Essay On Shakespeare's Treatment Of Women In Hamlet

In Hamlet, Shakespeare contrasts the two female leads of the play through reduction to appearance to show that the objectification of women is a reflection of renaissance gender bias. Reduction to appearance is the treatment of a person primarily in terms of how they look, or how they appear to the senses. One example of Hamlet’s disgust with the fact that his mother married his uncle, almost immediately after his dad died. He isn’t worried

Sexism: the belief or attitude that one sex is inherently superior to, more competent than, or more valuable than the other (most commonly used for male superiority). This idea that women are weak is not a new one in the modern world. It has been studied for countless years along with the concept of a patriarchal society. A patriarchy is defined as a system of society or government in which men hold the power and women are largely excluded from it. Such systems currently exist in several forms and areas around the world; however, the most common place for these patriarchies is in literature. Novels, plays, works of nonfiction, and other forms of literature have shown to either “reinforce or undermine the

Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

As stated by Tim Gillespie in his text Doing Literary Criticism, the concept of literary criticism is the field of “interpreting, analyzing, and evaluating” literary works. Thus, literary criticism is not objective; rather, it varies subjectively depending on the critic and the lens, or school, they choose to view the work of literature through. Though the actual content of literature is of extreme importance, the way it is approached is of nearly equal magnitude, as varying approaches open new and insightful views texts previously regarded as static. The feminist lens is one major school of literary criticism.

While we humans live in a society governed largely by men we have little idea of what a matriarchal society would be like as it clearly doesn’t exist in today’s society. For centuries we have fought for gender equality, but we are reminded in films, plays and novels that Women are submissive and the weaker gender. Shakespeare’s written tragedies had clearly showed his patriarchal perspective with his character Ophelia from Hamlet, whose motivation and dominance is powered by Her father Polonius. Gertrude is another women from Hamlet who is represented as a weak minded, dependant character who has no power or control over what she does. If we look at these two characters from a Feminists point

Of all Shakespeare’s thirty-seven plays, perhaps the best known and loved is Hamlet, Prince of Denmark. Many people think that it is unforgettable because of its poetic language and style. But, while these are factors that mark the play as a classic, it remains timeless because it explores many of the issues that are still important to people today. These issues, including loyalty to family and country, protecting loved ones, and deception are still prevalent around the world, and are especially prominent in the United States government. Another play that addresses major issues that are still relevant to society, especially women, is Susan Glaspell’s Trifles. Because Glaspell’s play

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

Many literary critics have presented theories on the meaning of William Shakespeare's Hamlet, ranging from claims of Oedipal Complexes to insinuations of homosexuality. Though most such interpretations can be considered true at some level, there seems to be some basic theme - some driving force - that underlies all other interpretations.

	Today women have many rights. We can vote, work, and even voice our own opinions. In the past women were seen as mothers and housekeepers, always taught to respect, listen, and serve there husbands or the man of the house. In those days this was considered normal, therefore women had no choice but to obey and do as they were told. In Hamlet, Shakespeare portrays a similar relationship between women and men. He allows men to hold the higher position in the causing, them to treat women as lesser people and believed that women should listen to them and do as they were told.

Linette Martir Ms. Given Honors English 21 December 2017 Queen Gertrude and Ophelia as Servants in a Royal Castle of Males “We need everyone to be a feminist. Feminism is the fight for the equality of sexes, not for the domination of one sex over another” (Vallaud-Belkacem). Literary theories are lenses through which one can see in literature. An example of a literary theory is the feminist theory, which is created to enlighten others on social problem that are ignored or misinterpreted. Feminism existed since the 1500’s but the theory was created in the 1900’s. Due to the creation of the feminist theory, an audience can look through the feminist lens when reading a book or even watching a movie. This allows an audience to detect how women are portrayed or treated. Throughout the play Hamlet by William Shakespeare, Gertrude and Ophelia are unimportant to the plot. They are not only unimportant, they are also mistreated. Examining through the feminist lens in the 16th century, William Shakespeare reveals the way in which women are mistreated by men in Hamlet utilizing Gertrude and Ophelia as victims. With that in mind, the male roles in Hamlet are dominant because women are lower than men. Both Hamlet and Polonius mistreat Gertrude and Ophelia as if it is normal. The reason Shakespeare normalizes their controllable ways, is because during the time period Hamlet takes place mistreating women was not unusual. Since it is normal, Polonius and Hamlet treat the women poorly without realizing they are incorrect. Shakespeare realized this was an issue so he decided to expose the problem through his writing. Ironically, Gertrude is the Queen and the mother of Hamlet, but that does not stop him from having control over her. To explain further, in Gertrude’s bedroom Hamlet disrespects his mother greatly by making her feel guilty for her choices. He believes “...Gertrude is a moral self who must be brought to account for her sins and must work through the same confrontation of guilt as every other member...” (Montgomery 102). As Hamlet’s mother, Gertrude should have power over him and have the strong voice that can stop him. Instead Hamlet controls Gertrude and demands her to do things such as never to “let the bloat King

Shakespeare was possibly the first writer to portray women as strong, crafty, and intelligent. However, he has still received criticism from feminists about his representation of women. Some have even accused him of misogyny. There are only two female characters in the play Hamlet - Gertrude, Hamlet's mother and Ophelia, daughter of Polonius. Any debate based upon gender roles must therefore focus upon these two characters.

In William Shakespeare's Hamlet, Hamlet spews extremely harsh words against his mother Gertrude and his love, Ophelia. Some people may claim that these venomous statements mean that he is misogynistic, but, in fact, Hamlet's anger towards Gertrude and Ophelia stems not from their sex but from their betrayal. Throughout the play, Hamlet viciously attacks more than just the women; he has contempt for every person that betrays him and his father. After he recognizes the magnitude of Claudius' deceptions, Hamlet describes Claudius as a "Bloody, bawdy villain! / Remorseless, treacherous, lecherous, kindless / villain!" (Hamlet, II, ii, 607-609). Later, when Hamlet kills Polonius, he feels no remorse and calls the corpse a "wretched, rash,