Examples Of Figurative Language In Roman Fever

“Roman Fever” is successful in revealing a darker side of interpersonal interactions and the lust for the role of the superior in relationships. It conveys this message by showing the transfer of

In the beginning of Roman Fever you will notice how Alida Slade is exceedingly envious towards Grace Ansley’s overall life. Slade states, that Grace and her husband Horace where “Museum specimens of old New York. Good looking, irreproachable, exemplary.” As you read you find out that Alida seems to have the perfect life with her lawyer husband Delphine yet, she still craves her lifestyle. While having their escalating conversation, to avoid the awkward silence Grace begins to knit. Slade states “She can knit in the face of this! How like her.” This infuriates Slade that Ansley can hold a conversation while remaining knitting at the same time. She fantasizes to live her “old-fashioned” life style that Ansley illustrates.

"Roman Fever" at first strikes the reader as the simple, rather dull story of two middle aged women sitting on a veranda. The inactiveness of the situation appears to be evident in Mrs. Slade's comment, "Well, I don't see why we shouldn't just stay here", reflecting

Ellen Hunnicutt once said “. . . figurative language adds pizzazz. It raise work above the plain, the dull, the ordinary.” This quote explains how using figurative language helps create a more interesting and useful way of expressing a tone of a character or event.Figurative language is a uses of words, phrases, and sentences to help to make the characters and story line come more to live in the reader’s mind. Some examples of Figurative languages are similes, metaphors, hyperbole, personification, onomatopoeia, and many more. Figurative language help the reader see tone and mood in each of the example of figurative language because the reader can see or image the event or character in their mind. In a story, poem, or any form of writing, figurative language is extremely important to a reader because if a sentence didn’t have figurative language the reader may not find the story or poem interesting or even find it confusing and difficult to understand.In addition the use of figurative language is crucial when an author is writing. In the stories “The Treasure of Lemon Brown” by Walter Dean Myers and The Pigman, By Paul Zindel, the authors used Figurative language to develop the tone of their stories so that that the reader can visualize it in their mind.

The writer of a fiction text uses plot, setting and characters to create imagery and influence the reader's response to how the author wishes the reader to perceive a situation. This can be done through many methods, which include detailed descriptions of any settings, detail of weather, characters stereotypical of society and colour association.

The way and words used to tell a story determine how the story will be perceived. If the story uses lots of details, diction, and figurative language then it will be most likely a well told story. Although if a story is not told with these things it can be hard to interpret what is trying to be said. In the short story, “The Scarlet Ibis”,uses all these things to tell an amazing story with a plot that could go anywhere. The author, James Hurst, of “The Scarlet Ibis” illustrates diction and figurative language to prove that the tone is hope, discouragement, and pride.

A typical novel, flooded with the complexities of the author’s creative mind, conveys the plot amidst vivid descriptions of the setting and

In most novels and stories, the author often writes literature with the literary structure that consists of style and tone suited to the plot. This style and tone enable the author to include archetypal symbols and allusions as well. This is mainly how authors teach us about life-lessons and comparisons with real-life.

literary devices such as point of view and symbolism to give it a more dramatic effect and add to the madness the narrator portrays.

Throughout “Roman Fever” Grace is a woman of very few words. She seems to keep a majority of her thoughts to herself, unlike Alida. Mrs. Ansley is compared to her late husband as the couple being “Museum specimens of old New York.” (389) “Grace Ansley was always old-fashioned,” (388) Alida articulates at one point. Nonetheless, another example of irony is revealed considering Grace happens to be conservative, yet unveiling her past defeats moral code. Wharton displays Mrs. Ansley and her daughter having a stronger bond than Mrs. Slade and her daughter by presenting the fact Grace knew the girls’ plans for the night while Alida is left in the dark. Toward the conclusion of the story, Mrs. Ansley derives from her shell and makes her thoughts known to Mrs. Slade as to what actually happened the night she arrived at the Colosseum. After she reveals one of her most cherished memories, “Mrs. Ansley rose, and drew her fur about her. ‘It is cold here. We’d better go… I’m sorry for you,’ she said as she clasped the fur about her throat.” (397) Grace seems to be kind of sympathetic to Alida’s pathetic attempt to rid of

