Throughout the story Mama explains how Dee despised everything involving her family and heritage. When Dee returns in the story they witness how she very strongly embraced stereotypical African culture instead of her family heritage. “A dress so loud it hurt my eyes. There are yellows and oranges…Earrings, too, gold and dangling down to her shoulders. (326)” She is trying to represent the African culture but fails to realize that what she is trying to establish is meaningless compared to her true family heritage. The name ‘Dee’ holds a stronger history than ‘Wangero’ because that name has been in the family since before the Civil War. “You know as well as me you were named after your aunt Dicie.(326) “I probably could have carried it back
Dee really doesn't understand her family past, but still, wants to keep them. In the poem, Dee changes her name to Wangero and never knew that she was named after her aunt.This tells you that Dee didn't really care about her family heritage and doesn't know a lot about her heritage.
Alice Walker’s story “Everyday Use” is a story decipating family and heritage. She released the story with a collection of other short stories called In Love and Trouble: Stories of Black Women. This collection revealed Walker to be one of the finest of late twentieth century American short-story writers (Phy-Olsen). According to Cowart, the story address itself “to the dilemma of African Americans who are striving to escape prejudice and poverty.” One of the main characters, Dee, made drastic changes and would like her mother and sister to see things her way. Dee’s statement to her mother and sister regarding their disregard of heritage is very ironic considering the fact her name is a part of the family’s history, her new behavior, and her
Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).
When we are first introduced to Dee, we learn that she no longer wants to be called by her given name but instead she would want to be called ‘Wangero’. Dee comments, “I couldn't bear it any longer, being named after the people who oppressed me” (Walker 62). Although Dee may have only known that she was named after Grandma Dee, Mama could have “carried back beyond the Civil War” (Walker 62) the name of her daughter. This offended Mama because it was the beginning of how Dee began to reject her heritage. In addition, Mama also realizes how Maggie acts around Dee because of the way she treats her. When Maggie gives into Dee’s wanting of the blankets, Mama sees that Maggie is hurting and Dee couldnt care less. Mama comments that Maggie answered Dee “like somebody used to never winning anything or having anything reserved for her” (Walker 65). These conflicts lead mama to take a stand against her daughter as well as drawing her closer to Maggie. This showed Dee that she could not just barge into the house and take things she did not even truly know the meaning of. Therefore the reader understands that Dee’s actions led Mama to act differently with both of her children, all for the sake of honoring her heritage and
The African heritage plays a major role in the story, “Everyday Use”. Alice Walker emphasizes the meaning of heritage by having Dee come visit her family and contradicting her heritage. As Dee go off to college, she meets new people and finds her a boyfriend, Asalamalakim. Alice Walker adds attention onto Dee’s new name, Wangero, because Dee changes her name, not understanding the true root of her original name. “No, mama,’ she says. ‘Not Dee, Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead…” (160). However, Dee truly believes that her heritage lies way back to Africa. The African clothes and name gives an understanding that Dee thinks that she is from Africa and that is where her heritage originally lies. In addition, Mama and Dee have different point of views on what heritage truly is. Mama tells Wangero (Dee) that her name comes from a line of ancestors, yet Wangero believes that her new name has more roots in it. “You know as well as me you were named after your aunt Dicie,’ I said. Dicie is my sister. She named Dee. We
Dee's inability to accept who she is can be seen as a weakness. Dee has turned her back on a part of her past by taking the Muslim name of "Wangero Leewanika Kemanjo" (412). Her reason for changing her name was because she "couldn't bear it any longer being named after the people who oppress me" (412). Her mother sees the action of the name change as Dee turning her back on her immediate blood relatives. Dee's insecurity concerning her past becomes evident, and her mother sees it as a denial of where she came from. It is as though she would rather claim the name of an unknown slave to that of her aunt and grandmother. Her biggest fear seems to be that by not declaring her heritage, she might someday have to return to the simple life of her mother and sister. Dee uses the
To clarify, Walker’s narrative focuses on two classes of people: one lower and one higher. In general, Mama and Maggie represent a class that only appreciates practicality, whereas Dee and Hakim-a-barber represent a class that places more value on artistic interest. For example, when Mama asks Dee why she would rather be called Wangero, she explains that “[she] couldn 't bear it any longer, being named after the people who oppress [her]," (Walker). In effect, Dee’s new and dramatically different name exemplifies how serious she is about defining her identity with her new culture as opposed to remaining in the same culture as her Mama. In other words, Dee has taken the sole purpose of having a name, identity, and added a symbolism to it of her defiance. In another instance, when Dee sees her family’s butter churn, her
Walkers essay is great of getting her audience to reminisce on the past by describing some childhood memories of life on the farm with the use of her beautiful language to share an image in Walkers memory.
Alice Walker, a famous author, stated in her short story, Everyday Use, “Dee (Wangero) looked at me with hatred. “You just will not understand. The point is these quilts, these quilts.” Each person’s identity is shaped from a culture that is built with the offering of everything in his or her surrounding environment. Culture is one of the most important factors, though there are many other contributing factors, that can influence someone’s perspective on the world because all of their opinions, decisions, and morals are all based off of their surrounding environment. In the poem and story, “My Mother Pieced Quilts” and Everyday Use, they both demonstrate how one’s cultural identity is influenced by his or her surroundings, changing the
Dee is clearly distancing herself from her mother and sister. She goes so far as to change her name from Dee to Wangero Leewanika Kemanjo, saying, "I couldn't bear it any longer being named after the people who oppress me." Yet, she wants the quilts that are made by the very people that she despises. Mama is uneducated but not so ignorant as to realize Dee's unrooted, superficial motivation to have the quilts. "For her, heritage is something to be displayed on the coffee table and on the wall." Dee blatantly disrespects her mother's authority and free will.
Dee is selfish and her overly judgmental nature has deeply affected Mama and Maggie. Their need for Dee’s approval becomes apparent in Mama’s daydreams of their televised reunion. When Dee arrives at Mama’s house with her new companion, she informs them she has changed her name to Wangero. As they sit down for dinner, Wangero starts listing items of her heritage that she wants her mother to give her now that she is married; such as the dash and churn top that were whittled by her ancestors. Wangero then begins to rifle through the trunk at the foot of Mama’s bed and finds some old quilts.
Heritage In the short story “Everyday Use”, by Alice Walker, arguments are made about Maggie’s and Dee’s heritage. Mama knows that both of her girls are totally different. Maggie being down to earth and humble and Dee stuck in her bright lights, big city lifestyle. Trouble arises when Dee comes to town, and begins to look down on her family’s way of living.
In the short story “Everyday Use” by Alice Walker, Mama, who is the narrator, was the character who showed the most perseverance. She is the mother of Dee and Maggie. Mama works hard daily. She is strong but also a realist. When her home burns down, along with her daughter being badly burnt she pushes through.
Cultural Identity Essay Directions: Using your knowledge on writing MLA formatted essays, write the cultural identity synthesis essay below. One source once stated, “Children begin to develop a sense of identity as individuals and as members of groups from their earliest interactions with others” (Trumbull and Pacheco 9). People should examine their own culture in order to better understand how it affects their identity and perceptions. In order to understand one’s cultural identity, he or she needs to understand what the term means. According to one source, cultural identity can be defined as “[t]he system of understanding characteristics of that individual’s society, or of some subgroup within that society.
Dee finally arrives wearing a colorful and elegant African dress. Maggie tries to run to the house, but Mom stops her. Dee has changed her name to the more "African" that sounds "Wangero". Mom tries to explain that her given name Dee has a deep family meaning, but "Wangero" insists that, at some point, it must surely have