Flannery O ' Connor 's A Good Man Is Hard

While writing “A Good Man is Hard to Find”, Flannery O’Connor uses a modernist lens to fully flesh out the characters and theme of her story. One of the most visible examples of Modernism in the story, is when the Grandmother, staring down the barrel of a gun, tells the Misfit “To pray so that Jesus will help him,” (O’Connor, 306) which the Misfit replies with “I’m fine on my own.” (O’Connor, 307) The interaction between these two characters near the end of the short story exemplifies modernism, as it departs from long time, set, orthodox religious thought and defies tradition. Another example of modernism in this story, is the misfit himself. Established in the beginning of the story, the stereotypical, religious, traditional

The story “ A Good Man is Hard to Find” by Flannery O’Connor published in 1955, is a very interesting story about a family father with two kids and their grandmother, planning on taking a road trip. The father decided that they will go to one place and the grandmother decides that she has a better and safe place for them to go which is her hometown Tennessee to change the family mind to not go their destination but instead goes to hers, she tell them family a scary situation that might occur in order for them to reconsidered. In the short story " A Good Man Is Hard To Find", Flannery O'Conner uses characterization, setting and plot to reveal the negative aspects of human behavior

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

The development of McMillian’s story is similar to Haney’s explanation that the courts dehumanize those accused of a crime, painting them as people incapable of feeling compassion or pain. In Psychological Secrecy and The Death Penalty, Haney’s main argument is that in many cases peoples social and family history is not taken into consideration to explain what lead the defendant to violently act out. In McMillian’s case, his alibies and background were not considered – just the fact that he was African American and fit the community imposed stereotype of African Americans. If looked at, background history may give a deeper insight and could explain the person’s actions – humanizing them. The framing of a story portrays a person and sets

     In the short story, 'A Good Man is Hard to Find', the main character is the grandmother. Flannery O'Connor, the author, lets the reader find out who the grandmother is by her conversations and reactions to the other characters in the story. The grandmother is the most important character in the story because she has a main role in the stories principal action. This little old lady is the protagonist in this piece. We learn more about her from her direct conversation with the son, Bailey, her grandchildren, June Star and John Wesley, and the Misfit killer. Through these conversations, we know that she is a lady raised from a traditional background. In the story, her attitude changes

“A Good Man is hard to find,” a short story written by Flannery O’ Connor, is one of the most interesting stories I’ve ever come across to in my life. Born as an only child into a Catholic family, O’ Conner is one of the most “greatest fiction writers and one of the strongest apologists for Roman Catholicism in the twentieth century (New Georgia Encyclopedia).” She was a very strong believer in her faith and she used her stories as a tool to send the reader a message that were most likely ignored and almost never uttered out loud. The story revolves around a grandmother who believes to be high and mighty around others. This results in her downfall later on.

“A Good Man Is Hard to Find,” by Flannery O’ Connor, is about a family going on a trip from Georgia to Florida. The grandmother, who is old-fashion in her beliefs, tells her grandchildren stories on the road trip; one story leads them down a dirt road to find a house on an old plantation, which produces an unpleasant outcome. The author uses the grandmother’s voice and language to give an old southern appeal to the story, which causes the impression that those who live like her are considered more acceptable.

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, “A Good Man is Hard to Find” and “Revelation.” These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight.

Immediately upon his exit from the penitentiary he is implied to have murdered several people by the Grandmother’s sordid report of the newspaper to Bailey: “you read here what it says he did to these people” (O’Connor, “A Good Man” 1). Although murder was perhaps necessary for his escape, the Grandmother also implies that what he did to them was in some way unusual and thus unnecessary. The motivation for this excess lies in the Misfit’s recognition and internalization of his own alterity; when one knows he is fundamentally different from the prevailing group, he understands himself as having two choices: to resist or give in. The Misfit chooses resistance and isolation; this is apparent in his life philosophy: “No pleasure but meanness” (O’Connor, “A Good Man” 13). He sees attempted reconciliation with society and life in general as a futile endeavor, and seeks to impart meaning through what appears to be senseless

“A Good Man is Hard to Find” tells a twisted story of a typical family going about a road trip embedded with ethical pit stops along the way. The story revolves around a cynical grandmother and how her unconventional attitude and habits set the stage for an interesting turn of events. Through manipulative antics, a prejudice character and an ironic story line, author Flannery O’Conner creates a captivating tale that shines a lights on readers’ own moral codes. The author does this by making an example of a woman completely unaware of her own immoral acts.

With his violent killing, the Misfit seems an unlikely source to look to for guidance, but he demonstrates a deep conviction that the other characters lack. Unlike the grandmother, who simply assumes that she is morally superior to everyone else, the Misfit seriously questions the meaning of life and his role in it. He has carefully considered his actions in life and examined his experiences to find lessons within them. He has even renamed himself because of one of these lessons, believing that his punishment didn’t fit the crime. He reveals a self-awareness that the grandmother lacked and questions it. He knows he is not a great man, but he also knows that there are others worse than him. He forms rudimentary philosophies, such as “no pleasure but meanness” and “the crime don’t matter.” The Misfit’s philosophies may be morally corrupt, but they are consistent. Unlike the grandmother, whose moral code falls apart the moment it’s challenged, the Misfit has a steady view of life and acts according to what he believes is right. His beliefs and actions

The grandmother and the Misfit are essentially the only characters of significance. The other characters such as June Star or Bailey Boy merely reflect O'Connor's observations about society. The other characters have little affect on the central theme of the story. The Misfit and the grandmother seem to be the exact opposite. The grandmother seems to be "a harmless busybody, utterly self-absorbed but also amusing" (Bandy 2). The Misfit fits the stereotypical cast of an escaped convict. Ironically, their similarities will allegorize Flannery O'Connor's notion that a good man or woman is hard to find.

A strong foreshadowing imagery can be read into these lines. Knowing the definite ending of the story, the grandmother?s elaborate dress symbolizes a preparation for her coffin. When a person dies, they usually are dressed in their best outfit, just like the grandmother was dressed in what seemed to be her Sunday best. A stronger foreshadowing is when O?Connor states the reason for the grandmother?s immaculate dress, "in case of an accident, anyone seeing her dead on the highway would know at once that she was a lady." She herself predicts her own death. Unfortunately, she doesn?t know this yet. Although this is beyond the parameters of this essay, it is interesting that in the grandmother's mind wearing her best clothes prevent any misgivings about her status as a lady IF she was to die. But as the Misfit later points out, "there never was a body that gave the undertaker a tip." The grandmother's perceived readiness for death is a stark contrast to her behavior when she encounters the Misfit; for she shows herself to be the least prepared for death.

Across America, certain states allow their governments to make use of the death penalty for a myriad of crimes. The methods through which it is attained is often as controversial as the act itself. In the tale of The Confession by John Grisham, the city of Slone, Texas comes to terms with the severe ramifications that come with taking someone's life, whether it be condoned by the law or not. In the case of Donté Drumm, a young football player is accused of killing Nicole Yerber, a popular cheerleader who was supposedly dating him at the time. He was forced into a confession by means of psychological torture. After nine years, Donté is killed for a crime he did not commit. The town unearths the reality that taking someone's life is a permanent action which cannot be undone when a mistake is made. The Confession takes a closer look at what the death penalty really means by not only looking at the statistics but the emotional toll it takes on the people connected to it too, explaining how the death penalty is fundamentally wrong and looking at ways to open people's eyes to the truth of it.