Angry Men Everybody on this earth is unique unto themselves. Think about it! Each individual has their own personality, agenda, and history, the same is true of the characters portrayed in 12 Angry Men. Roger Ebert, an American film critic for The Chicago Sun-Times says, the movie 12 Angry Men was the first of forty-three films in the career of director Sidney Lament, who often sought controversial issues (Ebert). This movie focuses on a jury’s deliberation in a capital murder case, where a guilty verdict means an automatic death sentence. “As the deliberations unfold the story quickly becomes a study of the jurors’ complex personalities” (Rathjen). Bernard Roth, author of The Achievement Habits says, “Using rationalization, people can justify any action or inaction in an attempt to bring it into accord with their self-image (Roth 199). 12 Angry Men forces the characters in the movie, along with the audience, to evaluate their own self-image. Consequently, it becomes a necessity for them to comprehend, through the stress of the situation, if their self-image is true, questionable, or false.
The character that has the most accurate view of his self-image in this movie is Juror 8, Mr. Davis played by Henry Fonda. Being the first juror to vote not guilty, Davis does not want to be the one whose vote sends a young man to his death. It is obvious from the beginning that Juror 8 is in command of the situation through his demonstration of confidence and self-reliance. Furthermore, he is characterized as being respectful, honest, logical, methodical, and ethical. Lament uses subtle techniques to convince the audience that Juror 8 has an accurate grasp of his self-image. For example, Fonda is the only person dressed in a white suit, indicative of a “good guy”. He finds ways to be inclusive rather than competitive, thus helping the “whole team win” rather than just an individual (Roth 171). Juror 8 demonstrates understanding after Juror 10 delivers a dramatic prejudiced rant, by speaking quietly about the evils of prejudice. Moreover, after Juror 3 reveals to the others and himself that he is projecting the anger and frustration that he is feeling toward his estranged son to the young man that is being accused of
The capacity of human beings to possess different viewpoints, opinions beliefs and choices is what draws the line between man and animal. During the course of Twelve Angry Men by Reginald Rose, the viewer sees exactly what makes up the unique and complex nature of man and how these individualities can compare and contrast when combined. The message she conveyed by her depictions of the opinions of each of the jurors was that with twelve different people comes twelve different viewpoints that everyone included can learn from. By using the Marxist and Historical lens, it reveals that even though the jurors are seen as a collective, their individuality is what propels the story into a study of human nature and interpersonal communication.
Reginald Rose’s ‘Twelve Angry Men’ is a play which displays the twelve individual jurors’ characteristics through the deliberation of a first degree murder case. Out of the twelve jurors, the 8th Juror shows an outstanding heroism exists in his individual bravery and truthfulness. At the start, the 8th Juror stands alone with his opposing view of the case to the other eleven jurors. Furthermore, he is depicted as a juror who definitely understands the jury system and defends it from the jurors who do not know it fully. At the end, he eventually successes to persuade the eleven other jurors and achieves a unanimous verdict, showing his
In the movie 12 Angry Men, the jurors are set in a hot jury room while they are trying to determine the verdict of a young man who is accused of committing a murder. The jurors all explain why they think the accused is guilty or not guilty. Throughout the movie they are debating back and forth and the reader begins to realize that even though the jurors should try to not let bias cloud their judgement, the majority of the jurors are blinded by bias. The viewer can also see that the jurors have their own distinguishable personalities. Their personalities intertwine with each other to demonstrate how the jury system is flawed, but that is what makes it work.
Prejudice can often be formed without one even realize they are prejudiced, many of the characters in 12 Angry Men, have done as such, allowing their prejudice to not allow them fully evaluate the case unbiasedly. Jurors three, ten and seven are swayed by their prejudiced beliefs against the accused, as the deliberate the accused fate, juror ten states “his type are no good”(12 Angry Men). This prejudice which all of them share, justifiers their neglecting to inspect the evidence and testimony given rather than simply accepting it at face value. The film 12 Angry Men conveys how difficult it can be to set aside prejudiced views through jurors three, seven, and ten. The film also enables the reader to see how prejudice such as past experiences, ingnorance or misinformation, and stereotyping can cloud ones judgement.
The movie “12 Angry Men” examines the dynamics at play in a United States jury room in the 1950’s. It revolves around the opinions and mindsets of twelve diverse characters that are tasked with pronouncing the guilt or innocence of a young man accused of patricide. The extraordinary element is that their finding will determine his life or death. This play was made into a movie in 1957, produced by Henry Fonda who played the lead role, Juror #8, and Reginald Rose who wrote the original screenplay. This essay will explore some of the critical thinking elements found within the context of this movie, and will show that rational reason and logic when used effectively can overcome the mostly ineffective rush to judgment that can be prevalent in
12 Angry Men is a film originally produced in 1957 by Henry Fonda and Reginald Rose. It is about the journey 12 jurors go on to determine if a defendant is innocent or guilty. 12 Angry Men is a classic movie that is great for people learning different leadership styles, verbal and nonverbal cues, constructive/destructive conflict, and how ‘sidebar’ conversations impact a group’s ability to achieve their goal.
The jurors are transformed by the process of deliberating. Eleven men voted guilty because of their prejudices, fears, laziness and insecurities, but they are eventually persuaded by reason to give up these limiting beliefs, to see the potential in the facts, and to find justice. The critical turning points in the jury votes occur, not when there is passion and anger, but when there is reasoned discussion, as the rational Juror 8 triumphs over the prejudices of his fellow jurors. The facts of the case do not change, but the jurors come to see the facts differently, and change by the process they go through. Despite the hostility and tension created in this process, the twelve men end up reconciled, and justice is done.
