“This same skull, sir, was / Yorick’s skull, the King’s jester” (5.1.166-167). I argue that Yorick’s skull is significant to Shakespeare’s play Hamlet because it further increases the character Hamlet’s obsession with death. There is great significance in the fact that the bone that was found was a bone as dramatic and as important as a skull. The significance that it is the skull of not only a jester, a character whose point in life is to bring joy to people, but also the fact that Yorick was someone Hamlet knew as a child. All of these factors contribute to Hamlet’s obsession with death and mortality.
By this point in Hamlet, Hamlet has already experienced a great bit of death with people he has known throughout his life. It is not a shock that Hamlet would start having such an obsession with death and mortality because of all the death he experiences in this play. Discovering the skull of a jester is almost of greater importance than the other deaths in the play, because this is the first time Hamlet has seen the bones of someone he once knew in the play. Hamlet’s father came to him in an almost alive form, “That
…show more content…
The brain is arguably the most important organ in the body other than the heart. In poetic reasoning, instead of scientific, the heart could represent feelings and mortal needs verses the brain represents the body’s logical reactions to the world. By Hamlet finding the bone that held the brain and facial structure of Yorick instead of the many bones that hold the heart inside of the body, the significance is that Yorick’s worth as a jester came from his brain and the expressions he made instead of what the jester felt in his heart. Theoretically, Hamlet valued the logic in people, not feelings, because throughout the play he manipulates people using his words to portray that he is mad. Hamlet used logic to portray certain
The gravedigger scene in act 5 scene 1 shows the most about how Hamlet feels about death. Hamlet refers to the skulls he finds belonging to other people and their past lives.
“There’s another. Why may not that be the/ skull of a lawyer? “ (5.1-100-101). He ponders between the physical characteristics and personalities of human life. He essentially thinks who he will be after he dies. After death, one essentially becomes nothing but dust, like the biblical saying, “from ashes to ashes, and dust to dust”. “To what base uses we may return, Horatio!” (5.1.209). Hamlet is often wondering about death, speaking about it, and thinking of the gory images of death. Thinking of it in such a matter, he appears sick. He refers to dead bodies being put in to everyday items.
As the play goes on, Hamlet encounters his father's ghost. Upon discovering that his father's death wasn't natural, he says with much feeling that "Haste me to know't, that I with wings as swift/ As meditation, or the thoughts of love,/ May sweep to my revenge" (1.5.29-31). The ghost tells him that he was murdered by Claudius. His motives were his love for Gertrude, without her knowledge or consent. Hamlet is furious and seething with rage with the news of his father's murder. Knowing the truth makes Hamlet's subconscious realize that killing Claudius would be similar to killing himself. This is so because Hamlet recognizes that Claudius' actions of murdering his brother and marrying Hamlet's mother, mimicked Hamlet's inner unconscious desires. Hamlet's unconscious fantasies have always been closely related to Claudius' conduct. All of Hamlet's once hidden feelings seem to surface in spite of all of the "repressing forces," when he cries out, "Oh my prophetic soul!/ My uncle!" (1.5.40-41). From here, Hamlet's consciousness must deal with the frightful truth (Jones).
In the play Hamlet, death takes a major part in every scenario. It begins with the death of King Hamlet. King Hamlet was killed by Claudius. The irony of this was that Claudius is the brother of King Hamlet. Once he is killed, Claudius inherits the throne then marries King Hamlet’s wife, Queen Gertrude; which is Claudius’s sister in-law. One night as the guard men are standing outside of the castle, a ghost appears. The ghost speaks to the son of Gertrude and King Hamlet whom is Prince Hamlet and says that the ghost is his father’s spirit and he shall seek revenge on Claudius for marrying his mother and taking over the throne.
