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Film Review: The Vietnam War

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Then I notice the third scene, which takes up almost one-third of the whole movie. That is also the dreams that haunted and prompt Folman digging deeper into his memories. In his dream, he and the other two fellow men rising from the yellow colored sea naked and slowly dressed in the dark night with several yellow lighting flares in the sky. Their walking towards Beirut was in silence as though something bad would happen. The film keeps returning to this scene—this surfacing of memory, the rising from the sea of forgetfulness into the core place of the storm, into the deep side of the memory. This is also the sea where that Canan was lying on and witnessing the death of his friends, the water scenes are particularly effective because the sea …show more content…

He tells us what he experienced in the war, as his camera tracks forward down a darkened alleyway filled with bodies of the dead, toward the street where the light of the sun—the light of truth—shines brightly. “On the street marched a group of mourning Palestinian women, and the camera tracks forward with them and then flies overhead and past them, approaching two Israeli soldiers in the distance and finally settling on a close-up of the young soldier Folman’s face.” And finally by this moment, we see the heavy breathing and the trauma behind that face, and at last, we realize the end of his dream and find out that Folman was implicated in the massacre at the Sabra and Shatila refugee camps as a witness. As the truth revealed in the end of the movie, we find the answers to the dream, that is the dream of Folman is fake, all of the worries of where Folman is implicating during the massacre comes from the guilt in the recurring dream that he and his comrades come from the sea and walk slowly into the city, then face with survivors of the war turns out to be a false, he comes to discover that his actual position during the massacre is not at the alleyway of the street but on a building’ roof nearby, while none of his comrades recall ever having swum in the sea off Beirut. This false memory of his swimming on the shore and walking towards the fleeing woman places him intimately close to the action and seems to implicate him in the violence in some

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