Research Essay Fairytales Since the beginnings of the abridged and ‘sanitized’ versions of classic fairytales were publically circulated, the design and principle intentions of the fairytale have steadily morphed and changed as society similarly paralleled. Over time fairy tales have been transformed radically as they naturally will continue to do according to the age they are rewritten and reproduced. Traditional fairy tales retold today have been too recurrently rewritten and revised that it has become almost impossible to grade the single most accepted moral understandings. In a critical analysis of the classic tale of Snow White, the various transformations from the retelling of the original Brothers Grimm story to the …show more content…
The film adds an additional theme to the original plot; the theme of empowerment for women, reflecting feminist influences of the modern day in the western world. In previous versions, the tale always ends in the Queen dying from punishment and having to dance herself to death. The film takes on the key change of Snow White herself overruling the Queen and stabbing her in the heart, proving her power and control as a woman. The conclusion of the film poses a major modern-day theme development of female empowerment. The movie transforms Snow White from a helpless princess into a strong and powerful warrior woman. The modernised retelling transforms the ‘damsel in distress’ with the ultimate ambition to get married model for protagonist females into one teaching young girls of their own power and control. One a similar note is the modern film Sydney White (2007) which takes on a similar typecast for the empowered female. The main principles in the film center on self empowerment, staying true to oneself even if it goes against the mainstream or makes you unpopular. At the beginning of the film, Sydney, the Snow White character adaption is distressed about being rejected from a college social club which her mother was a member of. After being cast off from the popular group she comes to the conclusion she would rather be happy and accepted
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Throughout the course of time, the ownership of fairy tales has been a matter of conflict, contention and dissension due to the various assertions that have been made over its rightful control. Universal ownership versus Nationalistic ownership has been one of the most prominent claims under scrutiny, and Donald Haase, in his essay, “Yours, Mine or Ours? Perrault, the Brothers Grimm and the Ownership of Fairy Tales” illustrates different notions of these rights. His thesis, nestled in his conclusion, puts forth his principle argument of “abandoning the untenable views of its [fairy tales’] ownership that put us in its power” (364). However, despite him corroborating his strong convictions
Fairy tales have existed for years, some starting as oral stories for decades before ever being recorded on paper. These tales continue to hold an importance in the present such that they reflect the changes in time and progression of thought and ideas. Over time, many fairy tales are retold for various reasons including reforming them to be used for new audiences to make the story more relatable or to convey a different point of view to various specific audiences. This can be seen in various renditions; Andrew Anderson’s Shrek can be compared to Steig’s “Shrek!” and Perrault’s “Sleeping Beauty in the Wood” and evaluated as a retelling of either based on specific criteria. Although some may argue that William Steig’s “Shrek!” appears more closely similar to Anderson’s Shrek, as evaluated from the presence of similar characters, general plot structure, and targeted audience, the movie Shrek is more closely a retelling of Charles Perrault’s “Sleeping Beauty in the Wood.”
In the piece “Yours, Mine, or Ours?, Donald Haase discusses on the ownership of fairytales. Fairy Tales originate from folklore, described as traditional art, literature, knowledge, and practices that are passed on in large part through oral communication. With fairytale's being passed down through generations its new ‘authors’ take ownership of them. Ownership impacts the reception of the fairytale and determines how the audience reads and interprets it. Haase discuss how fairytales are suppose to show and tell what is true and what is acceptable in the context it was written in. With fairytales being changed the reader is exposed to a different moral and purpose with its telling. Haase concludes by informing that fairy tales belong to everyone and that we must take
Few people can grow up within today's society without knowing the tale of Snow White. From the Grimm Brothers to Disney, it has been told and retold to children throughout the ages. However, what is often overlooked are the true meanings within the story. Fairytales typically have underlying messages that can be found written between the lines, generally in terms of the key themes. Snow White discusses the themes of envy and beauty, and shows how humans' obsessions can lead to their own downfall as well as the harm of others. When focusing on the relationship between Snow White and her step-mother the Queen, it is evident that the combination of these two themes results in a power struggle in which beauty
Snow White is a fairy-tale known by many generations; it is a beloved Disney movie, and a princess favoured by many kids. But did you know the fairy-tale was made to teach young children, especially little girls, their duties in life? It also values beauty over knowledge, portrays women to be naive and incompetent, and assumes that women cannot understand anything other than common household chores. Throughout this criticism, I will be using the feminist lens to analyze the fairy-tale, Snow White, through the perspective of a feminist.
