Feminist Ethnography Essay

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

Her clothes accentuate her cleavage or have a sexual shock factor, such as wearing “sequined pasties…[that] coordinate with the rest of her attire”. The vulgar, sexual nature of her raps makes it impossible for her to not receive attention from the media. Another artist, Eve, dresses sexually to accentuate her body and appears in videos with music video models but raps about social issues like domestic violence. By comparing the nature of these artists and their music, Perry tries to show that young girls have very few role models in hip hop that promote positive feminists values and body images. But, she neglects to discuss other feminist artists she mentions in the essay such as Destiny’s Child and Mary J. Blige and how their lyrics and actions in the media allow young black girls to have positive role models that show a woman can be independent, strong, and beautiful in their own way. Perry’s focus on the more sexualized female artists in hip hop and how their shocking appearance and lyrics allow them to be as successful as their male counterparts took away from the development of her argument about conservative artists and their success. By leading the reader to believe that artists are either overly-sexual or conservative, Perry limits how the reader forms an opinion on why or why not young girls’ body image may be threatened by the media and the hip hop

In Joan Morgan’s “From Fly-Girls to Bitches and Hos,” her feminist point of view addresses the problem of degradation and sexism in rap and hip-hop music. Through this passage, Morgan looks at the deeper meaning and connects rap and hip-hop music with the African American community. Between the beats, the lyrics of this specific genre of music show listeners various situations the African American community deals with, like crime, drugs, alcohol, relationships, and their day-to-day life in America. With Morgan’s feminist criticism, she states that the blame is not only on rap and hip-hop artists, but also other women because they should be speaking out against being called “bitches” and “hos”. Through the rhetorical strategies of description,

This successful woman released the first song with rap in it, which topped the charts in both The United Staes and The United Kingdom. Although the lyrics do not contain any depth, this is still considered a very significant accomplishment because a caucasian woman participating in an activity that is mainly dominated by Black and Latino men takes a lot of courage . Despite all odds, she was able to take on this new music genre and make something out of

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

There’s a powerful source brainwashing young minority women today, specifically the language expressed in Rap lyrics which is often embraced by the Hip Hop Culture recently. These young gems are being conditioned to value their worth centered around hollow, vain, and degrading measures. The lead directors of these measures are strong, empowered, talented men who come across as if they detest woman. They disclose and describe detail stories of lifestyles involving “model chicks” who degrade themselves for acceptance, money, and opportunity. Consequently, this behavior leaves impressions for young ladies to follow after; because most young ladies of minority tap into the hip hop culture as a guide for social behavior. Although, the Hip Hop culture allows a window into the challenges faced by the black community it has also been the lead contributor to the desensitization of exploitation towards women due to the negative messages and images portrayed in music lyrics and music videos today.

Hip-hop feminism expands on Collin (1990)’s concept of varied experience. Throughout her book, When chickenheads come home to roost, Joan Morgan defines what hip hop feminism is, why it is needed, and its potential impact and empowering qualities for Black women and girls growing up in the post-civil rights and post-feminism era. The emergence of technologies and media has influenced how Black women and girls view themselves, as well as how others view them, and how they can create and spread their narratives. While commercial hip-hop detaches from women’s rights and permits misogyny, one’s use of hip-hop as an art form in itself can be politically and self empowering for Black women and girls. She also illustrates how the image and internalization of the ‘strongblackwomen’ has been devised from slavery, yet still holds a presence and impacts the health of Black women.

The title of this piece informs the reader about what the content will hold and suggests that the author feels strongly about the injustice of black women in the hip-hop scene. Jennifer Mclune, the author, is an activist, librarian, and writer that resides in Washington, D.C. This particular piece appeared in Z Magazine Online, which is an independently founded magazine whose mission is to publish articles that go in depth when critiquing the social structures of society and pride themselves on being a predominant activist webpage. With these factors combined, it is clear that the author is qualified to have written such an essay. After reading the information presented about the

