The Character of Falstaff in Henry IV Part I
In Henry IV Part I, Shakespeare presents a collection of traditional heroes. Hotspur’s laudable valor, King Henry’s militaristic reign, and Hal’s princely transformation echo the socially extolled values of the Elizabethean male. Molding themselves after societal standards, these flat characters contrast Sir John Falstaff’s round, spirited personality. Through Falstaff’s unorthodox behavior and flagrant disregard for cultural traditions, Shakespeare advocates one’s personal values above society’s.
Extolled as the "essence of Shakespeare’s dramatic art" (Bloom 299) and ridiculed as the symbol of self-indulgence and vice, the character of Sir John Falstaff, a loquacious knight,
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But Falstaff’s "heavily charged.. magnetism..and wit" (Stoll 485), surpasses the unpropitious symbol Wilson and Stoll translate him to be. Whereas Wilson contends that critics who laud Falstaff as one of "the most fascinating characters in literature" (Wilson 11) have been "bewitched by the old rascal [Falstaff]...and have contracted the disease of not listening to the play" (Wilson 11), other commentators such as Rupin W. Desai, William Hazlitt, and Harold Bloom believe Falstaff typifies all that "we long to be and are not: free" (Goddart 75). Falstaff’s jocular nature and piercing insults disguised as humor symbolize "the supremacy of imagination over fact" (Goddard 75). Falstaff’s essence invigorate the unfettered spirit of man that resents tyrannical oppression of the mundane and preordained expectations of society.
Of all the characters in Part I of Henry IV, "Falstaff alone changes and develops" (Desai 15). Whereas King Henry IV remains guilt-ridden, Hotspur’s "passion for honour, reputation, and chivalry blinds him to every other consideraion" (Desai 15). Likewise, Hal, ostensibly transformed from rebellious youth to valiant hero, acknowledges his consistent "princely nature" is veiled by "foul and ugly mists of vapor that...strangle him" (Act I Scene III). Falstaff, alone, adeptly weaves among his static contemporaries. This eccentric behavior and refusal to comply with society’s prevailing practices provides him with mobility often
Throughout Henry IV, Falstaff, an important character impacting Henry’s growth; was said to act somewhat like his mentor, guiding him through the lower class society and its wilderness. This clearly portrayed their solid relationship, as Henry seemed to learn from Falstaff and use it for his good. However, it is found shocking when Falstaff is found on his death bed in Henry V leaving the Hostess say “The king has killed his heart.” The example metaphorically speaks of Falstaff’s unbearable pain from the King’s rejection; his betrayal was a trigger to Falstaff’s downfall and sickness. Henry seemed to disown Falstaff as he chose to rule his country rather than be found in pubs. Although found upsetting by many audience members, it is possible that Henry saw himself in Falstaff if he had not chosen to grow up, thus chose the best for himself and his
Falstaff is a tavern haunter, who partakes in the ìdrinking of old sackî (I.ii.4), lying, stealing, and thinks of honor as merely ìa wordî (V.ii.74). Although Hal enjoys the company of Falstaff, it is clear by his soliloquy in Act I, scene ii, that he intends to reform himself and act as a true prince: ìreformation, glittering o'er my fault, Shall show more goodly and attract more eyes, Than that which hath no foil to set it off, I'll so offend to make offence a skill, redeeming time when men least think I will (I.ii.9).î This shift in character is exemplified in the final battle, where Hal makes the chivalrous gesture of offering to ìTry fortune with [Hotspur] in a single fight (V.i.74).î
William Shakespeare is the world’s pre-eminent dramatist whose plays range from tragedies to tragic comedies, etc. His general style of writing is often comparable to several of his contemporaries, like Romeo and Juliet is based on Arthur Brooke’s narrative poem, “The tragical history of Romeo and Juliet”. But Shakespeare’s works express a different range of human experience where his characters command the sympathy of audiences and also are complex as well as human in nature. Shakespeare makes the protagonist’s character development central to the plot.
In Henry IV Part 1, although Falstaff and King Henry act as father figures in Hal’s life and are both intelligent in their own right, the differences in their tone and diction showcase the major differences in their personalities and relationship with pride.
“Banish Plump Jack, and banish all the world”. To what extent does Falstaff embody the qualities of his world?
