A Twisted Fate
Prompt: A work of literature cannot be regarded as successful unless at its end the main character meets a fate that seems to be the natural result of what he has done or shown himself to be. Show how this statement is true in The Crucible.
Every dramatic play has a tragic hero with a twisted fate. John Proctor is the hero of a play called The Crucible by Arthur Miller. John is a decent man who lives with his wife, Elizabeth Proctor, in Salem, Massachusetts during the 17th century. Miller writes based on the popular interests of the people during the 17th century and characterizes John as a persistent man who has pride in who he is. He also includes values, motivations, and immoralities of the characters in the play. Successful
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It is apparent that John’s fate is ultimately a result of their affair. In Act II, John and his wife have an awkward conversation regarding Abigail in which he says, “I am only wondering how I may prove what she told me, Elizabeth. If the girl’s a saint now, I think it is not easy to prove she’s fraud, and the town gone so silly. She told it to me in a room alone- I have no proof for it” (Miller 53). This line is significant because it foreshadows a new struggle for John- he must deal with the consequences of his actions. When the Proctors discuss the trials and accusations, Elizabeth urges John to denounce Abigail as a fraud in court. If he had not committed adultery, he would not have to worry about Abigail’s wrath nor would he have to go to court to clear his wife’s name. This line not only shows how immensely John’s fate is affected by his affair with Abigail, but it also serves as the author’s means of making the story more …show more content…
John decides to confess because the judges think he has come to overthrow the court with contempt and Abigail is successful in making herself seem as though she is the victim of her own deeds. After he confesses, John encourages his wife to take his lead, "Elizabeth, tell the truth! Elizabeth, I have confessed it!" (Miller 113). The importance of John’s words is that they reveal one a cause of his downfall- having faith in Elizabeth not lying about his sin in front of the judges. This line is also prominent because it helps the reader predict John’s fate. Since the immorality of adultery is evident when John is asked to list the Ten Commandments, one can infer that he will most likely be sentenced to a harsh punishment after proving himself to be sinful in court. The scene in its entirety is intriguing because it encompasses the climax of the
John’s affair created and inner struggle/conflict for him. He was always wanting to what was right but his affair with Abigail constantly held him back. How could he accuse others for doing wrong when he was holding a dirty secret himself? He wanted Abigail’s lies to stop but he couldn’t stop her unless he came out clean. Then finally, one day he couldn’t take it anymore, the guilt was eating him alive and he had to put an end to Abigail’s lies, so he admitted to the court that he had committed lechery. He worked through his fears and struggles and did what was right for a greater cause. But it ended up not doing anything.
In Arthur Miller’s play, The Crucible, it is evident that John Proctor is the tragic hero. Concluding through evidence in the play, it is fairly simple to connect him with separate parts of the definition. He makes his share of mistakes, just as many human beings do. John Proctor is fundamentally a good man, with respectable
John Proctor has a dark secret, He possesses a major flaw he has had an affair with Abigail Williams, and eventually he realizes what he has done to Elizabeth, He has committed adultery against his wife. Due to the fact that Proctor has committed adultery against Elizabeth, he becomes a tragic hero, and Abigail Williams shows that when she says “I know how you clutched my back behind your house and sweated like a stallion whenever I come near” (Act I, lines 423-425). John broke his marriage vows, but even though he regrets he has become a tragic hero. It’s too late to regret he has sinned, he has ruined his marriage with Elizabeth and now she is not pleased with him. Due to the fact that he has cheated on Elizabeth, his outlook in life is negative, when He tells her “I have not moved from there to there without I think to please you” (Act II, lines 159-161). The affair also caused Elizabeth to distrust John, who for seven months was trying to get into her good graces and is tired of her suspicion. Because of John's inability to control his desire and resist temptation, his life is being turned upside down by the jealousy and need for revenge of Abigail, marking the beginning of his downfall and path to becoming a tragic hero. As a result, the need for revenge of Abigail marks the beginning of John downfall.
In all four acts of the play, the false notion lead intertwined into each other, bringing innocent people down with them, including John himself. John had confessed to his prior sins with Abigail and told Elizabeth to tell the truth to the court, she didn’t realize that he had already admitted to his affair with Abigail. Elizabeth defends John in court by lying to save her and her family’s name. Elizabeth meant well, did she not? This is the common flaw in us all, we try to do good to protect our names to such an extent that it in the end, some lives have been taken for the sake of your good name in the village.
Many actions dignify the traits of a tragic hero, but only few stand out. In the tragedy The Crucible by Arthur Miller, a tragic hero dies a good man when brought to trial over nothing more than child’s play and dishonesty. John Proctor is an honest, upright, and blunt-spoken man because he fought for what is right and found forgiveness in his fatal flaw. Although he exhibits these traits throughout the story, John dies a dynamic character.
Since the times of the ancient Greeks, tragic heroes have been used to enhance the meaning of a play or literary work. Any character cannot be described as tragic hero. Several key characteristics are necessary for the tragic hero to possess in order to be characterized as such. He must be high-ranked or have a high standing in the community. He must have a weakness or a tragic flaw and be involved in a struggle. In the end, that struggle will lead to his downfall. Arthur Miller purposely incorporates these characteristics into John Proctor, one of the main figures in The Crucible. He masterfully portrays Proctor as a tragic hero even though he is a common man.
