Evaluation of Women and Desire in The Beggar's Opera Essay example

This can be seen through a comparison of parallel protagonists Palamon and Ferdinand, as well as parallel antagonists Arcite and Caliban. Their many similarities reveal an insight to each author’s view of love and how it is gained. Palamon and Ferdinand are men of the heart who do not have the girl initially, nor do they claim her. Instead, they wish the best for her and are willing to work for and serve her, regardless of the outcome. In contrast, Arcite and Caliban are men of the physical who take the woman they love by force and physically serve her in order to fulfill their prideful desires, completely disregarding the wishes of their beloved. Strikingly, all four of these men are of noble birth, and all four willingly lower themselves from a position of power to a position of service in order to gain a woman’s love; however, only the men who also serve her selflessly succeed in winning her love. Both men of the heart end up “getting the girl” in the metaphorical sense, although it takes time and they must be patient. In contrast, the men who have the girl initially –Arcite and Caliban – begin by taking her by force and have her in the literal sense, but lose her in the end. All of these elements show that Chaucer and Shakespeare believe the selfless and humble approach to be the most effective way to gain

This allowed the men to “disavow responsibility for their erotic adventure.” In other words, it was customary for men who engaged with courtesans to behave as though they were submitting to the inevitable, and for courtesans to be the dominant ones in the relationship. Poppea, the courtesan, must behave, according to social norms, as though she is dominant to Nerone. Now that the socio-historical context of this unusual power hierarchy has been explored, it is possible to explore, in an informed manner, the musicals means by which it is expressed.

In Elizabethan Society during the time in which William Shakespeare wrote The Merchant of Venice, many marriages were arranged by the parents of the betrothed couple to ensure the transfer of wealth as opposed to assuring true love. Once married, the woman was expected to be subservient to her husband and not control any matters of the estate. Although not necessarily written as a stance on women’s position in society, it is from this perspective that Shakespeare wrote The Merchant of Venice laying down an underlying theme of marriage for wealth within the play. Love in William Shakespeare's The Merchant of Venice is bartered like a tradable commodity in order to gain money, status, and resources.

 In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period.  Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry.  The first idealizes women as a catalyst to male virtue, insisting on their absolute purity.  The second fears and mistrusts them for their

The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.

The repeated emphasis on honor, wisdom, and virtue is a recurring theme throughout greek homosexual relationships. The archetypes of the two male partners: the younger lover known as the ‘beloved’ (eromenos) and an older lover (erastes). Cantarella asserts that “love relationships, were also, in fact, intellectual ones that in some ways saw the beloved as the disciple and the lover as the master of life, ethics and civic education” (Cantarella, 8). It will come as no surprise that such relationships were especially prevalent among the upper class and were considered a denotation of wealth and station.

The theme of matrimony in the Wife of Bath’s Prologue as well as in the Miller’s Tale does not fit in with traditional fourteenth-century culture. The characters in these two texts turn what is suppose to be a sacred unity into a promiscuous and taboo fantasy for pilgrims. The characters narrating these two tales promote the idea of what fourteenth-century canon law would define as adultery—to have had a third lover while married is the new societal trend for the characters in these tales. And so, marriage becomes a component to the larger fantasy of having a relationship with a character who is already in a marital bond, i.e., cuckolding is a fetish for Alisoun in the Wife of Bath’s Prologue as well as for Nicholas and Absolom in the Miller’s Tale. That is, Alisoun’s pursuit of her lover Jankin while being married, promotes the idea that having a third partner amplifies one’s sexual life, meanwhile, Nicholas’s and Absalom’s quarrel over (a different) Alison encourages the idea that engaging with a married someone enhances the gratification of adultery. In other words, marriage is not portrayed as a scared bond, but as a device to fulfill a pilgrim’s sexual fantasy; and, this new fantasy is what the pilgrims try to make a trend throughout England. Note that I will be using the name, “Alisoun,” to represent the wife from Bath, and I will be using the name, “Alison,” to portray the wife in the Miller’s Tale.

Love throughout history has been considered an enigma with an emphasis on emotions such as compassion and appreciation; nevertheless as with most beneficial substances it is subject to fundamental flaws. Modern society is abundant in gossip, scandal, and misconception, all factors that ruin a legitimate relationship. William Shakespeare’s, Othello is a typical and most perfect tragedy that depicts a prevailing relationship midst blood, violence and revenge. The protagonist, Othello undergoes a transformation from a happy man to a disturbed beast as suspicion of his wife’s faithfulness to lieutenant Cassio intensifies. False rumors intentionally sprouted by good, trusty friend Iago bring about catastrophe as Othello jumps to conclusion and

In both Xenophon’s Oeconomicus and Lysias’ defense of Euphiletus’ murder of Eratosthenes, insight into the purpose and function of Athenian marriage may be gained by examination of the speeches of two citizens about their wives and their homes. Through both texts, it becomes apparent that the citizen’s value of his wife is based upon his wife’s ability as an “oikonomikos” or “skilled household manager” (Strauss, 3). It is through filling this role as her husband’s housekeeper that an Athenian woman experienced a loss of personal freedom and found herself trapped within a marriage in which she had little contact or much in common with her husband. A woman’s role as oikonomikos is described by Euphiletus’ address

In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.

    The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.

love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.

This function of marriage endured throughout much of human history, even transcending different cultures, so often, in plays from past centuries, marriage plots function not like a familiar Katherine Heigl romantic comedy but rather like a business deal. This disparity leaves modern audiences who grew up on these movies unable to understand the at times strange, clinical nature of marriage in plays such as Goldoni’s A Servant To Two Masters. Furthermore, without this knowledge of the historical practice of marriage, audiences cannot clearly understand the dynamic between fathers and daughters like Pantaloon and

The story Don Juan written in the 1600’s by Moliere is a comical controversial drama typical of Moliere’s plays. Although Don Juan lived criticized for “free thought and atheism . . . And an unbeliever overturning the foundation of religion” the play has performed for over 200 years now recognized as one of Moliere’s masterpieces. (91 Moliere). Don Juan’s is a historical womanizer who rebels against God and morality. So it appears a womanizer exists every generation. The character Don Juan mocks relationships also the sanctity of marriage. Additionally, Don Juan enjoys breaking up relationships for conquest and sport. Thus, Don Juan remains unconcerned his valet Sganarelle served him as a silent accomplice against his will. However, Sganarelle does express Don Juan’s behavior with Gusman squire to Elvira. Furthermore, Sganarelle says “A wedding doesn’t mean a thing to him. It’s the only sort of trap he sets for ensnaring women: he weds them left, right, and centre . . . I’d rather serve the devil himself than Don Juan” (96-97 Moliere).

This paper critically analyses the theme of social mobility through marriage in Shakespeare’s play ‘Twelfth Night’. In addition, the paper highlights how different characters in the play got into higher social classes or desired to be in higher social classes through marriage. This paper holds that in a highly stratified society such as that presented in the Shakespeare’s play; marriage plays a significant role in in social class mobility. As opposed to some traditional society where marriage was only permitted along an individual’s class, Shakespeare presents a literally liberal society with marriage and other relationships permitted along all the classes within the society. In fact, marriage is more of a person choice, contrary to the perception in the tradition society.