Hotspur and Hal both view honor as something to be strived for; however, Falstaff has completely lost sight of the meaning of the word. In his speech about honor fallstaff talks about how honor is just a word, just air coming out of someone's mouth. He believes that honor only comes in death and since the dead cannot see or hear it is useless. Because he has lost sight of the meaning of honor, he fails to act ethically and behaves in the manner of a criminal and a coward. We see Falstaff rob, not pay what he owes (specifically at the inn), and misuse his commission as an officer. Before
Much of the text is dated or archaic and is initially unknown to the typical student. Yet upon thorough study, the student will gain a deeper knowledge and understanding of Shakespeare's words and the English language.Despite the difficulty that dated text presents, the passions and emotions described by Shakespeare touch the hearts of his readers and audience, students included. Vivid imagery and poetic descriptions are presented effectively and have a great impact on the audience. Readers are provided with the opportunity to step into the lives of his characters; to feel their emotions and understand their motivations, a rewarding experience for the student.Although Shakespeare's wrote his plays more than 350 years ago, the relevance of their themes and subjects still exists.
In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society
Falstaff’s soliloquy questioning the value of honour is an ironic contrast with how Hotspur and Hal regard honour. By now the contrast between their highly ordered morality and Falstaff’s own moral disorder is obvious. Falstaff’s inclusion at this point, when Hal has left his side and moved on, is necessary to point out the differing morality between the two, which was once so similar. Falstaff is of paramount importance to the sub-plot dealing with Hal’s decision between continuing his carefree lifestyle or maturing into the role he is destined to play as a respected prince and later king. This soliloquy continues the theme of another of Falstaff’s in Act 4 Scene 2, in which he is equally undisturbed by his amorality, and shows that his highest concern is for his own well being.
King Henry V is one of the greatest kings that ever ruled England and was a favorite among his people. One of the reasons behind this is the presence of two men in his life; his father, King Henry IV, and Sir John Falstaff, his lowlife friend and bar companion. Both men represent two opposite father - figures to the young prince. It is the Prince’s ability to take and acquire the best traits in each that makes him surpass both of them and become great. Prince Hal’s relationship with both men is one of conflict. On one hand, his relationship with his father is tumultuous, while on the other his relationship with Falstaff is confusing.
The man who had made life interesting for the then Prince Hal was sitting in a room about to die. This man, Sir John Falstaff, had been rejected by King Henry V whom he had been his best friend for many years. Falstaff is a prime of example of all the things we do not want to be in life, skipping out on the war you are supposed fighting at and staying in town with your lady. Even though Prince Hal is the major hero the play is more focused and centered around Falstaff. He is important to the whole play even though some viewed him as a fly, Sir John helped Henry become the great king he needed to be for the country. Also, Falstaff was the entertainment of the whole play; as he lied his way out of everything and satisfied his own needs before others. And finally,
Henry V is a wise and loyal king, changing from a wild youth to a mature king. He is described to be an intelligent, thoughtful and an efficient statesman. He thinks carefully whether to invade France or not which represents his responsible character. King Henry gives a very strong speech which gave courage and confidence to his army that they could win the battle. This character describes him to be a king of great ability to fight and having good administrative skills. Throughout the play Henry’s nature is religious, merciful and compassionate.
In Shakespeare's Henry IV Part One, the characters' many different conceptions of honor govern how they respond to situations. Each character's conception of honor has a great impact on the character's standing after the play. For instance, Falstaff survived because he dishonorably faked his own death, and his untrue claim that he was the one who killed Hotspur may get him a title and land. On the other hand, Hotspur lies dead after losing a duel for honor. Hotspur, who is in many ways the ideal man by the standards of his time, is killed by his lust for honor. In creating Hotspur, Shakespeare has created a variation on the tragic hero of other works: the stubborn tragic hero, who, dying
In his career, Shakespeare created countless works with characters built upon ancient stock figures. In grammar school, a young Shakespeare learned how to read and write in Latin presumably through studying many Roman plays and works, including Plautus’s The Swaggering Soldier. His character from Henry IV Part I, Sir John Falstaff, is modeled after Plautus’s own Pyrgopolynices. In outward behavior, direct correlations between the two characters can be drawn, though ultimately Falstaff proves to be a more complex and complicated character for his emotional and intellectual depth that Pyrgopolynices lacks.
Shakespeare, a humanist and a man of crucial perspective, concentrates on moral, political, and philosophical questions of universal significance; he strives to change the world. Shakespeare brought new-fangled realism in drama and took it to great height with profundity. His dramas have the rich diversity of humanity with the help of hundreds living, believable characters showing multiplicity in individuality. Even after centuries, the characters can be identified with their aspirations, their strengths and their failings, and sympathise with their moral dilemmas. He was a true human with true human experiences bringing humanist approach. Janet Suzman: “Shakespeare was a humanist in everything he wrote.*1 Shakespeare’s plays and poetry reveal