Examples Of External Conflict In Everyday Use

The beginning of the story involved a lot of characterizing on the youngest sister Maggie. Before her older sister Dee arrived at the house, her actions showed that she was scared to see her sister. “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her” said the mother.

When she heard Dee’s request, she slammed the door and stormed out of the kitchen. This shows that Dee’s arrogance left a negative influence on Maggie’s personality. It’s almost like Dee is trying to take away any happiness life throws out at Maggie. Although Maggie was deformed and neglected, it should not mitigate her need for joy in her life.

Maggie and Dee are extremely different people, but they share some qualities like all sisters do. One similar trait is they are both from the same family and experienced some similar events in childhood. Both children had to experience the fire that burnt down their old house (49). Another example of their similarities is that they are both in a relationship with a man. Dee is with the person that may or may not be her husband Hakim-a-Barber and Maggie has the man she is courting, John Thomas. They both are going through the ups and downs of a relationship. Lastly, they both want the quilts that Mama has. Dee wants to take them back to

One could believe that this emotional poverty in both stories stemmed from both their settings and heritage alike. In Walker’s “Everyday Use” there is a sort of reunion; however, this reunion was not one that was “…not a mutually pleasant occasion for family members” (Piacentino 171). Dee had not been happy about with her mother and believed she was deprived from who she really should have been because of her mother. This caused to experience heavy emotional strains from all ends of the table. Alike this same scenario occurred with Maggie just in a different context. From Maggie’s point of view as told from the story she had admired her sister. This is because Maggie is described as being “chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground” (Walker 487). While Dee was the beautiful one with the superficial understanding and the bad attitude. Ed Piacentino, author of "Reconciliation with Family in Alice Walker's Kindred Spirits”, stated that this coming home of Dee was a “cross-cultural confrontation” (Piacentino 171) focused on the uneventful return of Dee. In reference to the struggle of familial relationships due to emotional poverty as conveyed by Walker’s “Everyday Use” Dee was a “superior-minded child looking down on her mother’s simplicity, and in effect, the simplicity

     Pride is the theme that seems to separate this family the most. It's having pride versus not having it. Maggie doesn't have it. She does not speak for herself when Dee wants the quilts. She lets mama speak for her. Like a scalded dog, she hides behind Mama when Dee arrives. Mama compares Maggie to a "Lame animal…run over by a car…"(Walker 88). Pride mostly comes from respect and she doesn't get much. Dee maybe has too much pride. This probably comes from "the world not knowing how to say no to her." She has looks and she's what one would describe as

Dee’s selfishness is also portrayed by her cultured verbal skills. Dee can talk her way through anything. Dee often manipulates others with her verbal skills. This is shown when she reads to her mother and sister “without pity; forcing words, lies, other folks’ habits, whole lives upon us, sitting trapped and ignorant underneath her voice” (Walker 289). This statement further demonstrates the fact that Dee’s family feels inferior to her. Mama describes the situation as if Dee has some kind of power over her family because she is scholarly and her family is not. Dee uses her education to make Mama and Maggie feel less important without, necessarily meaning to.

     Maggie is illustrated as Dee’s foil. Dee is everything that Maggie cannot be externally. Maggie is implemented into the story to provide a greater emphasis on

The way the burning house, her stuck-up sister, and society influenced Maggie make her unique in relation to others. Maggie was so damaged from her home burning down that she turned into a meek and undervalued young lady. Maggie is so unsure that her mother says she walks like a dog run over by a car: “chin on chest eyes on ground, feet in shuffle, ever since the fire that burned the other house on the ground.” This demonstrates that Maggie absence of self-confidence make her frightened to look. She imagines that on the off chance that she can’t see the individuals around her, then they can’t see her. What’s more, Maggie’s discernible scars have impacted on the way she conducts herself. As indicated by Mama, when she was pulling Maggie out of the fire, her arms were adhering, “her hair was smoking, and her dress was tumbling off her in minimal dark papery pieces.” This is huge light of the fact that indicates how much the flame really physically scarred her. This additionally clarifies why she is so apprehensive about individuals seeing her. Maggie’s apparent compressed version of confirmation in herself is created basically by the fire. The barbaric way Maggie’s sister, Dee, presents herself awful impact on Maggie’s certainly. At this point when Dee inquired as to whether she can have some unique quilts and Mama says no on the grounds that she

Unlike Dee, Walker’s description of Maggie is seen as an unattractive and awkward girl. Her mother notes “good looks passed her by” (355). Furthermore, she carries herself with low self-esteem, “chin on chest, eyes on ground” (355). Besides her appearance, when Maggie is first introduced in the story, Mama points out that she is nervous about her sister’s visit and “will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (355).

In the story, she introduces two sisters with almost opposite personalities and different views on heritage: Maggie and Dee. She uses the contrast between the two sisters to show how one should accept and preserve one's heritage. Beyond the contrast between two sisters there exist the judge figure mom, the narrator and the Dee's irony. The irony on Dee's opinion is the key to understand the story and why the mother let Maggie keep the quilts, which symbolize the heritage.

Maggie, the youngest daughter, saw herself as a shy, introverted youthful woman. She had scars mentally and physically from when their house had burned down some years before, and she is very ashamed of them. Once Dee and her

Maggie the younger sister lived with her mother and liked the life of her living with her mother. Dee didn't like that poor old-fashioned life and she wants to be rich and to forget about this poor family and to live her actual way of life as an African-American. Mama liked their way of life and didn't want to change it and also Maggie liked it and didn't want to change it.

Maggie feels terribly unloved in her marriage with Brick. Because of her unfulfilling marriage with Brick, she seeks affection and attention with someone close to Brick. In addition, when Mae interrupts Maggie and Brick from conversing by talking about her own children and how adorable they are, Maggie says, “why did y’give dawgs names to all your kiddies... sounds like four dogs and a parrot”(29). Maggie has a grudge Mae because she has many children with Gooper. Maggie feels insecure about having children, so she mocks Mae and her offspring to reassure herself and make her self feel better. Margaret has a dreadful relationship with Brick and also with Mae and her kids.

Maggie and Dee have completely different physical appearances than each other. Maggie has a thin body figure, and her arms and legs are scarred from the house fire. Maggie is jealous of Dee’s beauty, and she seems to be ashamed of the way she looks. Mama says, “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her

     In this story, Dee is completely unappreciative. One can get the feeling that the mother in the story had worked long and hard rearing her daughters, and has even gotten Dee into college somehow. Dee returns with her college education and new personality trying to preach to her mother and sister about what they are doing wrong. Plenty of times Dee spoke down to her mother and little sister, Maggie.