Film : The Stage Of Innovation

starting in innovation. Film has been around since the 1800s and now, in 2015, it is in its adaptation stage. Like many other markets of media, film peaked when it was making the most money and everyone’s attention was on it and eventually declined when a new media became popular. From being completely new and innovative to repetitive and niche-oriented, the art of film has lasted over 100 years. During the mid to late years of the 19th century, a new form of entertainment emerged. Film entered the

of the film based photography, in other words the switch from chemical based image capturing towards data storage represent perfectly the disruption effect an innovation can have within an industry and its players. The introduction of cameras using digital imaging started to be sold in the last decade of 19th century. With this new technology, the products and their composition changed; the main hardware which is the camera but also the consumables. When cameras used to rely on a roll film before

In September of 1925, Warner Bros. retrofitted an old studio in Brooklyn, New York to produce sound film using the Western Electric Technology. To showcase the new technology Warner Bros. signed licensing agreements, and a number of popular entertainers. Warner Bros. made an ingenious move by signing these contracts before they even had use for the talent involved, which allowed the company to avoid paying inflated rates routinely demanded by talent once sound became the norm. Since Warner Bros

In consumer film photography, Kodak was clearly the market-leading incumbent. Based on the information provided in the case it was certainly possible for Kodak to have become the leader in consumer digital photography if they had followed the actions described below. Kodak’s top management and its internal research team had anticipated the threat from the digital photography to their film photography business way back in 1980s. In fact, Kodak introduced the world’s first electronic image sensor

Describe Innovation Targets The major objective of the innovation is to target and address the sluggish and superfluous technique of the existing feature film production industry and its recording process. The plan suggests methods reduce the time spent in the recording of the images during the process of filming a feature film production. The innovation will be made using multiple cameras recording through new technologies in advanced camera resolution and camera size (Steyn, 2013). The scope of

Sound started being introduced to films in the 1920s. These films were so successful that lines around the whole street were formed for “The Jazz Singer”. But, many companies weren’t open to the idea of innovation and expressed that they would rather have their films silent. Many citizens and stage owners were concerned about talking films too, they couldn’t tell if this was just a fad. My favorite part of the film was when they were talking about how since sound films (“talkies”) were becoming popular

advantages of independent film making. New faces have been introduced. Actors can step outside typical typecast roles. Based on one’s creativity. Low-budget film making. Allows the artist to circumvent excessive studio control on their projects Directors can craft their own unique vision. Writers can often see their scripted vision through the entire development process. Did not have permanent staff and would bring people together to make a film on short term contract basis

Citizen Kane was rife with innovations in cinematic technique and introduced many new and unique aspects of mise-en-scèné that would thrive in films to come. Orson Welles was a young visionary whose career had been limited to stage production and radio until his first film, Citizen Kane. Uniquely, as someone new to the film industry, he retained full creative control of his very first project, co-writing, producing, directing, and starring as Kane himself. This unfounded level of trust for a newcomer

Complete Film The introduction of sound films in the late 1920’s was a divisive issue among those involved and interested in the emerging motion picture industry. Even though it wasn’t the sudden breakthrough it is often perceived to be, the addition of sound and voice to mainstream cinema revolutionized movie making and led to conflicting viewpoints as to whether or not this innovation was a positive progression for film as an art and as an industry. While the addition of sound to films was generally

the four main television networks that ran stations with regular programming taking place. (Television, 2003) While regular television programming was a new innovation, the television itself had been commercially available for over twenty years prior to the 50s. It was conceived by many worldly innovators and went through several testing stages before it was finally completed in the late twenties. The