is a style of writing dating back to 1764, some of the most important elements of this writing style are of an eerie setting and mental decay, stories that made great use of these elements are: “The Raven”, “Black Cat”, “The House of Usher”, and “The Devil and Tom Walker”. The authors use the gothic element of eerie setting so that they can enhance the mood of the story and of mental decay to highlight what the conflict in the characters’ lives is causing.

During the 18th and 19th century America expanded their writing style into a new genre called Gothic Literature. This type of genre was invented originally in Europe but became popular in America quickly. This new genre allowed authors to portray a darker side in their works. Before this style was created, the only literature written was based upon romance. The romantic appeal still shows in some of these stories but is not the main aspect of the writing. The choice of evil in any type of writing was extremely sparse and the majority considered it to be insane. A copious amount of authors had the opportunity to grow and form this new style of writing. Add one more sentence which will be the thesis.

Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.

In Bowen’s article, he discusses the different gothic motifs that make up gothic literature such as power and restraint, clashing time periods, strange places, terror versus horror, and a world of doubt. “Edward Scissorhands” has always been considered a strange film while We Have Always Lived in a Castle has always been considered a gothic novel. According to Bowen’s list of gothic motifs, “Edward Scissorhands” would be considered more gothic than the novel We Have Always Lived in the Castle because it fits more of the gothic conventions.

The power of consciousness and thought- that inner voice of reason constraining one from happiness, or perhaps protecting one from the imminent fear and gloom encompassing the Earth. This is what Romanticist writers across the centuries have worked so sedulously to convey. In the 1700’s these topics frequently arose through what is known as gothic literature, a severe configuration of Romanticism. Most gothic literature writers including Edgar Allen Poe and Horacio Quiroga, demonstrate the universal idea of this inherent, earthly darkness through the use of two elements- entrapment and mental decay. These writers manipulate these elements to show that it is the unfathomable darkness present in people’s hearts and minds that claws at them, torments and traps them; draining the souls from their bodies leaving nothing behind but broken minds. The preceding elements of entrapment and mental decay are portrayed prevalently through “The Black Cat,” “The Feather Pillow,” and “The Raven.”

Race and gender roles were an ever present issue in the Southern culture and dynamic. After the Civil War, dramatic changes began to take place in the South. Political leaders began to enact Civil Rights amendments, industrialization became more popular, and gender roles were beginning to be indistinct. In Southern literature, the portrayal of female characters evolved along side with the Southern culture. Female characters became more independent, strong-willed, and hardworking. Even African Americans became the main characters in Southern literature. In “Caroline Gordon’s Ghosts: The Women on the Porch as Southern Gothic Literature”, Tanfer Tunc discusses the evolution of the female character in Southern literature.

The gothic literary movement is a part of the larger Romantic Movement. Gothic literature shares many of the traits of romanticism, such as the emphasis on emotions and the imagination. Gothic literature goes beyond the melancholy evident in most romantic works, however, and enters into the areas of horror and decay, becoming preoccupied with death. “The Fall of the House of Usher” by Edgar Allan Poe is a powerful example of gothic fiction, whereas James Fenimore Cooper’s The Last of the Mohicans serves as the romantic predecessor, illustrating the differences and the similarities between romantic and gothic literature.

Gothic Literature is a style of literature popularized during the late 18th century and the early 19th century with the publication of Frankenstein by Mary Shelley. This style usually portrays fantastic tales dealing with the horror, despair, the grotesque and other “dark” subjects. Characteristics of gothic literature includes the presence of victims and their victimizers who usually hold immense powers along with their evil purpose. The setting of this kind of literature generally takes place within impenetrable walls, whether physical or mental. This setting creates a sense of hopeless isolation within the victim. The summarization of the characters and situation creates an atmosphere pervaded by a sense of mystery, darkness, oppressiveness, fear, and doom.

The term gothic fiction implies a British literary genre from the late eighteenth, and early nineteenth century. The modernized term seems to have been generalized into anything that is dark, gloomy, or depressing. Gothic novels often time posses an emphasis on portraying the terror, a prominent use of supernatural circumstances, the presence of highly stereotyped characters, and the attempt to display techniques of literary suspense. There are also other parallels among this vastly popular genre. Gothic novels often time describe the city of London in corresponding ways. Also a common theme amongst gothic literary works is the duality of human nature, or the quality or characteristic of being twofold. These mutual themes are apparent in

The ending of the book was very disappointing to me. I really enjoyed reading about how his mother was in pure denial and wanted to keep her son near her forever and how his father knew how hard it would be but he also knew that

Women in the 18th and 19th century were expected to follow the orders of the males in their lives. They were forced into arranged marriages to connect families in a pursuit for social power and they were expected to abide by anything the males in their lives asked of them. Free will was nonexistent. Much gothic literature effectively highlights the women’s expected role of the time. However, another aspect that seems to surface in gothic literature is whenever there is a woman who is not following the social norms, they seem to be the driving conflict behind the plotline and ultimately lead to any present happy ending.