The Would Be Gentleman And The Marriage Of Figaro

William Shakespeare’s play, The Taming of the Shrew, and Gil Junger’s film, Ten Things I Hate About You, contain many elements that reflect the time period and society in which they were composed. The Taming of The Shrew strongly reflects on the idea of marriage being an economic agreement as well as the structured roles played by men and women that were prevalent in the 16th century and how gender affected the way a person can be viewed and courted in the same time period. This is contrasted by Gil Junger’s 1999 appropriation, Ten Things I Hate About You, in which modern teenage life and relationships are explored, touching on these same issues in relation to gender roles in a modern context. In this essay I will compare the roles of men and women in each text, as well as considering the difference in the two societies in terms of money, relationships and social status.

While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.

The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.

In a patriarchal society, women are expected to conform to social restrictions by demonstrating reverence and obedience to the males in their lives. Shakespeare's tragic play, Romeo and Juliet, explores the effects of patriarchal authority exerted over women and how the patriarchal structure left no escape from it, save death. Through Juliet, Lady Capulet, and the Nurse, Shakespeare establishes a common understanding of this type of society, but illuminates three different reactions to the social oppression by portraying the responses of a passionate lover, an idyllic housewife, and an attendant.

This allowed the men to “disavow responsibility for their erotic adventure.” In other words, it was customary for men who engaged with courtesans to behave as though they were submitting to the inevitable, and for courtesans to be the dominant ones in the relationship. Poppea, the courtesan, must behave, according to social norms, as though she is dominant to Nerone. Now that the socio-historical context of this unusual power hierarchy has been explored, it is possible to explore, in an informed manner, the musicals means by which it is expressed.

Though Madame Pernelle is a grouchy old lady who makes extremely uncouth remarks, her comments indicate that she has a strong sense of seniority and has the freedom to speak as she pleases. The maid, Dorine, demonstrates the power of defiance when she questions the motives of her boss as well as his daughter. She illustrates a strong fervent character who defies authority to obtain it. Lastly, Elmire reveals the influence of sharp thinking and women’s control in a marriage. Moliere’ has given us a feminist play where women ,that men and women can relate to, deal with modern problems in an 18th century time frame such as adjusting to change with the Madame Pernelle, dealing with inferiority with Dorine, and fighting for influence and trust in one’s spouse with Elmire. Though men have their parts in this play, the women most definitely step up to stimulate the action and prove that their influence is equal to men’s

The theme for honour and fidelity apply for both men and women in Shakespeare’s play ‘much ado about nothing’. Honour and fidelity is represented very differently for men and women as it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women and upper class and lower class comparisons.

“How would a modern audience view this play in a different way to an audience in Shakespeare’s time, particularly in relation to the role and status of women and attitudes to marriage and courtship?

In 'Twelfth Night’, gender and sexuality in many ways add to the play’s themes of madness. 'Twelfth Night ' is a reflection of renaissance thought and culture, the renaissance was a transitional period from the medieval to the radical Elizabethan era. The culture of the time was a contradictory one, as from one aspect it was influenced by the patriarchal medieval time, where women were under the rule of men and seen as needing the protection of men, however, from another perspective, the culture was a changing one as women were starting to receive education and many humanists believed that women should be given more rights. The play reflects these attitudes and often challenges the social hierarchy and establishes ideas on gender roles, sexuality and cross-dressing. These factors indeed undermine the expectations of male and female behaviour, and in turn further the play 's theme of madness which has a comedic effect on the audience due to the shock humour it provides.

Gender identity and its roles in 17th and 19th century England were regarded as rigid fact — definite and unyielding. The adherence to these social protocols was of utmost importance. Masculinity was viewed as being dominant, assertive, and bold, whereas femininity involved beauty, obedience, and chastity. The theatre became a method of challenging this rigid social concept. Both William Shakespeare’s As You Like It and Oscar Wilde’s The Importance of Being Earnest explore these public values through their characters. Wilde and Shakespeare’s use of gender reversals satirize the traditions of social order, marriage, and gender responsibilities at the time, thereby revealing that gender is not absolute.

Love’s Labor’s Lost (1598) by William Shakespeare shows a humorous “battle of the sexes” among members of the aristocracy. While this battle may seem like a harmless game of wits on the surface, there is a serious lack of authentic communication that underlies this comedic play, which spells trouble for male and female relations in general. Through insincere words, vows, and writing, both sexes – men especially – show a failure to love and communicate genuinely.

The genre of comedy, throughout the history of dramatic art has always served to not only entertain audiences, but to make them aware of their own individual flaws, or flaws that exist in society. (Weitz, E.) Comedy has no precise definition, and its boundaries are broad. One function of comedy however has remained the same - to hold up a mirror to the society of the time but through pleasure, inviting audiences to reflect and also providing amusement. Set in the late nineteenth century, the play An Ideal Husband by Oscar Wilde (1895) epitomises comedy, as both a literary and dramatic genre. Wilde was masterful in his ability to combine aspects of evolved comedic traditions and dramatic conventions to critique Victorian society. Drawing on characteristics of Greek and Roman tragicomedy, the choices in the play’s plot involves elements of tragedy as well as scenes that serve as comic relief and give the audience a sense of finality through a happy resolution. (Bureman, L) Focussing on the upper class stratum, Wilde employs a comedy of manners Molière style, of the Restoration Period in the seventeenth century in the play by combining forms of comedy with aspects of realist drama. The portrayal of archetypal figures such as Lady Chiltern and Lord Goring satirize rigid moral value of the time and expose their hypocrisies, through dialogue involving irony, wit and humour. Elements of farce and disguises characterized by ‘commedia dell’arte’, a form of comedy first developed in

Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.

Understanding masculinity and how it is defined at the time is important to grasping why the portrayals of it in various works involve the aspects that they do. Masculinity as it exists now is a fluid concept, yet in the past leading up the Renaissance it was treated as a rigid set of rules that men must uphold to be perceived as masculine and in turn make headway in a patriarchal society. Ideas about masculinity and femininity are beginning to be questioned more during the Renaissance in interesting ways, especially when these ideas are presented in the world of the theatre. Men in this time period are expected to be the backbone of their households and held up as a woman’s closet tie to God, right below their clergymen. These expectations come with backlash. With the expectation of men to be the protectors and providers of their households and out in the world at large, violence,

The story Don Juan written in the 1600’s by Moliere is a comical controversial drama typical of Moliere’s plays. Although Don Juan lived criticized for “free thought and atheism . . . And an unbeliever overturning the foundation of religion” the play has performed for over 200 years now recognized as one of Moliere’s masterpieces. (91 Moliere). Don Juan’s is a historical womanizer who rebels against God and morality. So it appears a womanizer exists every generation. The character Don Juan mocks relationships also the sanctity of marriage. Additionally, Don Juan enjoys breaking up relationships for conquest and sport. Thus, Don Juan remains unconcerned his valet Sganarelle served him as a silent accomplice against his will. However, Sganarelle does express Don Juan’s behavior with Gusman squire to Elvira. Furthermore, Sganarelle says “A wedding doesn’t mean a thing to him. It’s the only sort of trap he sets for ensnaring women: he weds them left, right, and centre . . . I’d rather serve the devil himself than Don Juan” (96-97 Moliere).