Rawiri plays an important role in the novel which helped unfolding the events, ranging from minor to significant ones. He relates the events in the ‘Whale Rider’ as the role of the narrator, allowing the readers to form judgements and learn about things such as the Maori way of life and the characters through his eyes. He also give us his insights as he highlights themes and issues mentioned, like racial discrimination. Besides that, he is the one who sees the many signs of Kahu’s destiny as the leader of the tribe, piecing up a complete picture of her eventual rise as the leader. Additionally, he is her guardian, always protecting and looking out for her. With his carefree personality, he often provides comic relief especially in times of …show more content…
Through his insights, we get to know the harsh reality of class distinctions that is existent among different races, leading to ostracism.
Besides that, Rawiri witnesses the signs foreshadowing Kahu’s future as the leader of the Maori tribe. Kahu is multi-talented, is the ‘leader of the culture group’ and ‘love to sing the Maori songs’ and even gave her speech at the end-of-year ceremony entirely in Maori. At such a young age, Kahu unusually displays many outstanding qualities that is required for a leader, and this suggest to the readers that she has what it takes and will eventually take up the leadership position as well. She ‘cried’ during the whale-beaching movie, ‘not even a lollipop would satisfy her’ and even ‘make a mewling sound at her throat’ when she witnessed the scene of whale-hunting on the beach. This shows that she is able to empathise and relate to the whales and there is a sense of communion between them, an ability that not even Koro possessed. He also saw her retrieving the stone from the deep waters, when all the other boys could not even do it. His narration of these events tells us that Kahu is unique and extraordinary, her astounding feats outshines the rest and thus hints to us that Kahu will do something great and lead her tribe.
In addition, Rawiri is also Kahu’s guardian and protector as he is always seen to be trying his best to ensure her safety and
Similarly, William in page three explains that Campbell clarifies cosmological capacities as "stories enable the person to decide his/her place in the universe." The stellar capacity applies for the Whale Rider because of the principle character growing up being recounted of their legend of how the Maori tribe traveled to the territory they are acclimated to now. Pai characterizes herself alongside her family history; she expresses “a long time ago, my ancestor Paikea came to this place on the back of a whale. Since then, in every generation of my family, the firstborn son has carried his name and become the leader of our tribe... until now,” (Whale). She continually alludes back to the legend of her predecessor, Paikea, as a path for her to get the idea she is fit to do likewise. Like her predecessor, Paikea could spare the way of life which is the thing that Pai is
She employs an effective range of visual techniques to create compassion for the miserable creatures. Contrasting real footage of captive whale with bent fin; with wild whale’s perpendicular fin. It allows the audience to question the differences and makes us realise that SeaWorld is doing something severely wrong that causes physical damage. This makes the audiences feel outraged by its treatment as it is unfair, inhuman and cruel; furthermore, audiences are invited to feel compassion for the unfortunate creature because they could not defend themselves.
In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.
David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book
There are many different messages in the novel. “Whale Talk,” I think the most important and relatable in this book is bullying, harassment, and racism. There are many real-life situations of bullying and racism throughout the whole book.
He also uses informal words such as “dicey” to establish that he is just a regular person that experienced many stereotypes. The author evokes strong diction in the essay. He states that he has “the ability to alter public space in ugly ways”. This describe how people perceive the author because of his race. He also says that he was “surprised, embarrassed, and dismayed all at once”. He continues to evoke diction by stating that “these truths are no solace against the kind of alienation that comes of being the suspect”. He uses the word “alienation” because he feels that everybody is against him. The author expresses his emotions during these tough situations because he always feels like he is the “victim” of people’s
Kiowa’s role is to calm down the narrator. Kiowa said,” I’m serious. Nothing anybody could do. Come on, stop staring.” Kiowa he wanted to help the narrator forget about this terrible
Sayuri is taken to become a geisha while her mother is dying. She is separated from her sister and has to struggle against Mother and Auntie as well as her the woman teaching her the ways of the geisha. She also has to come to terms with the fact that she cannot be with the man she loves.
Kuu is a kind, cheerful and brave, if not a bit dimwitted person. He is also very protective of his friends and family, especially his little sister, Kate. Unfortunately, Kuu is also rather greedy as he feels anything he earns or thinks he earned should be his and only his. Similarly, Kuu will also sometimes take advantage of a friend in order finish a quest easier.
Although most of the article is a summarization of the novel, I will use the portion discussing Hatsue and Kabuo to support both my main arguments. The description of Kabuo
These are all the things which help give Kambili a better understanding of the situation her
The story of Whale Rider takes place in a Maori village in New Zealand. The main character is a 12 year old girl name Paikea “Pai” Apirana and her ambition to become the next Chief of her village. Along with following on Pai’s story, the movie showed a great number of local Maori religion and culture. Some of the things I will explore is the Maori religion, gender roles, and a personal reflection on what was learned through the movie.
This book really grabbed me right from the beginning of the story. The story begins with the birth of fraternal twins, with the grandfather patiently awaiting the birth of the son. Right away I felt sadness when the mother and one of the twins die. The boy dies and the girl survives. The grandpa seems to not care about the girl who survived . He was longing for his grandson because he is from the Maori tribe and the tribe is waiting for the sign of a new chief to be born . The chief would lead the village and its community to greatness. Many elders have been born but none with the strength to be the next chief. The little girl was named Pai. The grandma of Pai took her home to raise her along with the grandfather. The grandfather showed
The deep, frantic, fast paced, 9-1-1 call comes through the background. Leading the audience into believing that something major is about to happen. Will it be good? Will it be bad? One begins to wonder what could have caused such a frantic call from SeaWorld, known for their orcas. The most important orca, Tilikum, is the reason for all the commotion and chaos. The documentarian does have a goal in this documentary. That goal is to make the audience watching realize what is going on in SeaWorld. The documentary will get the thoughts going through the audiences’ heads, making them wonder if there is a better solution. This goal is mostly aimed towards the once entertaining, energetic, and loved killer whale, Tilikum.
One major link includes the fight between an oppressed group and their persecutors. Whether it’s the proletariat and the bourgeois in “The Communist Manifesto,” or the inequality of genders in “The Second Sex,” or the flight of the African Americans in the “Letter from Birmingham Jail”. In all of these texts we are shown how easy it is for one group to abuse their power and create unfair rules and regulations only imposed on the more inferior members of society. Each group of oppressor thrives off of alienating, and subjugating their inferiors.