I did a narrative series photo shoot with my sister as the main model, in the park. This series is just a simple narrative of a girl playing, and walking around in the park. These photos aren’t staged, because we were just walking around and I was taking as many photos as I could of my sister doing what ever she wanted. If it would’ve been staged, then it would be recognised as a staged documentary genre. I didn’t use flash in any of the photos, because I don’t usually use flash during the day. Most of the pictures auto focus was used, but in a few I used manual focus to create a complete blur. I took a total of 125 pictures, to make sure I had enough pictures I was happy with for the series. A reoccurring colour shown in the pictures is green, and I enhanced the …show more content…
One of them is Vincent van de Wijngaard - Spaces. He inspired me, because he took photos of small people in big spaces, and it interested me so I decided to try it out, and I really enjoyed it. I edited all the photos that are in my series. I didn’t crop any, but I used the blur tool for some of it, like the second artist model that inspired me, Patrick Taberna: A Contretemps. In his series, he had blurred most of his pictures. In all of my pictures, the aperture was high, because I didn’t want a small depth of field and shallow focus. The shutter speed was also quite high, usually at 1/200 in almost all of the pictures. When I wanted to create a blur myself, I either used manual focus, or a small shutter speed like 1/10. or lower. I didn’t really do close ups, because I wanted to experiment with shooting in big spaces to make the person look small. In the first two pictures of my series, I edited the sky to enhance the blue and turned it into aqua, to make it stand out. In the rest of the photos with skies, I used the graduated filter tool to to make the sky look graduated. In a few pictures, I used the radial filter tool, to make a round shadow around the subject of the
The main use of a ‘limited palette’ in the photograph has an effect that helps the eye draw towards the focal point. The limited palette also eliminates
Add a sun set, birds flying and a “tree of life” as you see fit.
Our Husky Journalism program had the privilege to meet Josh Thompson and Bruce Wood from the Chino/Chino Hills Champion. During their visit Mr. Thompson gave the class some tips on how to take pictures for our school newspaper. He is the sports editor for the Chino Champion newspaper. Some of the tips he gave the Journalism class were how to place the composition of a picture looking through the viewfinder. The main objective when taking a picture is considering if it is going to look good in the paper. Analyze if you should zoom in, tilt, squat, what angle will the photo that you are taking will look its best. He also stated that the lower the ISO the better for your picture. When taking a picture you should get enough light, the amount of
from the middle of the street, looking straight up as the camera pans along. This is also to make
Moving from developing photos in the dark room to now being able to edit and alter photos with a computer has made a large difference in the process of photoshopping. The time and precision of editing an image has advanced as society has moved into a digital age. One tool of photoshopping in the photojournalism industry, tonal manipulation, is supported by the single idea that a photographer feels the need to alter an image to match what they’d seen in real life ("Photoshop and Journalism | Photoshop 25th Anniversary."). With the way that cameras operate today, there isn’t always an organic depiction between what was witnessed in real life and what has shown up through the lense; therefore tonal manipulation is a justified practice. A few main editing operations in tonal manipulation include controlling the brightness, contrast and levels of black and white coloring (Figure 5).
color print and transparency material. At the start of his career he took pictures when he was
As you are taking the photograph, you should make sure your camera has a faster shutter speed and make sure you have enough light to capture the image perfectly. You also want
The photo I chose was by Jessica Babcock it was her first submission and it is a checkered background that is warping into the center in the center of the photo the checkered patterns stop and in the center there is a black spot that a line is going through. The artwork is in all black and
to fade away. There is a long shot of camera use here. There is a
The photograph is a portrait of a stranger. The tile is unknown. It’s on a gelatin silver print. It was taken in 1953 in New York City. Some of the main elements of design that Vivian is using in this photo include space, lines, shape, tone, and texture. Vivian is using space in this photo by creating a shallow depth of field. By doing this she is creating a movement for the eyes. This is because she is blurring out the background and keeping the man in focus. This makes our eyes focus on the man and all the little details about him, instead of looking at what’s behind
Throughout the short story Brush integrates caricature to illustrate what's happening. She starts off by providing a very detailed image of the physical features of the characters.
The original image had to be high quality so it wouldn’t blur when printed at an A4 size, and needed to be at the correct angle. The model also couldn’t have any limbs too far away from the centre of their body, otherwise my image wouldn’t fit over the top.
work for it was able to capture more detail and more shades of gray black and white, to help
Photographers tend to be "dog tools", but sometimes you have to use what you have and do not apologize that you will not get the hit but if you are the new "X" you want!
Resolution is related to the numerical aperture of the objective lens – the higher the numerical aperture, the better the resolution; and the wavelength of light passing through the lens – the shorter the wavelength, the better the resolution.