Examples Of Masculinity In Macbeth

In ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. The essay’s focus is masculinity’s presentation through Macbeth and Lady Macbeth. Primarily, Shakespeare portrays Macbeth as “valiant”: a prized, respected masculine quality in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth yearns for masculinity but she fails to acquire it. Shakespeare thus displays masculinity in two different lights.

Macbeth uses his manhood to portray his solider like qualities, but Lady Macbeth’s masculinity manipulates Macbeth’s actions, however, in the end it is Macbeth who uses his masculinity to do heinous actions.

A prominent and permeating theme in Macbeth is the roles and characteristics of masculinity and femininity. Throughout the play Shakespeare presents the audience with strong and sometimes conflicting views of these gender roles. What exactly defines being a man or a woman? How does an individual’s grasp of these roles effect their actions? Shakespeare shows that a clear and accurate understanding of the concept of masculinity is of critical importance in the success of a ruler. In particular, he illustrates how Macbeth’s acceptance of a perverted, violent view of masculinity leads his kingdom into chaos and turmoil, and leads Macbeth to his inevitable demise. Moral order can only be restored

The conformity to gender roles that Macbeth and Lady follow leads to the destruction of their relationship. At the beginning of the play, Lady Macbeth is more masculine than Macbeth and holds the power in their relationship. Lady Macbeth is aware that she is the assertive one in their relationship and uses that to manipulate Macbeth. In act 1, scene 7, Lady Macbeth questions Macbeth’s masculinity saying, “When you durst do it, then you were a man; / And, to be more than what you were, you would / Be so much more the man.”(54-56) in saying this, she is using Macbeth’s fragile masculinity against him because she knows Macbeth will prove his masculinity by killing Duncan. After they succeed and get away with the murder, Macbeth becomes more assertive and decisive. Macbeth begins to hide things from Lady Macbeth, like his plan to kill Banquo, this causes a strain on their relationship. In act 3, scene 2, lines 50 and 51, Macbeth says to Lady Macbeth, “Be innocent of the knowledge, dearest chuck, / Till thou applaud the deed.” about his plan to kill Banquo because he doesn’t want her involved. This furthers the strain in their relationship because Macbeth thinks he, a man, should handle these kinds of things where Lady Macbeth, a woman, should not concern herself with such problems. Furthermore, by excluding Lady Macbeth he has pushed a wedge between them by keeping secrets from her, losing her trust and leading to the downfall of their relationship. Closer to the end of the play, Macbeth assumes his role as a hypermasculine man and becomes violent, killing any possible threat to him. In becoming king, Macbeth becomes obsessed with having power because of the lack of control he had in his relationship with his wife. To Macbeth Macduff appeared as a threat,

In ‘Macbeth’, masculinity is presented as a driving force to Macbeth’s crimes, making it a vital theme. The essay’s focus is masculinity’s presentation through Macbeth and Lady Macbeth. Primarily, Shakespeare portrays Macbeth as “valiant”: a prized masculine quality which was respected in their society. However, this trait becomes warped along the play. Furthermore, Lady Macbeth yearns for masculinity but she fails to acquire it. Shakespeare thus displays masculinity in two different lights.

In this day and age people define masculinity as a strong person with no fear and having all the power, destroying everyone who comes in the way of gaining power or taking their power away. In Macbeth, by William Shakespeare, the author develops the definition of being masculine as a strong person and also by manipulating others. To start with, in Macbeth, all the characters act masculine, but the strongest character that acts is Lady Macbeth because she is a person that manipulates her husband in many ways. Lady Macbeth embodies the ideals of masculinity because she manipulates her husband to kill the king , she is ambitious, and she thinks that she is a man.

Alternative characters in the play contrast Macbeth and Lady Macbeth's twisted perception of a man by allowing their emotions and not giving in to traditional gender roles. When taking a look at masculinity in Macbeth, MacDuff’s is an aforementioned character. Shakespeare gives MacDuff phrases, which contrast the misguided ways of Macbeth and his Lady, and also show that there is hope in masculinity. It is obvious that MacDuff is Shakespeare's ideological adaptation of a real man. MacDuff knows himself and he performs his duties, as he knows he must and settles his feelings with the stability a man needs. As he is told to take the news of their murders “like a man.” He retorts, “I shall do so, / But I must also feel it as a man” (4.3.

Manhood and its definition is a major theme in Shakespeare’s play Macbeth. On first appearance, Macbeth is characterized as a loyal and valiant thane in defense of the honor of Scotland and King Duncan. The brutality that he shows as a warrior on the battlefield is an acceptable and lauded trait. These attributes come into question as the witches introduce the prophecies tempting Macbeth’s vaulting ambition. After the regicide, Macbeth is damned and is no longer concerned with being honorable. He covets immediate gratification at all costs and by all means. However, this gratification is temporary due to that Macbeth later on, experiences guilt and regret which directs him towards his morbid fate and ultimate demise.

