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Essay On The American Dream In The Great Gatsby

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In chapter four of The Great Gatsby, the character Gatsby takes the narrator Nick into Manhattan for some lunch. As they enter the city from the Queensboro Bridge, Nick remarks that, “Anything can happen now that we’ve slid over this bridge…. Even Gatsby can happen, without any particular wonder.” (69) By this point in the story we know that Gatsby is rich and that he throws elaborate parties at his home which is a “factual imitation of some Hotel de Ville in Normandy.” (5) Later, in chapter six, we discover that Gatsby comes from humble beginnings in North Dakota and was actually named James Gatz; Jay Gatsby was a reinvention. This leads me to wonder why Nick would think that someone as complicated as Gatsby doesn’t carry any wonder in a …show more content…

The word facade seems to explain how from afar fifty-ninth street, and Manhattan as a whole, is lying about it’s true self. On the outside everything is pretty, but as you get closer to it, you can see everything that is desperately trying to stay hidden. The next description Nick gives is that of a hearse passing by. He remarked on the people in the funeral carriages that, “looked out at us with the tragic eyes and short upper lips of Southeastern Europe.” (68-69) The turn from clean, pure opportunity to death is quite harsh, and the added description of the Southeastern European funeral party seems to speak to the downfall of some immigrants who try to reach to top of the American ladder. This is an opposite of the beautiful buildings built out of the wishes of those with pure money and the promises of mystery and beauty mentioned earlier. It seems like Gatsby also builts up a facade similar to the one shown above by doing things like changing his name. In addition, I find it interesting that the sentence about the funeral party is one of the few times that Gatsby mentions race in the book. One of the other mentions of race comes a few paragraphs later; on page 69, Nick says, “a limousine passed us, driven by a white chauffeur, in which sat three modish negroes.” This further proves the point that Gatsby is not an irregularity in Manhattan. The passengers of the limousine obviously

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