By analyzing the construction of gender roles and transformation within the poetic retelling of Snow White by Anne Sexton, we are able to think about these topics in a more honest way that reveals their troublesome nature. First, by connecting presents themes and elements in this modern day version that don’t appear in more classical versions, we are immediately given a more vivid depiction of how characters function. Descriptions of cheeks as fragile as cigarette paper, dwarfs being described as little hot dogs and czars, and the queen eating the boar's heart like a piece of cube steak, are just a few examples of the vivid descriptions that lace this poem. These descriptions pull meaning from more modern day topics, they objectify characters,
As a child, I was told fairytales such as Snow White and the Seven Dwarfs every night before I went to sleep. Fairytales are an adventurous way to expand a child’s imagination and open their eyes to experience a new perspective. Modernizations of fairytales typically relate to a specific audience, such as adolescence, and put a contemporary spin on the old-aged tale. Instead of using whimsical themes heavily centered in nature, the contemporary poems connect with the reader in a more realistic everyday scenario. Also, many modernizations are written in poetic form to help reconstruct a flow in the piece and to develop or sometimes completely change the meaning from that of the original fairytale. Comparing Grimm’s Fairytale Snow White
The tradition of telling fairy tales to children effects not only the listener but also the reader. Maria Tatar, in her book Off with Their Heads!, analyzes how fairy tales instill and reaffirm cultural values and expectations in their audience . Tatar proposes that fairy tales fall into three different tale-types: cautionary tales, exemplary stories, and reward- and- punishment tales. These three types portray different character traits as desirable and undesirable. Due to the tale’s varying literary methods it can change the effectiveness of the tale’s pedagogical value. In Tatar’s opinion, all of these tales are similar in the way they attempt to use punishment, reward, and fear to encourage or discourage certain behaviors. In the cautionary fairy tale “The Virgin Mary’s Child”, the use of punishment and fear to discourage certain behaviors is enhanced by the Christian motifs and values employed by the tale. These literary devices encourage the audience to reflect on and internalize the lessons that are presented in the fairy tale.
There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).
Her mother made few plans such as poison apple, bodice to kill her. But at the end, she didn’t succeed because the prince charming rescued her from the coffin and punished the evil Queen. Also, in the Japanese version of “White Snow Princess,” this story is connected to the Grimm version. The author Kurahashi Yumiko is discussing how Snow White turned into a fool and got sympathy by a man; how she persecuted by her stepmother. However, I want to focus on women's roles in each, or on inequality between men and women in the two versions of the story; in real life there is still women are humiliating by their identity. Men are always the head of the household and women have no choice to make a decision in their family as in the story if Snow White’s father won’t die then her stepmother wouldn’t have that much power to oppress
“Through the cheerful music, funny characters, and happy ending, the character of Snow White starts the Disney trend of a domestic woman who becomes a damsel-in-distress relying on a prince to come and save her” (Barber, 2015). The original 1812 tale of Little Snow White by the Brothers Grimm portrays Snow White as a small, naive, self centered little girl who can’t seem to listen to anything she is told, and who has to rely a prince she doesn’t even know to wake her up from the dead. Two hundred years later, in the 2012 movie version Snow White and the Huntsman, the director Rupert Sanders revisits the original tale of Snow White, but decides to change it up a bit. In this version of the tale, Snow White is a strong, independent young woman who seems to be able to do anything she decides to do. In Sander’s version, Snow White not only conquers the cruel queen, but she conquers the labels society often places on women. Unlike the Grimms Brothers, Sanders develops his Snow White's character in a way that fits with women’s empowerment that the current generation now fights for everyday.
Since the beginning of time, there has been a clash between the members of the elite class and the malnourished and fragile poor. The struggles contained within a class system are extreme in the Bong Joon-ho film, Snowpiercer. Snowpiercer is a dystopian science-fiction thriller depicting life within a train that encapsulates the last humans on a frozen earth. Those at the back of the train deal with unfathomable living conditions, which in turn inspires the main character, Curtis, to enact a revolution. The film portrays this revolution at both a personal and a social level, as its characters and other cinematic elements produce a fixed class structure.
Within the collection of fairy tales, one of the most prominent is Snow White. The tale conjured up by the Brothers Grimm keeps to what one would expect with fairytale stereotypes. However it also plays the part of ancient myths of Aphrodite. The fairytale is simplistic in reasoning, and holds to the ancient goddess’s petty reasoning. Thus, other authors have taken it upon themselves to rewrite it with different plots, once such author being Angela Carter. In her story, The Snow Child, the queen is transformed into a Hera figure. This change rewrites the story’s meaning as well as one’s view point on the villain.
Despite gender, living conditions or cultural backgrounds most people grow up reading or hearing stories of heroism and damsel in distress scenarios. Anne Sexton turns stereotypes on their head in her satirical poems of classic fairy tales, including Snow White and The Seven Dwarves and Cinderella. Snow White and the Seven Dwarves tells the tale of a young princess with hair as black as coal and skin as pale as snow, whose life is thrown into turmoil at the hands of her overbearing stepmother. Cinderella tells the story of a young girl who she spends her life is yearning for the prince’s ball, and similar to Snow White, Cinderella’s stepmother is influencing her life, however she is a positive character throughout the story. This sheds light on the stepmother in Snow White’s piece as despite the fact that Snow White’s stepmother clearly does inherently evil things, a re-reading demands a re-examination of why. It is throughout these tales’ where stepmothers are only trying to protect their children from the world around them, however in Snow White an outside motive, the beauty provided by the mirror and the pride manifested by poison, creates a barrier between the queen and her stepdaughter, thus giving her the title “Evil”.
Over time, many versions of common fairy tales have been released. Each one comes with unique differences, that separate them from the others. Snow White is an example. Commonly, what comes to the minds of many individuals when they hear the title “Snow White”, is Disney. They have the basic beautiful princess in a sticky situation, accompanied by their trustful sidekicks, in this case seven dwarfs. However, Walt Disney was not the creator of this story, or the evil queen constantly muttering ,¨Mirror, mirror, on the wall…”. It seems as though many in this world have fallen in love with this portrayal of the tale. Believe it or not, these ideas are based directly off a German version published by the Grimm Brothers. Both are very alike, and unlike too. Similarly, new versions, released in movies, have also changed the depiction of the common “Snow White”. These differences may be related to how society is beginning to view people, women, and heroes, or someone who is brave and courageous. This has helped shape these newer versions of the all-time classic.