John Steinbeck used his short story, The Chrysanthemums, as a visual illustration to answer the adage, “Is the grass “really” greener on the other side?“ During The Great Depression, the American dream had become a nightmare. What was once the land of opportunity was now the land of desperation. What was once the land of hope and optimism had become the land of despair. The American people were questioning all the maxims on which they had based their lives - democracy, capitalism, individualism. By the beginning of the next decade the United States had gone from a laissez-faire economy that oversaw its own conduct to an economy regulated by the federal government. John Steinbeck, who witnessed all these drastic and dramatic changes, …show more content…
Elisa’s garden is her private escape, where she is free to daydream, yearn, and wonder about life outside of her valley. Her little fenced in garden not only keeps the dogs and cattle out, but her husband does not trespass in it either. It is hers and hers alone. Elisa shows signs that she is miserable in her marriage and her life, by being curt and dismissive to her husband, uninterested in his buyers, and equally rude and dismissive towards the panhandler that rides up in an ancient, rickety, covered wagon. being pulled by an old horse and a mule. He informs Elisa that he travels up and down the west coast year round looking for work to be able to make a living. He mends pots and pans, as well as sharpens knives and scissors for customers. He is a very big man who has learned to read people well. He is engaging, slippery, and a con-artist, who is a master of manipulation. When his salesman “spiel” does not work on Elisa, and she brushes him off, he changes tactics, and gains her absolute attention and favor, when he pretends an interest in her chrysanthemums. He goes so far as to mention or create on the spot, another female customer of his who would love to have a pot of them for herself. The truth was the panhandler was not interested in her chrysanthemums. He looked around her farm and envied her life. He naively saw only that she had a beautiful, thriving
In The Chrysanthemums, Elisa is a woman who is trapped at her husband Henry’s ranch by her gender and society’s idea of what a woman can manage. She is a very strong, capable woman who works all day to make the house spotless and the garden thrive. Elisa is good at her work, “behind her stood the neat white farm house… it was hard swept looking little house, with hard-polished windows, and a clean mud-mat on the front steps”. That show just how much work she puts into keeping the house clean. Elisa knows she is capable of successfully accomplishing any number of what society labels as men’s work and being held back makes her bitter and resentful. In an attempt to feel freedom, Elisa gifts some of her chrysanthemums to a traveling solicitor. She is devastated when she spots the flowers dumped on the road on her way to town with Henry. Elisa, like her flowers, feels discarded and devalued by men and society.
John Steinbeck’s short story “The Chrysanthemums” shows a time when women are controlled and restrained to a traditional lifestyle. It portrays a struggle for equality that is played out through the eyes of the third person narrator. In telling the story, the narrator depicts the story through speech, actions and appearances of the main character, Elisa. Her place in the story is that in a world of masculinity during the times of the Great Depression and a fight to keep a bit of her happiness and self-confidence as a women intact.
John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.
We get our next glimpse into the struggles she is internally suffering when her house is introduced to us as “hard swept” (Steinbeck 348). Elisa extends her insecurities and sorrow onto over-compensating in tending to the house she shares with her husband. The exchange between Elisa and her husband is cold and uncompassionate as they discuss their plans for dinner and a movie. He stands outside the wire fence which serves as a wall between Elisa and the rest of society. As her husband leaves to herd their cattle she watches and swiftly returns to tending her garden.
Elisa protects her garden with “wire fence that protected her flower garden from cattle and dogs and chickens.” (Steinbeck 210) The fence also protects Elisa from the man’s world. It isolates her and gives her a clear view but does not let her get tangled in it. The fence is her boundary of her world and as long as she stays within the boundaries she will be safe. Elisa does step outside the fence when the tinker comes to visit. He shows her a little bit of attention by taking interest in her chrysanthemums so that she will find him something to fix. He describes the chrysanthemums as “Kind of a long-stemmed flower? Looks like a quick puff of colored smoke?” (Steinbeck 212) she finds herself flattered by his comments. The chrysanthemums symbolize her femininity and sexuality when “she tore off the battered hat and shook out her dark pretty hair. The tinker restores her feeling about her femininity and sexuality. He made her realize that she did not need to step outside of her boundaries. All she needs to do is to make herself look more feminine. “She scrubbed herself with a little block of pumice, legs and thighs, loins and chest and arms, until her skin was scratched and red.” (Steinbeck 214) Elisa wears her best dress “which is the symbol of her prettiness” (Steinbeck 214) to impress Henry. He
The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing
Elisa, also a housewife, usually had activities involved in routine housework and maintaining her flower garden, that was filled with chrysanthemums. She took care of the chrysanthemums as if they were her children, and being a farmers’ wife, she had more free time than her husband, Henry. When the tinker, also known as the tin man, came up to Elisa for work he tried to manipulate her into giving him some work to do. When the tinker saw there was no way Elisa would give him work, he tried to work her. “What’s them plants, ma’am?” (Steinbeck, 208). Tinker asked Elisa about the plants probably so he could influence her about chrysanthemums- that way they bond on the subject of the flowers and from there Elisa started to explain the importance of these flowers. Elisa doesn’t realize she’s being played with until near the end when tinker finally leaves she waves goodbye to him but her voice drops as she says the word “Goodbye to goodbye”, finding that the tinker threw Elisa’s chrysanthemums away (Steinbeck, 210). This quote showed the attachment for the chrysanthemums Elisa had, and the minute the tinker threw away those flowers, it broke Elisa’s heart. This makes Elisa thinks about how a man can get what he wants while Elisa
The world is a lonely place for people. Some people are lonelier than others. John Steinbeck’s “The Chrysanthemums” and Of Mice and Men portrays two of the loneliest women. Although, they have many differences they have many similarities. They both aren't understood by their husbands, have had their hopes and dreams crushed, are “crippled” by their genders, and they live the american dream that many people die trying to achieve.
