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Essay on Falstaff in Henry IV Part I

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The Character of Falstaff in Henry IV Part I

In Henry IV Part I, Shakespeare presents a collection of traditional heroes. Hotspur’s laudable valor, King Henry’s militaristic reign, and Hal’s princely transformation echo the socially extolled values of the Elizabethean male. Molding themselves after societal standards, these flat characters contrast Sir John Falstaff’s round, spirited personality. Through Falstaff’s unorthodox behavior and flagrant disregard for cultural traditions, Shakespeare advocates one’s personal values above society’s.

Extolled as the "essence of Shakespeare’s dramatic art" (Bloom 299) and ridiculed as the symbol of self-indulgence and vice, the character of Sir John Falstaff, a loquacious knight, …show more content…

But Falstaff’s "heavily charged.. magnetism..and wit" (Stoll 485), surpasses the unpropitious symbol Wilson and Stoll translate him to be. Whereas Wilson contends that critics who laud Falstaff as one of "the most fascinating characters in literature" (Wilson 11) have been "bewitched by the old rascal [Falstaff]...and have contracted the disease of not listening to the play" (Wilson 11), other commentators such as Rupin W. Desai, William Hazlitt, and Harold Bloom believe Falstaff typifies all that "we long to be and are not: free" (Goddart 75). Falstaff’s jocular nature and piercing insults disguised as humor symbolize "the supremacy of imagination over fact" (Goddard 75). Falstaff’s essence invigorate the unfettered spirit of man that resents tyrannical oppression of the mundane and preordained expectations of society.

Of all the characters in Part I of Henry IV, "Falstaff alone changes and develops" (Desai 15). Whereas King Henry IV remains guilt-ridden, Hotspur’s "passion for honour, reputation, and chivalry blinds him to every other consideraion" (Desai 15). Likewise, Hal, ostensibly transformed from rebellious youth to valiant hero, acknowledges his consistent "princely nature" is veiled by "foul and ugly mists of vapor that...strangle him" (Act I Scene III). Falstaff, alone, adeptly weaves among his static contemporaries. This eccentric behavior and refusal to comply with society’s prevailing practices provides him with mobility often

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