The film “12 Angry Men” gives the audience insight as to how jury deliberations work. The film follows 12 jurors throughout the process of finding the defendant’s sentencing. The jury is overseeing a case surrounding a young boy who is charged with the murder of his father. It was interesting to see the process of this paired with the way each character’s vote had an effect on each of the other juror’s decisions. The film “12 Angry Men” portrays a realistic fluctuation of stances in a room of jurors as a whole and individually based upon the prior experiences and ethics of each juror.
The film “Twelve Angry Men” directed by Sidney Lumet illustrates many social psychological principles. The tense, gripping storyline that takes place in the 1950s features a group of jurors who must decide unanimously whether a young man is guilty or innocent in the murder of his father. At the beginning, eleven of the twelve jurors voted guilty. Gradually, through some heated discussion, the jurors are swayed to a not-guilty verdict. Upon examination, the film highlights social psychology theories in areas of conformity and group influence.
He plays the role of 'appointed leader', or the individual who is assigned the leader position from the onset. A simple man who clearly does not understand the complexity of the task that lies before him but is trying to do everything not to let anyone else find this out. He appears at ease only once during the film ' when he talks about football. He has the misfortune to be selected Foreman of the jury ' a task he clearly does not enjoy. Juror #2 is a small, quite man who is clearly unaccustomed to giving his own opinion much less to expecting his views to be of any importance. In his subdued 'observer' and meek 'information giver' role, No. 2 apparently finds comfort in his job ' he is an accountant. Juror # 3 is probably the most complex personality in the film. He starts off like a pleasant self-made successful businessman, analyzing the case impartially, explaining the arguments well and is reasonably self-assured. As time goes on he becomes more and more passionate exploding in disbelieving anger and seems somehow to be personally involved with the case. His motivation for behaving as he does is revealed when he discloses that he's not on good terms with his own son. Illusions to his animosity toward youth were made when he says that kids today have no respect and that he has not see his son in over a decade. No.3 namely plays the 'aggressive', 'dominator' and 'blocker' roles. His personal baggage with his own son 'blocked' or
Through history people have tended to judge the lives of other by what they see on the outside, and completely disregard their actually character. “Stereotyping in the World” today has become a greater and greater problem has history moves on. Some have been known to look past these cases such as Reginald Rose’s book Twelve Angry Men. The play has been shown that one voice can change the thoughts of many by getting past the first layer and breaking it down to their inner person. Twelve Angry Men has showed the theme of “Stereotyping in the World” through the characters’ proper reasoning, communicating, and believing in good faith.
The film Twelve Angry Men shows many social psychology theories. This film presents some jurors who must decide if an accused murderer is guilty or innocent. In the beginning, all but one juror voted for guilty. Eventually, however, they come to a non-guilty verdict. It shows how a various group of individuals react to a situation that no one wants to be involved in. Twelve Angry Men exhibits so many examples of the true power of informational social influence and normative social influence. According to informational social influence, individuals tend to comply with others because they believe that another individuals version of a situation is more valid than their own. Normative social influence is a type of social influence that leads to conformity. This theory seems to fit in along with this movie because of the way the juror’s decisional processes went. Informational social influence is aggravated by obscurity and doubt of situation, importance of being correct, time constriction, and presence of those recognized as professionals. Just within the first few minutes of the movie, social influence is shown. In the jury room, a heated debate is prevented by an initial vote. This vote, which was taken publicly, was vulnerable to normative social influence or conformity from the fear of seeming in submissive. An obvious feeling of doubt is presented as the jurors vote. This hesitance can be perceived as weak conviction swayed by the guilty majority’s influence. Time constraints intensify informational social influence and possibly helped play a role in causing some of the jurors to cast guilty, conformist votes. Majority influence and social impact theory generate conformity. These theories are relevant in the jury context and are relevant to an explanation of Twelve Angry Men. Social impact theory specifies the situational and personal factors that bring on conformity. Conformity is enhanced by the immediacy element of social impact theory which brings to belief that without anonymity conflict is increasingly difficult. Perception of norms is apparently a factor that also brings out conformity. Stereotyping and prejudice were rampant at the time Twelve Angry Men was filmed. The director and writers cleverly
Twelve Angry Men is a courtroom drama that was brought to the big screens in 1957. The storyline follows twelve men selected for jury duty, who are trying to reach a verdict on a young man’s trial following the murder of his father. Throughout the debates and voting, the men all reveal their personalities and motives behind their opinions. Because of all the differences of the men, their communication skills lack in some ways and are excellent in others. The three small group communication variables that I found portrayed throughout the movie were prejudice, past experience and preoccupation.
3. Social identity (10 points): What role(s) does social identity play in the movie? Discuss SID in relationship of the jury to the accused. (Define your terms and give two examples of how they apply).
12 Angry Men is a 1957 American courtroom drama film adapted from a teleplay of the same name by Reginald Rose. Written and co-produced by Rose himself and directed by Sidney Lumet, this trial film tells the story of a jury made up of 12 men as they deliberate the guilt or acquittal of a defendant on the basis of reasonable doubt, forcing the jurors to question their morals and values. In the United States, a verdict in most criminal trials by jury must be unanimous. The film is notable for its almost exclusive use of one set: out of 96 minutes of run time, only three minutes take place outside of the jury room.