In an article called ‘ladies first’: Queen Latifah’s Afrocentric feminist music, it talks about issues raised by feminist rap; rap that focuses on women’s importance, and the demand for equal treatment, and for the need to encourage each other. “Queen Latifah's feminism draws on the patterns of rap to assert the importance of women promoting themselves and other women. Rap, like all other forms of popular music, is not inherently feminist, but in this genre, as in other popular genres, female performers use specific generic qualities to promote a feminist message. Rap is noted for its emphasis on lyrics, and through the lyrics, female rappers make explicit assertions of female strength and autonomy.” Women talk about how they need to be seen as equal to a man through their lyrics and for women to encourage other women. That will push back the negativity from the male rappers toward the female rappers. For an example in a song called U.N.I.T.Y by Queen Latifah she said “Every time I hear a brother call a girl a b*** or a h*, trying to make a sister feel low, you know all of that got to go” Throughout her song she is letting male rappers know that they can’t be calling women those types of names, no matter what. Through time, the hip hop community is and will keep pushing back the misogyny and violence that rap

Therefore, the sexual scripting won’t only affect the way others think about young African American women, but it can also influence the way in which they should view themselves (Heaton and Wilson, 1995)2. With the sexual scripting in hip hop being that of women having to cater to the male’s every sexual need, young African American women may see this as normal behaviour that they should follow. This could therefore result in males perceiving African American women in the same way in which they are scripted in hip hop songs, as the women are being seen to follow the stereotypes/scripts in the song.

Within popular culture today, objectified female bodies can be represented everywhere from advertising images to magazine covers, television, music and many more. Through these media institutions, we allow them to construct social identities in ways that allow us to understand what it means to be black, white, Asian, male or female etc. Within many popular culture mediums such as music, stereotypical representations of racially marked female bodies are often formed. Thus, these representations also have the ability to create stories about a certain culture. In music videos, it does not go unnoticed that women are portrayed as objects whose objectives are to pleasure men. In this paper, I will argue how racially marked female bodies are represented. This paper will mainly focus on how these racially marked women are depicted in the hip hop culture. To demonstrate this, I will draw examples by using award winning music videos by Nicki Minaj, R.Kelly, 50 cent to exemplify representations of the female body and how they are objectified as sex objects. In conclusion, we will be able to see how the female bodies are used in mainstream hip hop videos to convey seductively.

During the documentary a scene was shot at BET’s Spring Bling and a young male pointed out that women are determined to be b****** or women by the way they dress. Sexism is an issue that to society is not seen as important compared to the large number of black males incarcerated. The issue should be just as important if not more because one in four African American women is raped after the age eighteen. Most women who are called a b**** or another demeaning name think that it wasn’t referred to them, and either way is still unacceptable. Hip Hop is not being represented by men, which is why the decision of their lyrics is said the way that they

Latifah states in the book, Hip Hop: Queen Latifah, “Sex sells: that’s common sense. It shows you’re lacking in talent. Positivity takes a bigger push. My positivity can sell (Snyder 26).” Words are not only influential but they can be very powerful when using the proper verbiage. These were words that African-American women desperately needed to know that they were worthy and deserving of respect. “Ladies First” a song by Latifah, is an illustration of centralizing a strong public black voice. Being the first political rap song by a female artist revealing how life as woman is powerful and how she does not need to indulge herself in the stereotypes that have been created for women of color. The words are proclamations for Black female unity, independence and power. Latifah’s lyrics signified ways in which African-American women can demand respect while having the talent to create intellectual

Feminism and feminist social theory unlike other theoretical perspectives is woman-centered and inter-disciplinary, hence promotes methods of achieving social justice. The feminism and feminist social theory takes into consideration three questions, what of the women? Why is the present social world as it is today? Additionally, how can the social world be changed to make it more just for the women and all people alike? In recent developments, feminist theorists have begun questioning the differences between women. The areas under question include race, ethnicity, class, age intersect, and gender. In summation, the feminist theory involves the concern with giving women world over voice, and highlighting how they have contributed to the

(Weisstuch). The underlying message is that women live exclusively for the sexual gratification of men based on male power, privilege and preference. These images serve as a grim reminder that women are being exploited as sexual objects through rap videos. Therefore, the objectification of women through the means of rap music is a major influence in the exploitation of women.