Hemingway and Fitzgerald on the Expatriate Experiance
"You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed with sex. You spend all your time talking, not working. You are an expatriate, see?" (Sun Also Rises, 115)1 Paris in the 1920's was a place that seemed to embody dynamic artistic achievement. Many of the great artists of modernist movements were either there or had passed through at some point. It became the living embodiment of the old joke "So Hemingway, Fitzgerald and Modigliani walk into a bar..." For Americans traveling to Paris after the war with artistic intentions, it was a win-win situation: Freedom from
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These men would create images of Paris that fit their styles, Hemingway the cynical realist and Fitzgerald the romantic. Hemingway's rational for moving to the Montparnasse district of Paris in late 1921 had much to do with the triving literary community already established there. Ezra Pound had convinced James Joyce to move there, and Joyce was held in the highest esteem by the young American writers: "That awesome presence alone, and of course the publication of Ulysses in 1922, made Paris the capital of the literary world for many young writers, Hemingway and Fitzgerald among them."2 In addition, Paris was free from the restrictions of Phroibition, and food and drink at the local cafes cost about as much as a sandwich and soda at a convieninece store back home.3 Despite the cheap cost of living, Hemingway took it upon himself to affect as much of the bohemian lifestyle as possible. In A Moveable Feast, he describes the literary joys of viewing Cézanne while hungry: "There you could always go into the Luxembourge museum and all the paintings were sharpended and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cezane much better and to see truly how how he made landscapes when I was hungry."4 The act of taking on elements of the personas of the artists that these writers tried to emulate and outdo was almost as important as their own works. Hemingway also
Wyche also shows that writers like Hemingway may be influenced by what is going on in their personal life. Wyche also aims to relate Hemingway’s life and that of the author. Towards the end of the text, Wyche provides a comparison of Hemingway’s real life and the author and notes that he always had a way of feeding his artistic side from his personal experiences. Hemingway’s work was a mirror of reality and much of his reality. Wyche as an author therefore aimed at showing the relationship between and an artist’s
Wagner-Martin, Linda, Reynolds, David S., and Myerson, Joel, eds. A Historical Guide to Ernest Hemingway. New York: Oxford University Press, Inc., 2000. Print.
Between the end of the First World War and Hitler's seizure of power a cultural explosion occurred in Paris that altered our notions of art and reality and shaped our way of viewing the world ever since. In the 1920's, Paris became the undisputed international capital of pleasure and was regarded as the cultural and artistic center of Europe with a reputation for staging one of its most glamorous eras, as well as some of the most spectacular revues in the world. Imagine for a moment, that it really is 1920's Paris. You are leisurely strolling through the gas lit promenades. World War I is over and the exuberance of jazz musicians, symbolist painters, and American expatriates
Most critics attribute Hemingway’s influences as being from individuals like Mark Twain, William Faulkner and other expats who were part of the literary movement in Paris, such as Ezra Pound, Gertrude Stein, F. Scott Fitzgerald and others. Tung states that on the surface, it seems that Hemingway’s Existentialist themes have not directly come from Sartre (Tung, 2009). Prior to that meeting Sartre had become known “for a series of articles on contemporary literature which did much to popularize [in France] the works of American novelists such as Faulkner, Hemingway, Dos Passos and Steinbeck” (Benet,
In the summer of 1917 while the sun beat down in Kansas City, Kansas, Ernest Hemingway took his first official job a writer at the Kansas City Star (Antonacci). Hemingway describes the job explaining “ And the Kansas City Star happened to be, in those years, the beau ideal of every newspaperman in American” (Antonacci). There the writing had to be direct and straight to the point. The paper didn’t have time for frilly literary techniques that required facts and ideas to be wrapped up in adjectives and imagery. This task caused
Sixteen months ago, I embarked on the most incredible and terrifying journey of my life. Moving back to the country of my birth after twelve years of living in the United States. With just the clothes on my back and a few in a box, I came here with nothing, hoping to discover a new life complete with new and exciting experiences. This voyage has surpassed all of my expectations and the places I’ve seen, the people I’ve met, and the adventures I’ve had along the way have shaped the person I’m becoming. But my life is missing a few key ingredients including: A fulfilling occupation that I enjoy and can be proud of. So it’s with mixed emotions and a little trepidation, that I leave the IT field and return to America to start the next chapter of my life. Here’s how I got here, Why I’m leaving, and Where I’m going next…
This is shown in The Great Gatsby through Jay Gatsby himself and in Tender is the Night through Dick Diver. To some extent, Fitzgerald modeled both men after himself: They epitomize his yearning for wealth, fame, and self-indulgence.