The short story, “Roman Fever” illustrates the shocking relationship between two women, Mrs. Ansley and Mrs. Slade, by a chance meeting in Rome. As the story opens the two women are sitting on the terrace of a Roman restaurant that has an astonishing view of the Colosseum and other Roman ruins. While the women sit in silence and enjoy the tranquil view from the terrace they notice their daughters down below running off to spend a romantic evening with two young men. This triggers Mrs. Slades memories of her and Mrs. Ansley’s quixotic adventures in Rome as young adults and their first encounter with “Roman fever”. Wharton uses the term Roman fever to illustrative the women’s past relationship that is embedded with destruction,

“Roman Fever” is a short story written by Edith Wharton in 1934. The story is about two old friends Alina Slade and Grace Ansley reconnecting. Alina and Grace run into each other while on a trip to Rome with their daughters. The two women grew up in Manhattan and were childhood friends. A romantic rivalry led Alina to get feelings of jealousy and hatred against Grace. In the first part of the story, the two women talk about their daughters and each other's lives. Eventually, Alina reveals a secret about a letter written to Grace on a visit to Rome long ago. The letter was addressed from Alina’s fiancé, Delphin, inviting Grace to meet at the Colosseum. Alina had written the letter, to get Grace out of the way of the engagement by disappointing her when Delphin didn’t show up. Grace is upset at this revelation, but reveals that she was not left alone at the Colosseum. She had responded to the letter, and Delphin went to meet her. Alina eventually states that Grace shouldn’t pity her because she won by marring Delphin while Grace had nothing but a letter Delphin didn't even write. Then, Grace reveals that she had Barbara, Grace’s daughter, with Delphin. “Roman Fever” uses a lot of dramatic irony and has many events that contribute to thematic conflict. Wharton uses the letter Alina writes to Grace to trigger all the deception between them, which shows readers that when people are being deceitful with one another nobody wins. Alina sends the letter to Grace to get her out of the picture, but it gives Grace the chance at Delphin that she wouldn’t have gotten otherwise, and Grace takes advantage by writing back to Delphin without Alina’s knowledge. Both characters are keeping secrets about their relationships with Delphin and they both think that they won when neither of them did.

“Roman Fever”, written by Edith Wharton, is a short story with an unpredictable ending. Two “middle aged” widows, Grace Ansley and Alida Slade, have come across each other unexpectedly in a Roman restaurant. The outcome of envy and jealousy on each other began with wanting to conquer one man, Delphin Slade. A conversation has begun once the daughters “leave the young things to their knitting”, later leaving the reader astonished (Wharton 1). In “Roman Fever”, the strained friendship results from the envy and jealousy of one another.

Authors use stylistic techniques to convey meaning and to bring richness and clarity to their pieces of writing. In the short story “The Celebrated Jumping Frog of Calaveras County,” a man named Smiley is cheated out of a bet after he was so confident that he was going to be victorious. In the short story “Cannibalism in the Cars,” a train full of political figures is stopped by a severe snowstorm, preventing them from continuing their journey. In “The Celebrated Jumping Frog of Calaveras County” and “Cannibalism in the Cars,” Mark Twain uses imagery, characterization, and foreshadowing in order to aid a reader's understanding of the stories.

The plot of Edith Wharton’s novella “Roman Fever” is straightforward with a consciously casual setting. Words in Wharton’s work are careful and calculated, each paragraph requires an in-depth scrutiny of content from their original context. In ways “Roman Fever” encourages readers to dig through the advanced syntax in search of the conveyed messages. Hence, the story focuses mainly on Mrs. Ansley's knitting and its significance in the novella. When the author addresses Mrs. Ansley's "twist of crimson silk"(69), the descriptive imagery is intentional in the sense that knitting symbolizes Mrs. Ansley and Mrs. Slade’s relationship and foreshadows the dramatic revelations later in the story. The use of frame story to structure the narrative of their ill-matched friendship illustrates the author’s intent to invoke thought and ideas in the reader's naïve minds. Thus, although knitting is an unconscious habit of Mrs. Ansley, it is actually significant because it is an attempt to weave back the disrupted relationship between the two friends. Hence, knitting as a “crimson” alludes to the intensely passionate love and closure that blinds the two from truly understanding each other and gives a glimpse of the unstable nature within the upper middle class in society.