A Streetcar Named Desire and Long Day’s Journey into Night possess many similarities as well different features. The first and most obvious difference is that A Streetcar Named Desire is a motion picture, while Long Day’s Journey into Night is a manuscript. The reason I mentioned this fact is because with the motion picture you are capable of seeing the emotions, witnessing the violence; although action can always be misconstrued. Long Day’s Journey into Night you have to read the emotions, and make assumptions instead of experiencing them personally; however they are clear and direct. Blanche and Mary have similar bad nerves to each other; although I would like to say it is due to their addictions. Mary is a morphine addict who attempts to hide it from her family because she would like them to believe she is still in …show more content…
Mary lies about her morphine abuse because she have not quite come to terms that she once again is abusing morphine herself. Unlike, Blanche she is not creating a new reality to escape her former one, she just have not fully grasp the fact she did not kicked the addiction yet. Now, in the terms of husbands James was an actor who is financially responsible, even though he is not to please with Mary actions all the time he is nothing more than a loving husband, who I could not imagine that would lift a finger to harm Mary or any of her family members. Stella’s husband Stanley, gambles with his friends and caused harm her when she was defending her sister, clearly he does not love Stella the same way James love Mary. Edmund went to the sanatorium because he had the case of consumption and it was the cheapest option to help him get better. However, Blanche was sent to a mental facility because she mentally broke down due to the circumstances of financial problems, alcoholism and of course the
Coming from a lonely and abusive home Mary had to find happiness outside of her house. Her mom made a friend from their church and she happened to have a three month year old baby. Mary always occupied the Richardson’s by helping with baby Alyssa, while also distracting herself from reality. Meeting the Richardson’s ended up being Mary’s worst nightmare. One night the Richardson’s went out and asked Mary and her mother to watch Alyssa.
The books To Kill A Mockingbird and A Streetcar Named Desire both have a very common theme throughout them both. Society as a whole is very similar in both novels. Both of these stories prove that society failed. Society failed innocent victims like Blanche, Tom Robinson, and even smaller characters such as Jem and Allan.
Comparing the play versus, the movie versions of A Streetcar Named Desire has been entertaining and enlightening. Originally written as a play, Tennessee Williams later adapted it into a screenplay for the film version. Consequently, both versions were extremely popular in their own right. Drama and social taboos create an emotionally charged viewing adventure. Williams characters are complex, exciting and just crazy enough to keep the audience spellbound. The DuBois sisters are complete opposites sharing only their love for each other as common ground. Blanche, the older sister, shows up for an impromptu visit with her sister Stella Kowalski. Stella and her husband Stanley live in New Orleans, in the French Quarter. Blanche has become destitute and has lost the family plantation. Stanley, incensed by the idea that Blanche has taken the plantation from him, sets out to destroy her by any and all means. The characters and performers provide a riveting and consequently soulful performance that is hauntingly unforgettable. Williams writing moves the audience to tears with dynamic characters, conflict and catastrophe of unimaginable depth.
The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.
Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the
Mary tells Cathleen how she loves the fog, which can be interpreted as her love for the morphine that removes her from any type of coherence. Mary was on a path to recovery and now has slowly lapsed into her state of addiction once again. She likes this state because “ It hides you from the world and the world from you. No one can find or touch you any more” (O’Neill 773). For Mary, this fog is representative as an alternative or refuge from reality. Her relapse into addition causes clouds her judgment and impairs her sight. She can hide herself in the fog so that her family can be oblivious to her addiction.
Mary begins the story as a doting housewife going through her daily routine with her husband. She is content to sit in his company silently until he begins a conversation. Everything is going as usual until he goes “ slowly to get himself another drink” while telling Mary to “sit down” (Dahl 1). This shocks Mary as she is used to getting things for him. After downing his second drink, her husband coldly informs her that he is leaving her and the child. This brutal news prompts the first change in Mary, from loving wife to emotionless and detached from everything.
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.
Mary was a horrible role model for her two children.She had two sons whose names were Tony and Wes Moore.She partied instead of parenting her children, along with “hiding ” Marijuana in her family's home.On page twenty Mary blatantly lied to her own child’s face.She looked At Wes and said, “Mommy got some bad news about school, and I want to go see some friends
Throughout the entire story, Mary is a very interesting character. She faces many issues in dealing with her husband’s news that he is leaving her. She reacts based on her instincts and kills her husband and this shows her cold heartedness. In the end she has to create an alibi to cover up her devious crime in which she has to manipulate the police into eating the evidence. Mary is a very unique complex character and she has, through her actions conducted a devious crime in which she will be proven innocent. Through the use of Many Maloney’s character, as well as irony and suspense, the author was able to maintained the interest of the reader throughout the entire short story.
A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe
A Streetcar Named Desire and “Water” examine the world and how people handle the harsh reality of things. A Streetcar Named Desire follows Blanche Dubois, a southern belle forced out into a cold world, who moves in with her sister Stella and her abusive husband Stanley Kowalski. Blanche inevitably is at odds with Stanley, who she views as common filth and primal. Stanley determined to not allow Blanche steal Stella from him and exact revenge he pulls up dirt on her and ruins her chances with Mitch. At the same time, one wants to dislike Blanche’s lies and actions, one must pity her and feel bad that the world has made her like this. By the end of the play, Stanley emerges victorious: he has won back Stella, has a baby, molested Blanch and sent her to a mental hospital. The conflict was not even close as Stanley uses the cruel world to his advantage. The poem “Water” by Robert Lowell does not follow a similar storyline, yet contains various thematic similarities. The poem is about a young man and woman whose relationship is being tested and eventually it falls apart. The two find themselves powerless to stop incessant waves that destroyed their relationship. The play, A Streetcar Named Desire, by Tennessee Williams, and “Water”, by Robert Lowell, assert that people are powerless to change time nor their own mortality, the world is an unforgiving and cruel place, and reality cannot be ignored.
This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.