In ways more than one, Dante Alighieri paints a rough image of purgatory as the direct opposite of paradise in Inferno. In essence, Dante’s picture of hell is the opposite of what is stood for by paradise. Going by this point of view, it can be argued that the direct opposite image of heaven (purgatory) also represents how the terrestrial world. Mark Musa’s book Dante's Inferno: the Indiana Critical Edition is a collection of critical explorations of Dante’s work by various scholars (Musa). Of interest is the essay by Joan Ferrante, Hell as the Mirror Image of Paradise. Ferrante studies this hypothesis in detail by exploring the idea that purgatory should be conceived regarding what it is rather than what it is not. According to Ferrante, hell was not made by Lucifer or God. …show more content…
Also, when people knowingly commit sins, they are damning themselves in one way or another. Ferrante then describes how the souls of the last among the traitors were hanging from Satan’s mouth, meaning that they were being fed on by Satan because they assassinated the first emperor of the Roman Empire. By this, Ferrante is making an interesting reference to Brutus and Cassius who betrayed Julius Caesar. Another point that Ferrante makes by bringing this into perspective is his argument that evil consumes his followers in hell that he created. This helps in establishing the assumption that Lucifer’s fall from heaven was necessary in that if facilitated the return of humanity to heaven. This is supported by the fact that the evil Virgil guided Dante in confronting whatever was in hell because he was providing the means of climbing out of purgatory (Ferrante
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
Dante Alighieri, on the other hand, takes separating the supernatural world from the physical world to great lengths. Simply the setting of the book in a place which does not physically exist anywhere on earth, but solely in a metaphysical plane, makes the reader aware that purgatory has nothing to do with earth. This differs greatly from the viewpoint of the Greeks and consequently the Romans where the gods resided in actual places the can be seen such as the `Milky Way' (Ovid, 6) or Olympus (Ovid, 7). Dante stresses that he and Virgil are `pilgrims' in Purgatory - their being in
Central to “Inferno” is the concept of contrapasso, the idea that the punishment one experiences in Hell is the reversal of one’s sin on earth: gluttons are forced to consume filth against their will; prophets and soothsayers have their bodies disfigured to turn their heads backwards; adulterers are forever forced to couple with their lovers; it is a poetic, medieval take on Exodus’s reciprocal punishment of “eye for eye, tooth for tooth, hand for hand, foot for foot” (King James Bible, Exodus 21:24). Within Canto XIII Dante meets those who have committed suicide: those that have taken their lives are “reborn” into bleeding, deformed trees upon which harpies feed and onto which harpies nest. There they remain forever, subject to all forms of abuse--and completely unable to abuse themselves again (as they did in life). While Dante’s intent may be to illustrate the justice of God’s punishment for sins done on earth, the forest of suicides found in Canto XIII questions the punishments delivered by God through the words and actions of the unfortunate souls found in this level, the words of our guide, Virgil, and our the words of our protagonist, Dante.
Robert Herrick, an English poet, once said, “Hell is no other but a soundlesse pit, where no one beame of comfort peeps in it.” Picture any type of Hell with relief, happiness, or even the smallest crack of a smile. There is no place. In fact, one can only think of the complete opposite, whether it is a Hell filled with neglect, pain, disgust, or a never-ending life of horror. This is the place created by Dante Alighieri; The Inferno is exactly the type of Hell where no person would want to be. Even those who acted upon the lightest of sins suffered greatly. While each realm contained a different sinner, the punishment that each were forced to face was cruel, repulsive, and sometimes rather disgusting. Through grieving tears without an
Throughout the Inferno, Dante as a character represents both good and evil. Dante represents good and evil with the sinners placed in Hell, and his reactions to their torment. He was sympathetic towards some souls because their sins were not as terrible as those of the other sinners. However, Dante was cruel towards sinners as well. In the ninth circle of Hell, circle of treachery, Brutus and Cassius were in the lowest level of Hell because of their assassination of Julius Caesar, who was the founder of the Roman Empire. Dante saw Julius Caesar as a necessary key to God 's plan for human happiness, so therefore Brutus and Cassius were severely punished (Aligheri, Canto 34). The
While love is not frequently mentioned in the poem the Inferno, it always has a presence on the back of the reader’s mind. The most surprising appearance of love comes at the gates of hell. This is where Dante learns that this place of punishment has been created from “Primal Love”. Dante displayed hell as being birthed from “the primal love”, or the Holy Spirit. Though those who do not believe the justice of eternal punishment are all less inclined to regard it as a byproduct of God’s love. In this essay I will reveal how hell is the result of God’s loving character, and how it was indeed created from love.
