Examples Of Allusions In The Hollow Men

In the novel, “The Outsiders by S.E. Hinton” allusions played a big part in the book. An example of this is when Ponyboy, Johnny, and Dally and go to Dairy Queen and engorged themselves in barbeque and banana splits. “We stopped at a Dairy Queen and the first thing I got was a Pepsi. Johnny and I gorged on barbeque sandwiches and banana splits,” (Hinton 83). The reason the Author used Dairy Queen as an allusion is because Dairy Queen is a well known restaurant and it came out in the 1940s, so it was a still kinda new thing and very popular to go to.

An allusion is an expression to call something to mind without mentioning it directly. Beowulf has many religious allusions in it. Some of these allusions are Cain and Abel, The Great Flood, and Pagan worship. Two of these allusions, Cain and Abel and The Great Flood, are biblical allusions. There are many allusions in Beowulf.

Another famous and influential work from T.S. Eliot is The Hollow Men. Likely influenced by World War I, T. S. Eliot portrays a disconnect from humanity and a disillusionment with typical beliefs as a source of human despair in The Hollow Men. The “hollow men” that the work is centered around are depicted devoid of any human qualities that might provide them a relief from despair, such as hope or faith. As is written in “T. S. Eliot's Indigenous Critical Concepts and 'The Hollow Men'” by Muhammad Khan Sangi and others, “In this poem the human beings have been shown devoid of the qualities of faith, moral strength, of personality, determination and that of humanity; they are like empty bodies, lacking all human virtues” (Sangi et al para 4). No matter how these qualities were lost to the individuals, the result is constant and predictable: the individuals feel an inescapable despair. When one has nothing to anticipate in life, no expectations or hopes, then life loses its meaning. This is the world that the hollow men live in perpetually. The entire work, as Sangi describes, “is a cry of despair unrelieved by hope. The peculiarity of the poem is that it is an inner drama with the utmost economy of words. The images echo the deadness of sensibility and the emptiness of hollow men who, like the effigies, are fit only for burning” (Sangi et al para 5). Again, the hollow men are depicted as worthless, insofar as they are compared to effigies, the only purpose of which is to be

The authors use the same type of figurative language in all three stories. “Sleepy Hollow”, “The Minister’s Black Veil”, and “The Devil and Tom Walker”, all three use imagery. The use of imagery is used throughout the stories to comprehend the setting, mood, and to get across the personality of the characters.

Some movies have strong connections to famous books, epics, or myths. Often times, there will be many strong allusions to different epics, but there will be few weak allusions. In Joel and Ethan Coen's O’Brother Where Art Thou, The movie has strong allusion with the plot, hero qualities, and the minor characters of The Odyssey,

The line ‘driven like stakes into the earth’ is a simile and can be interpreted in two different ways. It can be seen as the fact that man is trying to build a city of impermanence, and the other is the literal meaning of mans crucification of the earth with buildings. Robert Gray also uses contrasting juxtaposition of imagery extensively in the poem. ‘On a highway over the marshland...cars like skulls, that is rolling in its sand dunes.’ This not only emphasises humankind’s assault on nature and the urbanisation that is contaminating natural spaces, but also compares the two landscapes as existing together. It once again forces the responder to visualise the situation, one of which they may be able to relate too and question life’s morals. The poem shows the destructive nature of mans actions, which is an issue in society that is prevalent.

Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.

While Moses is up at the Mountain of Sinai receiving the 10 Commandments from God, the people began to become worried. They urged Aaron, their temporary leader, to make an idol because they believed that Moses had either died or left them. As a result, Aaron melted their gold earrings and created a golden calf, which the people began to worship. The Lord of the Flies by George Orwell alludes to the story of the Golden Calf, where the pig’s head served as the “golden-calf”. The pig’s head symbolizes the root of evil and corruption in humanity; sin.

One key part of The Crucible is the accusations that are made. Everybody points fingers at another person and claims that they are something that they are not. Most of the time people are getting classified as witches. Proctor didn’t seem to care until it was his wife that got accused. Arbigail Williams accused Elizabeth as a witch saying that she had made a pact with the Devil himself.

Beowulf is an Anglo-Saxon epic that was transmitted verbally for hundreds of years before it was written down. Around the time of its composition, Christianity was beginning to gain prominence in England and was quickly replacing the animistic religion of the Celts. As a result of the dueling religions of the time, the poem includes influences from both Christianity and paganism, leaving its readers to wonder which religion had the most sway over the poet. Beowulf is a fundamentally more Christian epic on account of Beowulf’s resemblances of Jesus Christ, its allusions to the Bible, and its intimation of a supreme, monotheistic religion.

In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.

T.S Eliot’s poem, “The winter evening settles down” is a short, simple to read poem with several different examples of imagery. Eliot uses descriptive words, for instance, “withered leaves”, “broken blinds”, and “lonely cab-horse” (lines 7-10). He paints an extremely bleak image of a town that seems to be deserted of people. The tone of the poem plays hand-in-hand with the imagery used. This town is an unpleasant place where it has seemed to be neglected for some years now. Eliot’s use of imagery takes the reader to this deserted, torpid place; however, at the same time, his goal is to bring the life back into this grim town.

T.S. Eliot’s The Waste Land explores modernism, specifically focusing on the troubling of binaries and the breakdown of the traditional. The boundaries between life and death, wet and dry, male and female, and more are called into question in Eliot’s conception of modernity and the waste land. The blurring of gender boundaries—significantly through Tiresias and the hooded figure scene in “What the Thunder Said”— in the poem lends itself to Eliot’s suggestion that traditional masculinity breaks down and decays in the waste land. Traditional masculinity is further challenged through Eliot’s criticism of hyper-masculinity and heterosexual relations in the modern era through allusions to the myth of Philomela and the “young man carbuncular” scene in “The Fire Sermon.” Along with this, Eliot stages scenes charged with homoeroticism to further challenge ideas of traditional masculinity. Homoerotic scenes such as the “hyacinth girl” scene in “The Burial of the Dead” and the Mr. Eugenides scene in “The Fire Sermon” suggest an intensity and enticement towards male-male relations, while also offering a different depiction of masculinity than is laid out in the heterosexual romance scenes. Through scenes depicting queer desire and homosexual behavior, Eliot suggests that masculinity in the modern era does not need to be marked by aggression and

The end of The Hollow Men can only be the beginning of a deep and long reflection for thoughtful readers. T.S. Eliot, who always believed that in his end is his beginning, died and left his verse full of hidden messages to be understood, and codes to be deciphered. It is this complexity, which is at the heart of modernism as a literary movement, that makes of Eliot’s poetry very typically modernist. As Ezra Pound once famously stated, Eliot truly did “modernize himself”. Although his poetry was subject to important transformations over the course of his

This reinforces Eliot's claim that, 'Genuine poetry can communicate before it is understood'. The theme's that run throughout 'The Wasteland', such as sterility, isolation and death, are applicable to both the landscapes and the characters. When drawn together, it is these themes that give the poem structure and strength, and the use of myth mingled with historic, anthropological, religious and metaphysical images reinforce its universal quality.