The play, Macbeth, by Shakespeare was a riveting tale about a man so drawn to the power he was promised in a prophecy that he became a murderer. A common theme in this play is the idea of masculinity and how it proves that a person is strong and important. One famous show of masculinity was that of Lady Macbeth: “Come, you spirits/ That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/ Of direst cruelty” (Shakespeare 1:5:47-50).

This monologue of Lady Macbeth, which takes place in Act 5, Scene 1, (the events leading up to her suicide.) Lady Macbeth while sleep walking and speaking to herself, reveals the guilt and remorse she has over the murder of King Duncan. The ideologies foregrounded are that power must be taken at all costs, and the resistance to the ideology of femininity. The discourses lady Macbeth operates under were those of power, femininity and morality. The following text is an alternate reading.

While struggling with conscious his wife, Lady Macbeth challenges his masculinity. Throughout the play masculinity is challenged as a way to motivate men to commit horrible crimes. For instance, when Macbeth confides to Lady Macbeth that he no longer wishes to kill King Duncan, Lady Macbeth denounces his masculinity, shouting "What beast was't, then,/That made you break this enterprise to me?/When you durst do it, then you were a man" (I.VII.53).Lady Macbeth's denouncing of Macbeth’s

Instead of feminine guilt, Macbeth manifests ambition and ruthlessness, traits formerly considered to be masculine. Denoting this ruthlessness is his willingness to slay former friend Banquo, and Macduff’s innocent family. Macbeth’s will to act is conveyed when he plans Banquo’s murder himself, and insists Lady Macbeth, “be innocent of the knowledge...till thou applaud the deed”. (3.3.51-52) Both processes show the male imperative of will and action, which differs from his initial “we will proceed no further” stance (1.7.34). This highlights how as Macbeth has gained power; he has firmly situated himself within the realm of masculinity and is no longer susceptible to his wife’s influence. However, Macbeth later faces an untimely death at the hands of Macduff. The audience perceives this as ‘punishment’ for initially allowing his wife to fulfil the dominant role of the

Shakespeare’s characterization of Macbeth and his consequences reveals his warning about ambitions and its downfalls. Macbeth begins as a noble man who’s ambition ruins him and his true self, leading to his inevitable death. In Act I, Shakespeare presents Macbeth as an accomplished man whose lust for more is fueled by his wife’s ambitions. At this point in the play, Lady Macbeth commonly challenges his masculinity to drive his ambition to kill King Duncan and acclaim the throne of Scotland: “Art thou afeard to be the same in thine own act and valour as thou art desire?” (P. 29). Conversely, by Act III, Macbeth’s ambition is self-driven because of the prophecy making him loses his sense of morality, and become corrupt. One such action is the murder of Banquo, Macbeth’s “noble partner” (P. 17): “Who wear our health but sickly in his life, which his death were prefect” (P. 56). Banquo’s murder serves as the beginning of Macbeth’s crumbling edifice, as for each murder he commits, he falls deeper into the world of deception.

As the play continues, in the acts three and four the gender roles of Macbeth and Lady Macbeth make a big switch when Macbeth is planning on the killing of Banquo. Macbeth beings to act more masculine before this murder and in a sense leaves his lady out of what is going on this time, instead of her taking charge like before, Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; While night's black agents to their preys do rouse Thou marvell'st at my words: but hold thee still; Things bad begun make strong themselves by ill. So, prithee, go with me. (3.2, ).” As of now, Macbeth is portraying the actions of what society believes a man should act like. He is now telling her that he has a plan to kill Banquo but he is not going to tell her the details, he wants her not to worry because he believes he has everything under control. Macbeth is trying to be what it takes to be a man but when a person is power hungry they always seem to fail.

Macbeth is considered as a masculine figure for he is controlling and hostile for he thinks of himself having such a powerful role. Essentially, even before Macbeth’s “Glamis” is introduced, he is already being male qualities by people who around him. King Duncan regards Macbeth as a: ‘Worthy gentleman, valiant cousin” (Shakespeare 1.2.16); and that he deserves the new title Thane of Cawdor due to these deeming qualities: “What he hath lost, noble Macbeth hath won” (1.2.24). Further, Duncan praises him again after giving him the new title: “For brave Macbeth--well he deserves that name” (Shakespeare 1.2.67) Hence, Macbeth is held highly by and other like Banquo. As you can see, Macbeth being noble and worthy is being emphasized as it is reiterated