A tragic hero must have tragic flaws as well, which John Proctor does not have a lack of. It is arguable that his affair with Abigail Williams is the root of the witch trials. He tries to fix it by attempting to silence her. “Abby, I may think of you softly from time to time. But I will cut off my hand before I’ll ever reach for you again. Wipe it out of mind. We never touched, Abby” (Miller 15.) This affair he has with Abigail is an extremely deadly flaw. Abigail starts all of the witch paranoia because of her desire to get rid of Elizabeth Proctor because she falls in love with John. When John discharges her from his home and his life, she goes on a blood buzz for Elizabeth and the rest of Salem, causing the entire tragedy of the witch trials. A broader point that Miller depicts through the effect the affair has is all of the damage that lying and unfaithfulness causes.
When the play sets in action, John has had a past affair with his servant, Abigail Williams. His wife, Elizabeth Proctor, is very forgiving of his sin, but John has his mind set that he will not confess to anyone else, in fear of ruining his good
Arthur Miller has created John Proctor the protagonist of The Crucible to be a 30 year old farmer in Salem, Massachusetts, powerful of body, even-tempered and not easily led. John speaks his mind when he recognizes injustice. He is highly respected, even feared, by some in Salem. His name is synonymous with honour and integrity. He takes pleasure in exposing hypocrisy and is respected for it. However John is a sinner, a sinner not only against the moral fashion of the time but against his own vision of decent conduct, he has come to regard himself as a kind of fraud. After admitting to lechery, John is accused of witchcraft, on this charge he is condemned.
In the book, The Crucible by Arthur Miller, John Proctor is a farmer and a prominent member of society. However, he had an affair with a girl in town, Abigail Williams which leads to his wife being convicted of witchcraft and himself convicted of dealing with the devil. John Proctor is a strong and effective speaker and proves his point with the three rhetorical appeals and devices such as personification, similes, metaphors and tone.
The Salem witch trials were an event that made people act in new ways and realize new things about themselves, as we can see through John Proctor, who went from hating his actions to changing for the good, Elizabeth Proctor, who was mad at John for adultery but forgave him in the end, and with Reverend Hale, who went from accusing the good people of the town to fighting for the good. John Proctor acts as a strong man with good morals. At the beginning of the book John closes himself off and lies to Elizabeth about Abigail. After John cheats on his wife with Abigail Williams, the leader of the “so-called” Salem witches, his morals are tested. John would get mad at Elizabeth not forgiving him shown in this quote, “Spare me!
In Arthur Miller’s The Crucible it is clear that the development of the play is about John Proctor’s tragic condition. Miller uses this aspect to compel the audience to see why Proctor did what he did and to develop a sense of empathy for him. John Proctor overall is both flawed and honorable. He has a complete reversal of fate brought upon by his own flaw. John Proctor is a tragic hero because he contains all of the characteristics of a tragic hero, such as catharsis and hamartia, despite not being born into nobility, he has many noble characteristics.
Arthur Miller introduces a dynamic character, John Proctor, in his play The Crucible. John, known for his loyalty and detest of hypocrisy, is involved in the adulterous action of cheating on his wife Elizabeth with their housekeeper, Abigail. The question of if John Proctor is a tragic hero surfaces as his downfall is followed by the very truth of his hidden affair. In Miller’s essay, Tragedy and the Common Man, he challenges the basic definition of a tragic hero and explains how the common man could be in the category of a hero. Based on Miller’s arguments, it is apparent that John Proctor encounters the situations that makes someone a tragic hero, and therefore can be considered one.
John Proctor also lies throughout The Crucible. Although he has come clean to his wife, Elizabeth, about his love affair with Abigail, it is still a secret to the rest of the citizens of Salem. John is severely ashamed of his act of adultery, and has trouble admitting it to himself. When Elizabeth suggests early on,”I think you must tell him[Hale], John” (Miller 67), Proctor evades admitting the truth to Reverend Hale of his affair even though it could have been a valid excuse for the Proctor family’s lack of attendance at church and John’s inability to say the commandment, “Thou shalt not commit adultery.” In Act III, when John finally is forced to admit his clandestine affair with Abigail to the court, nobody believes him. Because John has waited so long to confess his affair, it just looks like a poor attempt to save him and Elizabeth from the indictments. If John had divulged the secret of his affair earlier on, people might scorn him for his sin, but he would have evaded the allegations of witchcraft.
In the play, The Crucible, by Arthur Miller, John Proctor fits the classic Greek definition of a tragic hero. Aristotle, one of the great Greek philosophers, teachers and writers, stated that one of the most important aspects of a tragedy was the tragic hero. He defined a tragic hero as a noble person that goes from a state of fortune and happiness to a state of utter misery. The character’s tragic flaw causes this change. Aristotle stated that witnessing the downfall of the character triggered an emotional release, which left the audience feeling relieved because they have empathized with the character, but not upset because the downfall was the character’s