"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for growing things, but it seems to be limited to her garden. Diligently working in her garden, Elisa watches as men come and go, living their lives unconfined, wondering what it must feel like to have that freedom. That emotion is revealed as Elisa gases at her husband and acquaintances talking, "she looked down toward the men by the tractor shed now and then." As she tills the soil for her chrysanthemums Elisa tills the thoughts in her head. The garden she so desperately maintained represents her world. A world that will only flourish if nourished. Emotional nourishment and stimulation is what Elisa lacked and longed for. The garden is limited in space to grow and so is her marriage. The garden is safe, non-threatening and so is her world. The garden contains many different elements that make it what it is, although unseen, and if the proper nourishment is not given it will die, as with Elisa.
"The Chrysanthemums", one of John Steinbeck's masterpieces, describes a lonely farmer's wife, Elisa Allen. Elisa Allen's physical appearance is very mannish yet still allows a hint of a feminine side to peek through. John Steinbeck brings symbolism into play to represent Elisa Allen's frustrations and hidden passions. Isolation is another representation through symbolism found in "The Chrysanthemums." Elisa's failing detached marriage is represented through two symbols. The two reoccurring symbols are the chrysanthemums and fences. John Steinbeck draws pity from the reader for Elisa Allen who desperately wishes to experience the passions of a fulfilling marriage and the stimulation of
After warming up to the salesman, through conversation, Elisa talks about her passion of planting, and how it feels to have," planting hands" (207). Then she goes on to reveal that although she has never lived like him she has dreamed about what it would be like to live out under the stars, travel, and how, " it must be nice," to sleep in the wagon rain or shine, wishing that it would be acceptable for a woman to do such things (208). After emotionally revealing herself to this man, giving him some work, and giving him some potted chrysanthemums to give to the lady with the garden he was on his way.
Society has been changing for the past few decades and so is the role of women. Women has been fighting for their rights since the 1920’s and the success of women today in America and throughout the world is a proof of the women’s rights movement. Women now can become doctors, engineers, scientists, anything they want and even running for offices, something that was once considered and only applied to men. In the short story “The Chrysanthemums” by John Steinbeck, the author talks about Elisa Allen, the boundaries and limits that keep her from doing what she loves at her full potential. Furthermore, this story was written in the 1930’s, when the society was still a male-dominated society.
She does not help with the ranch or the cultivation of the orchard, but rather tends to her own garden. Her reportedly stellar chrysanthemums represent her delicate side. By maintaining and ensuring a yearly exemplary flourish, Elisa sustains and nourishes her suppressed womanly essence. Although Steinbeck reveals that, “The
Elisa is proud of her womanhood, and she is getting fulfilled in this inanimate Salinas Valley. However, though Leroy Thomas’ perspective is reasonable, the main meaning of chrysanthemums is Elisa’s dream in fact. Henry has said that he wants Elisa to work out in the orchard and raise some apples because according to man, apple is much profitable than
"[Elisa's] passionate involvement with the process of planting becomes an expression of all the suppressed romance in her life" (Lewis 393). "She is a strong, childless woman of thirty-five that has subliminated her maternal instincts by producing remarkable flowers" (French, John 83). Nevertheless, "the plants and flowers cannot compensate for the lack of understanding and affection from her husband" (McCarthy 27). In the story, Elisa plays the role of a simple-minded lady who allows her husbands thoughts and actions to dominate her. "Elisa's marriage neither fills her time nor fulfills her desires" (Hughes 24). However, Beach concludes that Elisa without a doubt has a "soul" and is much less simple than she seems (Beach 32).