Does hell have its own history? For Dante, the structural and thematic history of ‘hell’ in the Inferno begins with the Roman epic tradition and its champion poet, Virgil. By drawing heavily from the characteristics of hell in Book VI of The Aeneid, Dante carries the epic tradition into the medieval world and affirms his indebtedness to Virgil’s poetry. Moreover, Virgil becomes a central character in the Inferno as he guides Dante, the pilgrim, who has no knowledge of hell, through his own historical model. Similarly, the protagonist of The Aeneid, Aeneas, lacks the foresight necessary to make the journey through hell on his own and thus places his trust in the
However, Dante has one important influence, Virgil. Dante most likely got the influence to put so many characters from antiquity in Hell because of him. In fact, he puts Virgil in Hell! Limbo is where the reader finds most of the people from Greece and Rome in Hell.
Catholics believe that good work is the determine factor whether one could enter Heaven or not. Dante, the main character of the book Purgatorio, holds the same faith as the Catholics. In Dante’s perspective, the dead souls enter the Purgatory because of their wrong doings when they are still alive, and the only way they can enter the Kingdom of Heaven is through works in the Purgatory.
In many classic works of literature, heroes venture to the depths of hell. Hell is a place found in literature of all kinds. Why is hell such a common theme found in several literary works? A majority of people believe that there is some kind of hell, and that hell is a form of punishment for things done on Earth after death. Dante Alighieri of Florence in the 1300s created modern society’s viewpoint on hell. He wrote his Divine Comedy, which consisted of Inferno, Purgatorio, and Paradiso. In The Inferno, Dante discusses Dante the Pilgrim’s journey through the Underworld in order to reach Heaven. A leopard, lion, and she-wolf block Dante’s way to Heaven, so he follows the poet Virgil through hell in order to reach Heaven. Deborah Parker
Dante however proves himself to be a hypocrite and often reflects his own sins and hubris in his work. His guide throughout hell, and later purgatory, is none other than Virgil, one of history’s finest and most accomplished epic poets. In the very first circle of hell, Limbo, he places himself among the other great epic poets: “He is Homer, sovereign poet, next comes Horace the satirist, Ovid is third, the last is Lucan. ‘Since each is joined to me in the name the one voice uttered, they do me honor and doing so, do well.’ There I saw assembled the fair school of the lord of loftiest song, soaring like an eagle far above the rest. After they conversed a while, they turned to me with signs of greeting, and my master smiled at this. And then they showed me greater honor still, for they made me one of their company, so I became the sixth amidst such wisdom.”-Divine Comedy, Dante’s Inferno, Canto IV, lines 88-102.
As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.
Religious people always fear that they will not make it to Heaven or the place their God resides. The bible and other religious text give advice on how to avoid the pain of Hell. Dante Alighieri, a famous Italian poet, wrote about the physical description of Hell and the punishments each sinner would receive for their sins. Although The Divine Comedy chronicles Dante's journey from the depths of Hell to the glory of Heaven it contains a deeper meaning. Dante reveals the true meaning of the Inferno through his leading motif, his interactions between the sinners, and the intertwining of other literary works into the Inferno.
When you think of Hell, what do you see, perhaps a burning pit full of criminals and crazed souls? Or maybe you’re like Dante and have a well organized system of levels in correspondence with each person’s sins. In Dante Alighieri’s epic The Inferno, Dante and his real life hero, Virgil, go on an adventure through a rather elaborate version of Hell. In this version of Hell numerous thoughts and ideals are brought to the attention of the readers. Through Dante’s use of both imaginative and artistic concepts one can receive a great visual impression of how Dante truly views Hell, and by analyzing his religious and philosophical concepts the reader can connect with the work to better understand how rewarding this work was for the time period.
Since I have the desire to maintain the validity of Dante’s version of hell in its entirety, I will explain the parts I found most intriguing, and why.