At the beginning of the play, Hamlet comes home from college to find out that his father has passed and that his mother has remarried and that it is to his uncle. Hamlet doesn’t know what to think. Hamlet mourned the death of his father, “Oh, that is too, too sullied flesh would melt, Thaw, and resolve itself into a dew, or that the Everlasting had not fixed his canon ‘ gainst self-slaughter! O God, God! How weary stale,flat, and unprofitable seem to me all the uses of this world!” ( act 1, scene 2,, lines 129-133, 26) Hamlet has wished to die after the death of his father. He talked about how he wanted his flesh to melt off his body. Talking about dying and how you want to die show signs of madness. They show that that was the start of Hamlet’s true madness,along with the death of his father, Hamlet also became aware that his
In Hamlet, William Shakespeare presents the main character Hamlet as a man who is fixated on death. Shakespeare uses this obsession to explore both Hamlet's desire for revenge and his need for assurance. In the process, Shakespeare directs Hamlet to reflect on basic principles such as justice and truth by offering many examples of Hamlet's compulsive behavior; as thoughts of death are never far from his mind. It is apparent that Hamlet is haunted by his father's death. When Hamlet encounters the ghost of his father, their conversation raises all kinds of unthinkable questions, for example murder by a brother, unfaithful mother, that triggers Hamlet's obsession. He feels compelled to determine the reliability
Similar to the quest for truth in Oedipus’ case, so does Hamlet lead to his own decease. In the first act of William Shakespeare’s Hamlet, after Hamlet is aware of the tormented ghost of his father walking on the ramparts, he goes to witness it for himself. This immediately exemplifies the theory that Hamlet, like Oedipus, is in search of the truth, until he realizes it is too much to bear. Subsequent to seeing the apparition, he is convinced to avenge his father’s murderer. The ghost tells him, “Revenge his foul and most unnatural murder,” (29). As Hamlet lays the trap for the new King Claudius, he is procrastinating in order to solve his self-doubt. Even after the ghost tells Hamlet how his father was murdered, Hamlet has the players act
Towards the end of the play, there are two scenes in the graveyard. One is when Hamlet picks up a skull, and the gravedigger tells him that the skull belonged to Yorick, the old king's jester. Hamlet tells Horatio that he knew Yorick, and then realizes what we all become after we die, dust. He then plays with the idea of life and death, and describes the finality of it. The gravedigger scene is the tragic conclusion of the play. The second scene of comedy in this scene is when the gravediggers argue whether Ophelia should be allowed to be
Hamlet is so depressed that he feels life isn't worth living and Shakespeare's death imagery helps us to feel what Hamlet is experiencing because we can actually picture flesh turning to dew. A reader could argue that all this death and gore could be in Hamlet's mind alone until Horatio says, "Something is rotten in the state of Denmark (I, IV, 90)." Now we know not only does Hamlet think this, but Horatio does as well. Picture festering carrion as a metaphor for King Hamlet's death and we realize that Horatio's words couldn't be truer. The ghost also makes a horrible reference. He says at the moment of his death, his skin became "Most lazar-like with vile and loathsome crust all my smooth body (I, V, 72)." This passage is exceptionally powerful and you can almost "feel" what death is like, with skin crusting over and open sores flowing with puss, you become like a leper before death takes its toll.
Throughout “Hamlet”, it is evident that Hamlet’s hamartia is his inability to act and his indecisiveness. These flaws are evident throughout many aspects of his life, but are able to be identified as he attempts to avenge his father’s murder. After Hamlet’s father tells him in his ghostly form that he was murdered by his brother, Claudius, instead of simply going to seek revenge immediately, Hamlet makes elaborate plans to decide if Claudius is truly guilty of the murder. This is where his indecisiveness begins. Hamlet vows to his father he will avenge his death in Act I, Scene 5, “So uncle, there you are. Now to my word:” (Line 111). While Hamlet vows this to his father, he does not act on it instantly.
Hamlet’s final revelation comes when he returns to Elsinore. As he and Horatio walk through the woods, they come across a gravedigger preparing a new grave. Hamlet discovers that one of the skulls the gravedigger plucked out of the ground is that of the old court jester, Yorick. As he gazes
Likewise, this journal discusses the mystery of death as depicted in the play Hamlet. In the repercussion of his dad 's death, Hamlet gets obsessed with the notion of demise. All through the play, he considers demise from awesome various perspectives. He supposes both the profound result of death, represented in the phantom and the substantial stays of the dead, like the decaying corpses in the cemetery. And since death in the play is the cause as well as the consequence of vengeance, then it is intimately tied to the subject of vengeance and justice.
Shakespearean plays are often known for their outstanding entertainment and classic comic conflict. In his masterwork, Hamlet, Shakespeare uses these aspects to serve his thematic purpose. He has used comedy throughout many of his historic plays, but in this play, comedy is the drawing point that makes it fun and entertaining, yet clear and intuitive. Generally, his tragedies are not seen as comical, but in reality, they are full of humor. However, these comic elements don’t simply serve to relieve tension; they have much significance to the play itself. The characters of Hamlet, Polonius, Osric, and the Gravediggers, prove to be very influential characters, and throughout the play, they are the individuals that
Shakespeare’s Hamlet is one of the most popular dramas in world literature, as it examines the passionate, but toxic ambitions of King Claudius. He murders his own brother, King Hamlet, to overtake the throne, power, and wife. As a result of King Claudius’ fratricide, he inherits the “primal eldest curse” of Cain and Abel, and the dispersion of his venom ends the lives of several major characters. Including, of course, Prince Hamlet, who gets drawn into a deep depression over his father’s death, who later visits him as an apparition. This essay will analyze Shakespeare’s symbolic use of poison, embodied by King Claudius and the unintended consequences of his wicked acts.
Texts become valued over time when they explore challenging and enduring ideas relevant to humanity. Hamlet (1603), a tragedy written by William Shakespeare, examines many important themes throughout the story of Hamlet, Prince of Denmark, who seeks revenge for his father’s murder at the hands of his uncle, Claudius. The theme of action and inaction within the play highlights the need for balance within the human mind. The innate human pursuit of knowledge is personified by the theme of death. Finally, the use of archetypal characters causes the reader to empathise with them, allowing a greater emotional connection to the story.