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Fear In The Fall Of The House Of Usher

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The threat of danger imposes fear, and although one may be quick to deny its presence, it is within all of us. Some fear can be healthy. On the other hand, too much of it can become extremely damaging. For instance, the consequences of being continually afraid are displayed in the short story “The Fall of the House of Usher.” Edgar Allan Poe approaches the topic of fear by explaining the dramatic progression of a man named Roderick Usher who has written to a childhood friend for company, as he is losing purpose in his life. This childhood friend, an unnamed narrator, stays in Roderick’s eerie and broken-down mansion while watching him become completely consumed by terror. Thereafter, Roderick dies and the narrator flees the house, as Roderick’s …show more content…

The “House of Usher” draws parallels to Roderick’s condition, for both indicate fear and dullness. Upon entering the house, the narrator could immediately sense the “air of stern, deep, and irredeemable gloom [hanging] over and [pervading] all” (315). Such darkness is a key detail that explains how the house inflicts fear on the narrator. As a result, it is only fitting that Roderick’s condition originates from fear. The dreadful nature of the house is crucial, but its constantly changing state additionally embodies its ability to spread. When Roderick eventually meets his demise, the house goes with him, and its collapse marks the end of the Usher lineage. After running for his life to escape the house, the narrator watches the foundation crumble to pieces as the “fissure rapidly widened -- there came a fierce breath of the whirlwind -- the entire orb of the satellite burst at once upon [his] sight -- [his] brain reeled as [he] saw the mighty walls rushing asunder” (327). Roderick’s ancestors are eerily represented in the mansion. His death destroys the mansion along with all reminiscence of his ghostly ancestors. Hence, Poe highlights the central idea that fear and paranoia can be represented through inanimate objects, as demonstrated in the frightening setting of Roderick’s

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