Ernest Hemingway started his career as a writer in a newspaper office in Kansas City at the age of seventeen. Here he learned to get to the heart of a story with direct, simple sentences. After the United States entered the First World War, he joined a volunteer ambulance unit in the Italian army. Here he was wounded near the Italian/Austrian front. Hospitalized, he fell in love with his nurse, who later called off their relationship. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution. During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work ‘The Sun Also Rises’ (1926).
novel also match the people Hemingway knew during that time. In Paris they both each got
Ernest Hemingway is noted as being one of the greatest authors in American history. His style of writing and the topics he chose were appealing to readers of his time and his works are widely read to this day. Ernest was born on July 21, 1899 in Oak Creek, Illinois to Clarence and Grace Hemingway. As a young boy, he spent most of his time outdoors and enjoyed staying at his family's cabin in Michigan. It was here that he discovered his passion for hunting, fishing, and the outdoors. During high school, Hemingway wrote for the sports section of his school's newspaper and continued his newspaper career immediately after graduating when he went to work for the Kansas City Star. It was here that he gained valuable writing experience and adapted
The second parallel between a vice in Hemingway's The Sun Also Rises and Fitzgerald's The Great Gatsby is that of sexual promiscuity. The most promiscuous
The period between World War I and World War II was a very turbulent time in America. Ernest Hemingway most represented this period with his unrestrained lifestyle. This lifestyle brought him many successes, but it eventually destroyed him in the end. His stories are read in classrooms across America, but his semi-autobiographical writings are horrible role models for the students who read them. Hemingway’s lifestyle greatly influenced his writings in many ways.
Both Fitzgerald and Hemingway were part of what is called the Lost Generation. The Lost Generation was a group of American writes who moved to Europe because they believed that America had lost all hope and could never be fixed. In the “Lost Generation” by Kate O’ Connor, she says that, “The accusation, ‘You are all a lost generation,’ referred to the lack of purpose or drive resulting from the horrific disillusionment felt by those who grew up and lived through the war, and were then in their twenties and thirties. Having seen pointless death on such a huge scale, many lost faith in traditional values like courage, patriotism, and masculinity.” The aftermath caused these ex-pats to write about common themes such as, “Decadence, Gender roles and Impotence, and Idealized past” (O’Connor). As audiences read stories written during the twentieth century, they will be able to see these themes.
Many authors, critics, and everyday social readers define Ernest Hemingway as the prime example of 20th century American literature. Hemingway’s works transcend time itself, so that even readers today analyze and criticize his works. His works, of course, have drawn praises and animosity from all corners of the globe. Critics often applause Hemingway on his short simple prose, for which many people recognize him for. His writing builds upon the masterful usage of “short, simple words and short, simple sentences” (Wagner, 3) to create clear and easy to
Star. Hemingway signed up as a volunteer ambulance driver for the Red Cross during WWI. He was accepted in December of 1917, left his job at the paper in April of 1918, and sailed for Europe in May. When Hemingway returned home from Italy in January of 1919 he found Oak Park dull compared to the adventures of war. With a letter of introduction from Sherwood Anderson, Hemingway met some of Paris' prominent writers and artists and forged quick friendships with them during his first few years. Counted among those friends were Ezra Pound, Gertrude Stein, Sylvia Beach, James Joyce, Max Eastman, Lincoln Steffens and Wyndahm Lewis, and he was acquainted with the painters Miro and Picasso. Hemingway was inspired to write different works at different times because of the events that occured in his life.