Filippo Brunelleschi : An Italian Architect And Engineer

During all of this Brunelleschi not only built the dome in the Santa Maria del Fiore cathedral (what today is still the biggest dome in the world), but mechanical marvels of worker platforms and lifts that managed to carry workers and hundreds pounds of materials hundreds feet in the air over the course of 28 years with only a single death. This showed how Brunelleschi was a mastermind in architecture and how he revived it.

I chose, Brunelleschi's design of the dome for Florence's cathedral. What I found was fascinating. Not only did Brunelleschi build the largest masonry dome in the world, an achievement that still holds true today, many historians and engineers are still debating over how the dome was built.

recognized as a prodigy and was able to apprentice famous artists of the time, Brunelleschi and

Michelangelo Buonarroti is a very well known artist from Italy and is know all over the world. He was more than just a painter he was a poet, sculptor, and architect. Michelangelo was born on March 6, 1475 to Francesca Neri and Leonardo di Buonarrota Simoni in Caprese, Italy. His family was in the banking business, he was born to the Florentine family of burgher nobility. Early in Michelangelo's life his mother became ill and he was places with a family of stonecutters. He loved going to a local church and watching the painters paint and drawing what he saw, that's where he grew his interest in painting. Michelangelo's friend from grammar school Francesco Granacci introduced him to a painter named Domenico Ghirlandaio.

Filippo Brunchelleschi, who was born on 1377, was one of the key figures that contributed to the renaissance architecture. This Italian architect is known for building the dome in the Santa Maria del Fiore. During his early years, Brunchelleschi was coached and trained as a gold smith and sculptor. Enrolled in the Arte della Seta, this silk merchant guild, which also include goldsmith, he was designated a master goldsmith. In his early architectural years, Filippo rediscovered the principles of linear perspective that was lost during the middle ages. All his work was displayed with two painted panels of the Florentine streets and building. With this principle in place, artists were able to use two-dimensional canvases to construct three-dimensional

He was also interested in engineering, architecture, and art. Like other craftsmen of his era, he traveled in Greece and Rome studying the great buildings of ancient times (“Flash Focus: Italy in the Renaissance,” 3). He explored buildings like the Parthenon in Greece and the Colosseum in Rome to learn from the masters of the past, rediscovering what was lost from years before, but the Dome of the Florence Cathedral was a new idea. Never before had anyone created a dome of that size using bricks, and to this day it is the largest brick dome in the world. To accomplish this, Brunelleschi had to make advances in

Leading up to this project Brunelleschi had lead a life of discovery, invention, and art. He was a master of painting, wood carving, gold

Brunelleschi was aiming to achieve to build the world's best Dome. He invented his way to success as he solved one of the greatest architectural problems. He was a man with a great ambition and has left a great legacy that even after 600 years American and European architects will follow in his footsteps. His Dome still dominates the horizon of Florence today, as it remains as a long lasting legacy to a very great architect.

In fact, he had been involved in another city-wide competition before: the competition to cast the giant bronze doors of the Baptistery of San Giovanni. He lost this competition narrowly to Lorenzo Ghiberti, an individual Ross King touts as Brunelleschi’s primary contemporary and lifelong rival. This rivalry is a persistent theme throughout the narrative, as Lorenzo also entered the competition for the dome and was actually hired alongside Brunelleschi and another architect as one of three new capo maestri devising the dome’s construction. None of them ever received the prize of 200 florins. If Lorenzo or Battista d’Antonio - the third capo maestro - made any truly significant contributions to the dome’s design, it is seriously downplayed by King, as Brunelleschi is portrayed as the primary source of ingenuity throughout the narrative. Indeed, his salary was raised to three times that of the other capo maestri, and Lorenzo spent far more time in his workshop casting bronze masterpieces - a far more lucrative

pieces and helped Sandro find almost the same style for his own work. Sandro became

Filippo Brunelleschi, one of these skilled artists, built a revolutionary dome during the Renaissance; the unique structure was called the Dome of Florence. Although, this dome was not like any other building that would be made during this time, for domes were considered impossible to create. In fact, no one in that time period had ever thought of building a dome shaped building. The idea to build a dome came from the Ancient Rome and Ancient Greece period; structures like this were very common in that time period. This dome was built through advanced technique and agriculture. It brought many people together as the unique structure was built, for they wanted to watch the construction of the dome and a big advancement for the future.

As I read the article for my research on the design of the cupola of Florence's Cathedral I learned that it was one of the masterpieces in architecture of the Renaissance. Brunelleschi was a goldsmith not an architect but he was genius at creating things. He came up with a design of a dome being nested within another dome.

Filippo Brunelleschi was an architect who created many great buildings. Some of those buildings include the Florence Cathedral and the Basilica di San Lorenzo, Firenze (The Basilica of San Lorenzo, Florence). Donatello was a noted sculpture of the late Middle Ages leading into the early Renaissance. The Renaissance owes its beginning to the art created at the end of the Middle

Michelangelo Buonarroti was a sculptor, architect, painter, and poet. He was, perhaps, the most potent force in the Italian High Renaissance. His work exerted a tremendous influence on his

1. Filippo Brunelleschi, is one of the most acclaimed and distinguished architects of the Renaissance. He was born in Florence, Italy in 1377a.d though the exact of his birth is still unknown. He died April 15, 1446a.d, yet the whereabouts of his death is unknown. He was the son of Brunelleschi di Lippo, a notary, and his mother Giuliani Spini and was the middle of three children.