Flora And Miles In Henry James's Turn Of The Screw

In the poem he veers from any pattern and words like, "abject louse," and "maggot," followed his reputation of having an angry diction. His work is completely impulsive which was seen as exotic and passionate, which certainly reflected the period. In his poetry he was said by Norton to stay away from, "making any sense or reason," (Saintsbury, 50).

Henry James's Turn of the Screw was written in a time when open sexuality was looked down upon. On the surface, the story is simply about a governess taking care of two children who are haunted by two ghosts. However, the subtext of the story is about the governess focusing on the children's innocence, and the governess trying to find her own sexual identity. Priscilla L. Walton wrote a gender criticism themed essay about the Turn of the Screw, which retells certain parts of the story and touches on the significance they provide for the sexually explicit theme. Walton's essay is accurate because James purposely put an undertone of sexuality and identity confusion in the Turn of the Screw.

     Henry James was one of the famous writers during the nineteenth and early twentieth centuries. He was known as an innovative and independent novelist. One of James' novels, The Turn of the Screw (1898), has caused a lot of controversy among many critics, and each of them has had a particular interpretation. James' creative writing built a close connection between his novel and his readers. The reactions of the readers toward The Turn of the Screw can be researched psychologically by analyzing how James developed his story using questionable incidents, an unreliable narrator, unexpected changes, an interesting prologue, and effective images and words.

The insanity of the governess constantly shows throughout The Turn of the Screw by Henry James. The governess believes the ghosts she sees control the children’s behavior. Rather than accepting that their misbehavior might just be childish Mischief, she blames the ghosts of Quint and Miss Jessel. She also sees ghosts that do not appear to be seen by Mrs. Grose, Miles, and little Flora. The children, especially Flora, ultimately grow to fear the governess. The governess proves her insanity instead of her heroism through many of her actions and beliefs during The Turn of The

Before knowing or experiencing contact with Flora, the governess declares this child's beauty unsurpassable and convinces herself that the child could do no wrong; all speculation through a simple glance. So taken by the appearance of Flora was the governess, that she couldn't find herself having a peaceful sleep for some nights after her arrival at Bly.

Interpreting The Turn of the Screw by Henry James from a Marxist point of view brings about serious social class distinctions and consequences of violation within that code. Miles and the unnamed Governess’ relationship demonstrate the wrongdoing of social and legal norms. The Governess’ indeterminate social status leave her as a forbidden woman in Victorian society taking on the role of primary caretaker to children, while Miles embodies the character of the absent master to whom the Governess feels intimately attracted. Mile’s union with rebellious, symbol of threat, Peter Quint, ultimately possesses him and lead to the breakdown of the social hierarchy. The Governess and Mile’s connection display the

Henry James’ The Turn of the Screw has been described as one of the best ghost stories of all time. However, there is clear evidence that the main character, the governess, suffers from delusions. The strange events that occur throughout the story happen in the estate of Bly. The anomalies, described as horrors or ghosts, only come to light after the governess arrives. These events are due to creations of the governess ' mind, her controlling intent to protect and overrule the children, and her unstable mental state. In this way, her thoughts and her actions are the cause of the strange events at Bly.

In the language of today, to be “cultured” is to have knowledge and appreciation for the society around oneself. It is considered a compliment, paid to those that seem to have a deep, intellectual understanding of music, art, education, and anything that epitomizes culture. While different cultures around the world are considered by some to be great and make the world more interesting, they can also have downfalls. Both Ann Beattie, in her short stories “Colorado” and “The Lawn Party”, and Chuck Palahniuk, in his novel Fight Club, make arguments against certain aspects of their respective cultures. Beattie criticizes the apathetic, drugged spirit of the American 1970s, arguing that replacing relationships and curiosity with the cultural norms

Artists aim to construct representation of people and landscapes, exploring this idea through an array of texts types to illustrate the collective human experience; exalting literatures capability to evoke the human psyche as it derives supreme gratification to the individual. This capacity was praised by Maryanne Wolf believing that literature is ‘connecting information to your own background knowledge and helping you form yours own creative thoughts’ thus allowing the composer to provide provocative and diverse insights through the people and landscapes generated. However, this principle isn’t confined to literature; instead, it applies to a multitude of text types as artistic works evoke the subjective view of the individual which Ralph

“From the sphere of my own experience I can bring to my recollection three persons of no every-day powers and acquirements, who had read the poems of others with more and more unallayed pleasure, and had thought more highly of their authors, as poets; who yet have confessed to me, that from no modern work had so many passages started up anew in their minds at different times, and as different occasions had awakened a meditative mood.” (2) (paragraph 31).

In Edith Wharton’s The House of Mirth, Lily Bart is characterized by her artistic nature. She is not only an artist, but a work of art. Lily uses her artistic temperament to enhance her beauty and attract potential suitors. Unfortunately, this use of Lily’s artistic nature is never wholly satisfying.

Henry James’ arrays of characters helps to tie the reality of social conflict in this fictional horror story. His characters each have various economic backgrounds and interact differently with each other. This diversity brings these social conflicts to light and helps readers understand the root of these conflicts. In The Turn of the Screw, Henry James uses characterization and conflict to reveal the horrors of social class in American society.

Ironically, the other present characters at Bly are also fragmented and desire to fulfill the Governess's desires, if the narrative is reliable. Mrs. Grose, who could very well slap the Governess back into

The Turn of the screw by Henry James is regarded as one of the most fascinating psychological thrillers of all time. Published in the late nineteenth century, this novella sets up a narrative story of a young lady who appears to have seen the ghost of the former dead employers of the place where she was working. In this novella Henry James combined drama, suspense, and mystery to make it one of the most preferred stories among the readers of all generations. The Turn of the Screw raises many questions, however: Is the governess going crazy? Is she really seeing the phantoms of those dead former state workers? Is she innocent? Is she the villain or the heroine of

The Turn of the Screw is one of the most controversial works in literature and the text has provoked a variety of critical interpretations from its publication in 1898. In this novel, the governess tells her experience with two apparitions that no one but she could see. And the governess accuses the ghosts of servants for corrupting the children, Miles and Flora. Critics concerning about the truth of the story are divided two basic camps based on their acceptance or rejection of the governess's credibility as a storyteller. Some critics believe that the ghosts are real and the governess is a rational and credible narrator, while the others believe that the ghosts are hallucinations of the governess and regard the governess as an incredible and mentally abnormal narrator. Also, we could speculate the author’s intention on the basis of his life experience and other works of Henry James. This essay will examine the reliability of the governess on the basis of the text and interpret Henry James’s intention on the basis of other sources.