Female Characters Of William Shakespeare 's Romeo And Juliet

In the modern 21sr century, the roles and behaviors expected of individuals remains analogous despite gender. This ideology stems from the preceding movement in equality, which preaches that differences of sex appear insignificant. Despite this notion, there remains distinct differences in the physical and psychological makeups of both men and women. In most cultures, certain duties remain associated with specific genders. With this in mind, Shakespeare’s Macbeth heightens the supernatural evil possessing Lady Macbeth as she condones murder for her own selfish ambition, while in Shakespeare’s time women were regarded as peaceful and full of feminine sympathies. This anachronism with the reality of Shakespeare’s day, illustrates the immense sense of wickedness and abnormality emphasizing her character’s influence on her husband and the plot of the play. In contrast, Macbeth appears to some extent a more acceptable evil due to a greater compliance with the gender standards and moral transition during the Shakespearean era. Shakespeare utilizes numerous literary intentions in order to express these diverse levels of evil to provide an element of depth behind the mental reactions and deteriorations of the characters until their final decease into the complete darkness of death.

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

    A variety of roles have women in them in William Shakespeare’s tragic drama Othello. Let us in this essay examine the female characters and their roles.

Compare and contrast the presentation of gender in two films we have looked at on the course

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

   Shakespeare’s tragic drama Othello features sexism as regular fare – initially from Brabantio and Iago, and finally from Othello. Let us in this essay explore the occurrences and severity of sexism in the drama.

Throughout many pays and novels, women have had important roles of helping form the main characters, in the way they think, move or change the story. Women have always been subordinate to men all through history, but in plays, novels, short stories, etc, they have been given large enforcing roles, showing the power within women. William Shakespeare and Sophocles use guilt, pride, and influence to demonstrate the importance of the women’s role to support the main characters in both the plays of Macbeth and Antigone.

In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.

Men have had a more dramatic impact on the audience than women in Shakespeare's Romeo and Juliet.

Subservient, ignorant, passive, timid: these are the qualities that described the ideal 17th century woman in the eyes of Europeans. In the play Macbeth, author William Shakespeare explores the roles of these women through his female characters, challenging preconceived notions and setting up his personal perspective on what a woman's niche in society truly is. Through his contrasting female characters of the gentlewoman and Lady Macduff versus the witches and Lady Macbeth, Shakespeare depicts the reality of how women actually function is society.

When observing gender in our society, women and men are stereotyped with specific roles. Men have always been seen as the family’s main source of income whereas the women take care of their home and children. However, Shakespeare challenges these gender roles in his play with the three female characters Goneril, Regan, and Cordelia. While all three are independent, powerful women and even lead their armies into battle, the men seem to be foolish and weak such as King Lear and Albany. Furthermore, Mira cel Batran makes a point in her essay, “Feminist Reading of William Shakespeare’s King Lear”, that although women are regarded as dependent on men, Shakespeare explains that it can be the exact opposite. The men seem to depend on the women such as King Lear depending on Cordelia and Albany depending on Goneril. Shakespeare, in his play, King Lear, portrays women who are strong and intelligent and men who are weak or overpowered by female characters, challenging the societal belief that women are inherently less than or dependent on men.

   The audience finds in Othello, Shakespeare’s tragic drama, the feminine perspective on life in general and on various aspects of life. These feminine perspectives from the three lady-characters are not consistent and uniform among the ladies. Let’s consider them in this paper.

Othello, the Shakespearean tragedy of great éclat, the work that has captured the recognition of many spectators, readers, and observers. Fascinated by the popular analysis, and multiplex of themes, ranging from jealousy and love, or perhaps honor and betrayal, Othello has become intrinsic to the way one lucubrates the literary and theatrical arts, and has become indispensible in understanding Shakespearean literature. However, taking the analysis further than the ostentatious front put on by Shakespeare, one can distinguish a more malignant warrant to Othello 's attractiveness to the reader, and the actions and courses he takes throughout the piece, as well as multiple developments and symbolic moments, that are deeply entrenched ideological stances of patriarchal oppressiveness, and misogyny. It is with this excogitation of the text, and the performance that one can access the truth-value of Shakespeare’s thoughts on the nature of human relationships that are revealed in Othello. The understanding of Shakespeare’s ideology and take on the nature of human relationships is found in multiple instances within developments of each act within Othello: First, the use of what Freud calls the Madonna-Whore complex within the developments of each act; Next, The use of the female characters and the way they are developed in each act to meet the ideological expectations of Shakespeare’s Elizabethan norms and to the patriarchal Venetian society that Shakespeare develops, and finally;