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Meena Alexander Essay

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Alexander is basically a poet who writes fictions as well. Her excellence lies in the deft use of symbols so intricately networked into her writing that it becomes artfully evocative and suggestive. At times the images and symbols become very private and then the readers are teased into guessing and coming to their own meanings. Meena Alexander’s achingly spare poetry is precise, intense and critically self-conscious. She employs very few words to create highly abstract metaphors. She then evokes these time and time again with the subtlest and barest of references, to weave along with other metaphorical imagery into new layers of meaning. Her fiction is a sort of exercise in the stream-of-consciousness technique; the mind of the protagonist …show more content…

The ‘in-between’ space thus is present in these literary works and recurs into the fabric of a largely productive contact zone where Alexander envisions myriad selves that distance her away from the confines of specific identity and national constructions. In effect, the emphasis Alexander often lays on her sense of hybridity insofar as themes of place and memory are negotiated, not only captures fluid female’s identities in the contact zone where India, America, and Asian American traverse, but also functions as what Bhabha calls “a connective tissue that constructs the difference” (The Location of Culture 4), and works as a glaring site of struggle and empowerment. In so doing, Alexander’s act of writing signifies what she once depicts in her memoir “it is larger than any single person, or any single voice. It transcends individualism. It is shaped by forces that well up out of us, chaotic, immensely powerful forces that disorder the brittle boundary lines we create”(Fault Lines 203). In this spirit, Alexander not only manages to challenge the …show more content…

It is eminent that a bard’s job, like a woman’s, is never complete; and those moments of illumination never stop surprising the listeners or readers. As Alexander reminds the readers in Poetics of Dislocation, the poets do not have to live very long with the “penury” they are left with “when the poem is done. […] We start all over again, searching out the zone where the body’s skin and the stones of the city meet, feverish threshold constantly renewed” (181). Alexander, addressing the issue of femininity within the diaspora suggests that she would confront the ramifications of her migration with her gender to produce a more authentic experience of her life: “I was fascinated by what it might mean to make poetry as a woman, because there are certain kinds of burden that form you or you inherit” (Alexander,

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